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This 5th century work, likely composed by the Armenian saint, Mesrop Mashtots, illustrates the family dynamic and political conflict that surrounds both St. Gregory the Illuminator, and Nerses I the Great, both Catholicos of Armenia. The historicity of this text is obscured, as it appears to be a function of the 5th century, with larger later additions coming from the medieval period. It does offer some insight into the early Armenian church and the weave of familial ties that supported it in its earliest centuries.
The papacy has often resembled a secular European monarchy more than a divinely inspired institution. Roman pontiffs bestowed great wealth on their families and forged strategic alliances with other powerful families to increase their power. Pope Alexander VI (Rodrigo Borgia), for example, forced his daughter Lucrezia into a series of marriages for political reasons. When her marital alliance was no longer advantageous, as was the case in her second marriage, her husband was brutally murdered. Many papal families also intermarried in hopes of forming a hereditary papacy; at least two members of the Fieschi, Piccolomini, Della Rovere, and Medici families served as pope. Papal families since the early history of the church are fully covered in this comprehensive work. Genealogical charts graphically show the descendants of the popes, presenting in many cases the interrelationships between the papal families and their relationships with many of the leading families of Europe. Detailed histories examine the impact of the papacy on each pope's family and how each influenced the history of the church.
A genealogical history of the descendants of Abraham Morrill (b c1615) in Hatfield, Broad Oak, Uttlesford, Essex, England.
ST. GREGORY PALAMAS represents Orthodox theology at its most sublime. Patristic theology in the fourteenth century, of which St. Gregory is indubitably the greatest exponent, touched the very boundaries of theological expression. St. Gregory’s sermons are among the finest in Patristic literature. In his treatment of the manifold themes contained therein, he is remarkably consistent in maintaining a balance between originality of thought and strict adherence to the tradition of his predecessors. Moreover, his genius resides in the ease with which he demonstrates, as only a master of the spiritual life can, the refreshingly practical significance of the doctrines of the Church for the Life in Christ. Dr. Christopher Veniamin is a spiritual child of St. Sophrony the Athonite (1896-1993), a graduate of the Universities of Thessalonica and Oxford, has served as Professor of Patristics at St. Tikhon’s Seminary (1994-2023), and as Dean and COO of The Antiochian House of Studies (2015-2020). He is also the author of The Orthodox Understanding of Salvation: "Theosis" in Scripture and Tradition; and The Transfiguration of Christ in Greek Patristic Literature: From Irenaeus of Lyons to Gregory Palamas With Addendum The Transfiguration of Christ in the "Spiritual Homilies" of Macarius the Egyptian. His translation, Saint Gregory Palamas: The Homilies, for which he wrote a prodigious number of scholia, is arguably the greates single-volume commentary on the Bible in Patristic literature.
The portrayal of princes plays a central role in the historical literature of the European Renaissance. The sixteen contributions collected in this volume examine such portrayals in a broad variety of historiographical, biographical, and poetic texts. It emerges clearly that historical portrayals were not essentially bound by generic constraints but instead took the form of res gestae or historiae, discrete or collective biographies, panegyric, mirrors for princes, epic poetry, orations, even commonplace books – whatever the occasion called for. Beyond questions of genre, the chapters focus on narrative strategies and the transformation of ancient, medieval, and contemporary authors, as well as on the influence of political, cultural, intellectual, and social contexts. Four broad thematic foci inform the structure of this book: the virtues ascribed to the prince, the cultural and political pretensions inscribed in literary portraits, the historical and literary models on which these portraits were based, and the method that underlay them. The volume is rounded out by a critical summary that considers the portrayal of princes in humanist historiogrpahy from the point of view of transformation theory.
Prosopography definition: "a study that identifies and relates a group of persons or characters within a particular historical or literary context"--Http://www.merriam-webster.com/dictionary/prosopography.
Beginning in 1924, Proceedings are incorporated into the Apr. no.