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No detailed description available for "Culture et Politique / Culture and Politics".
Many scholars, practitioners, and policy-makers in the cultural sector argue that Canadian cultural policy is at a crossroads: that the environment for cultural policy-making has evolved substantially and that traditional rationales for state intervention no longer apply. The concept of cultural citizenship is a relative newcomer to the cultural policy landscape, and offers a potentially compelling alternative rationale for government intervention in the cultural sector. Likewise, the articulation and use of cultural indicators and of governance concepts are also new arrivals, emerging as potentially powerful tools for policy and program development. Accounting for Culture is a unique collection of essays from leading Canadian and international scholars that critically examines cultural citizenship, cultural indicators, and governance in the context of evolving cultural practices and cultural policy-making. It will be of great interest to scholars of cultural policy, communications, cultural studies, and public administration alike.
Polémique autour du Louvre Abu Dhabi, débats sur la restitution du patrimoine africain, questions liées à la reconstruction post-conflit... l'enjeu culturel est central dans l'évolution des relations internationales qu'il permet d'éclairer sous un angle original. Cet ouvrage propose d'analyser l'ensemble des enjeux de la culture dans le monde dans leur dimension à la fois politique, économique et artistique. Comment la culture, via les politiques culturelles et économiques menées par les Etats, est-elle devenue un instrument stratégique pour développer leur influence dans le concert des nations (soft power, smart power, nation branding, marketing culturel) ? Quels sont les enjeux économiques de la culture et les outils à disposition des organisations culturelles et des majors des industries culturelles pour renforcer leurs parts de marché ? Enfin quelles stratégies les artistes – et notamment les artistes contemporains – et les acteurs du patrimoine mettent-ils en oeuvre pour s’adapter au monde globalisé ?
French, British and American research into popular music has coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
This book gathers together papers that present research on public policies in Latin America, all of which adopt a cognitive approach. This theoretical framework is based on the analysis of public policy from a cognitive and normative perspective; more specifically, through the concepts of paradigm, frame of reference and advocacy coalition. In this sense, the main questions posed here are: what paradigms have Latin American public policies followed lately? How have the paradigms responded to ...
The articles that comprise this collection constitute an evaluation of overt and covert influences on political and cultural activity in Western European democracies during the earliest period of the Cold War.
Art and the Challenge of Markets Volumes 1 & 2 examine the politics of art and culture in light of the profound changes that have taken place in the world order since the 1980s and 1990s. The contributors explore how in these two decades, the neoliberal or market-based model of capitalism started to spread from the economic realm to other areas of society. As a result, many aspects of contemporary Western societies increasingly function in the same way as the private enterprise sector under traditional market capitalism. The first volume of this two-volume collection considers a broad range of national cultural policies from European and North American countries, and examines the strengthening of international and transnational art worlds in music, visual arts, film, and television. The chapters cover cultural policy and political culture in the United States, United Kingdom, Germany, France, Switzerland, the Nordic countries, the Balkans, and Slovenia, and address the extent to which Western nations have shifted from welfare-state to market-based ideologies. Tensions between centres and peripheries in global art worlds are considered, as well as complex interactions between nations and international and transnational art worlds, and regional variations in the audiovisual market. Both volumes provide students and scholars across a range of disciplines with an incisive, comparative overview of the politics of art and culture and national, international and transnational art worlds in contemporary capitalism.
Many scholars, practitioners, and policy-makers in the cultural sector argue that Canadian cultural policy is at a crossroads: that the environment for cultural policy-making has evolved substantially and that traditional rationales for state intervention no longer apply. The concept of cultural citizenship is a relative newcomer to the cultural policy landscape, and offers a potentially compelling alternative rationale for government intervention in the cultural sector. Likewise, the articulation and use of cultural indicators and of governance concepts are also new arrivals, emerging as potentially powerful tools for policy and program development. Accounting for Culture is a unique collection of essays from leading Canadian and international scholars that critically examines cultural citizenship, cultural indicators, and governance in the context of evolving cultural practices and cultural policy-making. It will be of great interest to scholars of cultural policy, communications, cultural studies, and public administration alike.