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It is well known that George Eliot's intelligence and her wide knowledge of literature, history, philosophy and religion shaped her fiction, but until now no study has followed the development of her thinking through her whole career. This intellectual biography traces the course of that development from her initial Christian culture, through her loss of faith and working out of a humanistic and cautiously progressive world view, to the thought-provoking achievements of her novels. It focuses on her responses to her reading in her essays, reviews and letters as well as in the historical pictures of Romola, the political implications of Felix Holt, the comprehensive view of English society in Middlemarch, and the visionary account of personal inspiration in Daniel Deronda. This portrait of a major Victorian intellectual is an important addition to our understanding of Eliot's mind and works, as well as of her place in nineteenth-century British culture.
There have been several biographies of George Eliot but this is the first study to focus on her intellectual development. The book provides an analysis of the biographical and intellectual factors which encouraged George Eliot to decide upon fiction as her chosen mode of expression, and demonstrates how that decision was influenced by, and an echoing of, J.S.Mill's and Carlyle's critiques of philosophy.
A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories. Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us.
George Eliot's Life, as Related in Her Letters and Journals is a specific kind of autobiography of English author Mary Ann Evans, better known as George Eliot. This book is based on her correspondence and journals, edited by her husband John Walter Cross. His goal in assembling this work was to make known the woman, as well as the author, through the presentation of her daily life and to show the development of her intellect and character. Eliot was married to Cross only for six months before she died, leaving him with the task to present her life to the public. By arranging all the letters and journals so as to form one connected whole, keeping the order of their dates, the editor and the husband managed to combine a narrative of day-to-day life of this prominent literary figure.
An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.
On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged.
This richly enjoyable biography of the great Victorian novelist reminds us how truly revolutionary was George Eliot... [Ashton] provides luminously sane readings of the marvellous novels.' A.N. Wilson, Evening Standard 'Excellent... Ashton cites Eliot's achievement in a literary landscape which moves from Scott and George Sand to Dickens, Tennyson and Browning... a fluent, vivid book... it makes one thrill again to the breadth of Eliot's genius and the passionate, vulnerable nature that accompanied her wide-ranging mind.' Jenny Uglow, Independent on Sunday 'An extremely impressive work... the George Eliot who emerges from Professor Ashton's book is a remarkable woman of exceptional integrity whose life expresses the spirit of the Victorian age, even as it goes against the very grain of it.' Susie Boyt, Sunday Express
This collection offers students and scholars of Eliot’s work a timely critical reappraisal of her corpus, including her poetry and non-fiction, reflecting the latest developments in literary criticism. It features innovative analysis ­exploring the relation between Eliot’s Victorian intellectual sensibilities and those of our own era. A comprehensive collection of essays written by leading Eliot scholars Offers a contemporary reappraisals of Eliot’s work reflecting a broad range of current academic interests, including religion, science, ethics, politics, and aesthetics Reflects the very latest developments in literary scholarship Traces the revealing links between Eliot’s Victorian intellectual ­concerns and those of today