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New essays on the first flowering of German literature, in the High Middle Ages and especially during the period 1180-1230.
Drawing upon the most current methodologies, the essays in this book pursue the multifarious functions of end-times in medieval German texts.
This volume is a guide to medieval German literature from its beginnings in the eighth century to the fourteenth century. It will escort the motivated student and colleague with interest in the European Middle Ages but no expertise in older German languages. The chapter authors, all internationally-known scholars, were given the freedom to arrange their chapters as they felt most appropriate, including the question of the terminus ad quem. Chapters deal either with a chronological period, e.g. 13th century, or with specific genres, eg. drama. In addition, chapters both on the historical epoch and on the development of the German language in the medieval period have been included. In general, historical and cultural topics play an important role in each chapter.
"An essential volume for medievalists and scholars of comparative literature, Medieval Lyric opens up a reconsideration of genre in medieval European lyric. Departing from a perspective that asks how medieval genres correspond with twentieth-century ideas of structure or with the evolution of poetry, this collection argues that the development of genres should be considered as a historical phenomenon, embedded in a given culture and responsive to social and literary change.".
This study explains how the Volksbuch developed from the medieval courtly romance under the influence of complex sociological, economic, technological, and cultural factors during the 15th century and became an art form in its own right. The new genre was characterized by a wide range of styles, from the earthy plot and language of Till Eulenspiegel to the formal style and moralistic didacticism of the Magelone. The study goes on to examine the history of the genre's critical evaluation from the Romantic period to the present, providing a close-up survey of the history of German literary scholarship. It also discusses four major representatives of the genre: Thuring von Ringoltingen's Melusine, the anonymous Fortunatus, Till Eulenspiegel, and Historia von D. Johann Fausten. This book should interest not only students and scholars of German, but also those interested in the social, historical, and mental transition of Germany from the late Middle Ages to the modern age.
This study brings recent scholarly debates on oral cultures and literate societies to bear on the earliest recorded literature in German (800-1300). It considers the criteria for assessing what works were destined for listeners, what examples anticipated readers, and how for both modes of reception could apply to one work, exploring the possible interplay between them. The opening chapters review previous scholarship and the introduction of writing into preliterate Germany. The core of the book presents lexical and non-lexical evidence for the different modes of reception, taken from the whole spectrum of genres, from dance songs to liturgy, from drama and heroic literature to the court narrative and lyric poetry. The social contexts of reception and the physical process of reading books are also considered. Two concluding chapters explore the literary and historical implications of the slow interpenetration of orality and literacy. There is a comprehensive bibliographical index of primary sources.
'A New History of German Literature' offers some 200 essays on events in German literary history.
Construction of Textual Authority in German Literature of the Medieval and Early Modern Periods