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Developments in Economic Geology, 11: Geology of Tin Deposits focuses on the principles, methodologies, and approaches involved in the study of the geology of tin deposits. The book first tackles metallogenic provinces, primary tin deposits, and tin in the geochemical cycle. Topics include tin distribution, deposits associated with anorogenic granites and passive and/or batholithic magmatic environments, deposits related with terrestrial acid lava flows, classification of provinces and province analysis, and plate tectonics and tin provinces. The manuscript then ponders on the relationship between granitoids and tin concentration, significant geological features of tin deposits and their application in search techniques, and observations on large low grade tin ores. Concerns include tonnage-grade curves of various deposit types, porphyry tin deposits, geochemical prospecting, vein analysis, tin distribution and concentration mechanisms in the igneous environment, and trace element specialization. The text takes a look at the transport of tin in the formation of ore deposits, mineralogy and aspects of the crystal chemistry of tin, aspects of secondary deposits, and economic and management considerations. The publication is a dependable reference for researchers interested in the geology of tin deposits.
Rock art has long been considered an archaeological artifact reflecting activities from the past, yet it is also a phenomenon with present-day meaning and relevance to both indigenous and non-indigenous communities. Relating to Rock Art in the Contemporary World challenges traditional ways of thinking about this highly recognizable form of visual heritage and provides insight into its contemporary significance. One of the most visually striking forms of material culture embedded in landscapes, rock art is ascribed different meanings by diverse groups of people including indigenous peoples, governments, tourism offices, and the general public, all of whom relate to images and sites in unique ways. In this volume, leading scholars from around the globe shift the discourse from a primarily archaeological basis to one that examines the myriad ways that symbolism, meaning, and significance in rock art are being renegotiated in various geographical and cultural settings, from Australia to the British Isles. They also consider how people manage the complex meanings, emotions, and cultural and political practices tied to rock art sites and how these factors impact processes relating to identity construction and reaffirmation today. Richly illustrated and geographically diverse, Relating to Rock Art in the Contemporary World connects archaeology, anthropology, and heritage studies. The book will appeal to students and scholars of archaeology, anthropology, heritage, heritage management, identity studies, art history, indigenous studies, and visual theory, as well as professionals and amateurs who have vested or avocational interests in rock art. Contributors: Agustín Acevedo, Manuel Bea, Jutinach Bowonsachoti, Gemma Boyle, John J. Bradley, Noelene Cole, Inés Domingo, Kurt E. Dongoske, Davida Eisenberg-Degen, Dánae Fiore, Ursula K. Frederick, Kelley Hays-Gilpin, Catherine Namono, George H. Nash, John Norder, Marianna Ocampo, Joshua Schmidt, Duangpond Singhaseni, Benjamin W. Smith, Atthasit Sukkham, Noel Hidalgo Tan, Watinee Tanompolkrang, Luke Taylor, Dagmara Zawadzka