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Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.
This anthology represents scholarly literature devoted to Handel over the last few decades, and contains different kinds of studies of the composer's biography, operatic career, singers, librettists, and his relationship with the music of other composers. Case studies range from recent research that transforms our knowledge of large-scale English works to an interdisciplinary exploration of an individual opera aria. Designed to bring easy and convenient access to students, performers and music lovers, the wide-ranging articles are selected by David Vickers (co-editor of the recent Cambridge Handel Encyclopedia) from diverse sources - not only familiar important journals, but also specialist yearbooks, festschrifts, not easily accessible newsletters, conference proceedings and exhibition catalogues. Many of these represent an up-to-date understanding of modern Handel studies, deal with fascinating biographical issues (such as the composer's art collection, his chronic health problems, and the nature of popular anecdotal evidence), and fill gaps in the mainstream Handelian literature.
This is the first full-length study of Handel by Winton Dean, who has long been recognized as the leading expert on the composer and his works, the operas and oratorios in particular. It charts his career both before and after he moved to England and pays particular attention to his stage works. Book jacket.
This volume of eleven essays, compiled as a tribute to Winton Dean on his seventieth birthday, focuses on that area which has absorbed Winton Dean's interest throughout his distinguished career: opera and other theatre music. The first half of the book covers the period from the late seventeenth century to the mid-eighteenth. The second half of the book ranges over later opera: operacomique; Mendelssohn's operas; the influence of Wagner; the finales of Janácek's operas; and Britten's first two major operas, Peter Grimes and The Rape of Lucretia.
How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?
This revised edition lists approximately 1200 libraries in the UK and the Republic of Ireland, some included for the first time, with details of their rare and special book collections. It covers mainly those printed before 1850, but includes manuscript and modern material where related.
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
This volume identifies the location of the most important books, recordings, graphic materials, and scores held in private music collections. Entries range from 1467 to 1995 and have no geographical or language limitations. Information is divided into categories including catalogs and literature, unnamed collections, the migration of private collections, private collections now in institutions, vendors of collections, and lists, catalogs, and inventories. Data includes where the item can be found, buyers of sales items if an individual library was later put up for sale, birth and/or death dates for important collectors, and other relevant details.
In November 1990, the Handel Institute held its first Triennial Conference, whose subject, "Handel Collections and their History," reflects the great importance for Handel scholarship of the many collections of manuscript copies of his works. These collections provide fascinating insights into the compositional history and chronology of his works and their later modification for performance or for subsequent revival; much too can be learned about Handel's working methods. In this book, Best collects the conference papers given by the international panel of distinguished Handel scholars.