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The 'Hundred Days' campaign of 1918 remains a neglected aspect of the First World War. Why was the German army defeated on the Western Front? Did its morale collapse or was it beaten by the improved military effectiveness of a British army which had climbed a painful 'learning curve' towards modern combined arms warfare? This revealing insight into the crucial final months of the First World War uses state-of-the-art methodology to present a rounded case study of the ability of both armies to adapt to the changing realities they faced. Jonathan Boff draws on both British and German archival sources, some of them previously unseen, to examine how representative armies fought during the 'Hundred Days' campaign. Assessing how far the application of modern warfare underpinned the British army's part in the Allied victory, the book highlights the complexity of modern warfare and the role of organisational behaviour within it.
What is War Artist An artist who documents first-hand experiences of war through any sort of illustrative or depictive record is referred to as a war artist. This artist may be commissioned by a government or newspaper, or they may chronicle their experiences on their own initiative. Artists who work in the field of war investigate the visual and sensory aspects of combat, which are frequently lacking from written histories and other narratives of warfare. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War artist Chapter 2: Imperial War Museum Chapter 3: Australian and New Zealand Army Corps Chapter 4: Military art Chapter 5: History of the Great War Chapter 6: William Orpen Chapter 7: Will Longstaff Chapter 8: Anna Airy Chapter 9: QF 13-pounder gun Chapter 10: Arthur John Ensor (II) Answering the public top questions about war artist. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Artist.
When Russia entered World War I, its government was unprepared for the strains that modern warfare would impose on its industrial resources. Russia turned to foreign suppliers, most significantly the United States, and made extensive purchases largely financed by loans from the British. The Imperial Russian government's efforts to procure much-needed military supplies in the American market before and after America's entry into World War I are the focus of this work. It reveals the disorder that characterized the first Russian purchasing efforts in America in 1914 when the full demand had not yet been felt, and how these efforts were transformed by the shell crisis of 1915 and the involvement of representatives of the zemstvos and industry in the formal overseas purchasing process. This book also looks at Russia's dependence on the British for funding, the mature phase of purchasing in mid-1916, a single order placed by the zemstvo movement with the American Locomotive Company, the Russian Supply Commission's struggle to deal with America's entry into the war, and the collapse of Russia's Imperial and Provisional governments.
In this book, Tim Jenkins examines the factory worker poisonings and suspect government procurement procedures that resulted in Allied success in the air during First World War. The early development of aircraft during World War I was an important yet dangerous part of the war effort seen in the First World War and although many descriptions of daring aerial combat have been written, the risk to those involved in the manufacture of such machines remains less well known. Tetrachlorethane, a poisonous solvent contained in aircraft dope, was responsible for a number of civilian deaths in aircraft factories and although the British knew the substance to be lethal, they were much slower than their American and German counterparts in sourcing alternatives. In this groundbreaking book, Tim Jenkins explores the use of Tetrachlorethan and brings to light the concerns and warnings voiced by the international medical profession. His examination considers the government's reasons for its use of the poisonous solvent to create a compelling yet scholarly account which takes in corruption, negligence and wartime manufacture. This book will be vital to scholars studying military production during the First World War.
In August 1914, Kitchener's 'Contemptible Little Army' was highly professional but small, equipped with only what they could carry – and they were facing a force of continental proportions, heavily armed and well supplied. The task of equipping the British Army was truly Herculean. Many able men had volunteered to fight in the trenches, and others would soon be called up, so this vital work was to be undertaken by the ordinary men and women left behind. In time, the government recognised the need for skills of engineering and logistics, and many of those who had survived the onslaught were brought back home to work. Ordnance is the story of these men and women. It traces the provision of equipment and armaments from raw material through manufacture to the supply routes that gave the British Army all the material it needed to win the war. It is a story of some failures, but also of ingenuity and effort on the part of ordinary people to overcome shortfalls in organisation. It is a story of some lessons learnt, but of others that weren't, and these would have long-lasting repercussions.