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This book is a monumental work on the late Romantic Irish poet, George Darley, with a scholarly edition of his complete poetry and a new biography. The text of each poem is meticulously edited from manuscript and printed sources. For the first time, Darley is established as a translator of the First Book of Virgil’s Æneid. A newly discovered manuscript of Darley’s 70 Lenimina Laborum poems enriches the edition, while the celebrated Nepenthe is authoritatively presented with Darley’s manuscript running headnotes. The book introduces over 40 new manuscript letters by Darley, and discusses contemporary reviews of his work and a century of critical commentary. Darley’s influence on Tennyson is evaluated and his vast periodical contributions are examined. In addition, the insightful interpretation of Nepenthe by Edward Hutchinson Synge is presented. This book will be of great interest to scholars of the Romantic period, readers of contemporary periodical journalism, and students of Irish literary history.
The Language of Irish Literature is the first book on the market to discuss Irish Literature in terms of the history of, and the linguistic contacts in, the island. It provides a description of the development of the varieties of English in Ireland, concentrating on the input from Irish Gaelic and Scots as well as English. It examines the history of English in Ireland; the nature of Irish and of Irish Englishes; oral traditions: songs and stories; and the three main literary genres: drama, poetry and prose.
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
The Oxford poetry anthologies ('Oxford Books') are traditionally considered an establishment in attitude. They have been edited by well-known poets and distinguished academics. In the perspective of canon-formation, they have been retrospective and well-researched. Table of Contents: The Oxford Book of Latin Verse: Nvma Pompilivs The Arval Brotherhood Anonymous CN. Naevivs T. Maccivs Plavtvs Marcivs Vates Q. Ennivs M. Pacvvivs L. Accivs Pompilivs Valerivs Aeditvvs Q. Lvtativs Catvlvs Porcivs Licinvs Laevivs M. Fvrivs Bibacvlvs Oracvlvm M. Tvllivs Cicero C. Helvivs Cinna M. Tvllivs Lavrea Q. Tvllivs Cicero C. Ivlivs Caesar C. Licinivs Macer Calvvs T. Lvcretivs Carvs C. Valerivs Catvllvs L. Varivs C. Cilnivs Maecenas P. Vergilivs Maro Q. Horativs Flaccvs Albivs Tibvllvs Domitivs Marsvs Sextvs Propertivs Lygdamvs Svlpicia Panegyristae Messallae Cornelivs Severvs M. Manilivs Albinovanvs Pedo P. Ovidivs Naso... The Oxford Book of English Verse: Robert Mannyng of Brunne John Barbour Geoffrey Chaucer Thomas Hoccleve John Lydgate King James I of Scotland Robert Henryson William Dunbar Anonymous John Skelton Stephen Hawes Sir Thomas Wyatt Henry Howard, Earl of Surrey Nicholas Grimald Alexander Scott Robert Wever Richard Edwardes George Gascoigne... The Oxford Book of Ballads: Thomas the Rhymer Tam Lin Sir Cawline Sir Aldingar Cospatrick Willy's Lady The Queen of Elfland's Nourice Lady Isabel and the Elf-Knight The Riddling Knight May Colvin The Wee Wee Man Alison Gross Kemp Owyne The Laily Worm and the Machrel of the Sea King Orfeo King Henry The Boy and the Mantle King Arthur and King Cornwall The Marriage of Sir Gawain... Modern Oxford Poetry: Oxford Poetry 1917 Oxford Poetry 1919 Oxford Poetry 1920 Oxford Poetry 1921 Oxford Lectures on Poetry: Poetry for Poetry's Sake The Sublime Hegel's Theory of Tragedy Wordsworth Shelley's View of Poetry The Long Poem in the Age of Wordsworth The Letters of Keats The Rejection of Falstaff Shakespeare's 'Antony and Cleopatra' Shakespeare the Man Shakespeare's Theatre and Audience
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.