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This George Alfred Henty book of tales by George Manville Fenn seeks to amalgamate numerous ancient fiction narratives into a unmarried, handy volume, permitting a various readership to interact with the captivating testimonies at an low-priced price. Within this compilation, Fenn skillfully weaves collectively a tapestry of historical adventures, offering a blend of intriguing and outstanding narratives that cater to a huge range of readers, transcending age agencies. Deemed a work of historic fiction, this book serves as a rich repository of Fenn's creative ideas, provided in a consolidated and easily digestible layout. The memories inside spread with a combination of thrilling and extraordinary plots, even as others subtly draw readers into their depths, developing an immersive reading experience. The narrative panorama is characterized via a mess of twists and turns, ensuring that readers are continuously engaged and enthralled by using the unfolding activities. With a current and desirable new cowl, coupled with a professionally typeset manuscript, this version of George Alfred Henty brings a present day and readable flair to Fenn's timeless ancient fiction, making it an engaging alternative for readers searching for a numerous and engaging series of tales spanning diverse ages and hobbies.
In 1914 Europe descended into a slaughter unlike anything that had been seen before. Yet, far from seeing the conflict as a tragedy, many men welcomed it as a healthy development for society, a relief from peace. The Great Adventure explores the intellectual trends that made war seem a natural and high expression of social values. This is not a book about the specific causes of World War I, but a study of the mood in which it could take place. What the book uncovers is a complex of deeply ingrained attitudes about manhood, sex, power, maturity, boredom, and war that defined a culture in which war came to be seen as a positive option. Although the book focuses on attitudes in Great Britain and the United States of nearly a century ago, it makes a remarkably contemporary statement about men, women, and the culture of war., reviewing a previous edition or volume
Volumes for 1898-1968 include a directory of publishers.
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Time is one of the most prominent themes in the relatively young genre of children's literature, for the young, like adults, want to know about the past. This book explores how children's writers have treated the theme and concept of time. The volume starts with the application of literary theory and additionally analyzes examples of the juvenile historical novel. In doing so, it also examines changing fashions in criticism and publishing and the pressure they exert on writers. It then considers literary adaptations of myths and archetypes, constructions of history in children's literature, colonial and postcolonial children's fiction, and the treatment of the past in the postmodern era. The book looks at literature from around the world, and the expert contributors are from diverse countries and backgrounds. While the book looks primarily at literature of the 19th and 20th centuries, it considers a broad range of historical material treated in works from that period. Included are discussions of such topics as Joan of Arc in children's literature, the legacy of Robinson Crusoe, colonial and postcolonial children's literature, the Holocaust, and the supernatural. International in scope, the volume examines history and collective memory in Portuguese children's fiction, Australian history in picture books, Norwegian children's literature, and literary treatments of the great Irish famine.