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My aim with this publication is to make the major genealogies of Japanese swordsmiths and their schools from the kotô to the shintô and shinshintô periods easily accessible to the Western reader, namely in that they are complete and have been revised for the first time, in a single book. The publication begins with a brief introduction to the history of Japanese sword literature. Ziel dieser Publikation ist es, dem westlichen Leser die Stammbäume japanischer Schmiede und deren Schulen von der kotô- über die shintô- bis zur shinshintô-Periode erstmals gesammelt und revidiert zugänglich zu machen. Diese Publikation beinhaltet zudem eine kurze Einführung in die Geschichte der japanischen Schwertliteratur.
Connoisseur's Book Japanese Swords is a Kodansha International publication.
This book should bring the reader more near to the no less interesting era of the ,,New Sword", the shinto. With the transition to the peaceful Edo period, the Japanese sword experienced considerable changes which are briefly touched in some other sword publications. This book now tries to present the historical and scholastic changes of the shinto in a comprehensive manner. The reader should get an idea about the activities of the Edo-period swordsmiths in all the provinces and how - if at all - they were connected in terms of school or workmanship. The classification based on the traditional gokaden is no longer applicable in shinto times and so a more geographical processing suggests itself. In the beginning we have the large sword centres of Kyoto, Osaka and Edo. Subsequently, all other provinces follow, arranged according to their ,,significance" in the sword world and in context with each other to avoid as much as possible big geographical and theoretical jumps.
The aim of this publication is to make the genealogies of the Japanese tsuba and tôsô-kinkô schools easily accessible to the reader, namely in that they are complete and have been revised for the first time, in a single book. The book contains 120 genealogies of all the major schools, divided up into two sections: the tankô who worked in iron, and the tôsô-kinkô who processed soft metal. For a better use of the genealogies, an extensive index is added at the end of the book.
With this publication I try to systematically and comprehensively process the subject of ,,Japanese sword mountings". It was not my goal to depict as many extant interpretations of sword mountings as possible but to deal with their different styles. With this publication the reader will be informed in which way the Japanese swords were mounted over time, the origins of the various styles, what changes they underwent and it will also serve as a reference material to classify extant specimen. In this sense the descriptions were embedded in an explanation of their historical context rather then listing them simply by their interpretation or in alphabetical order. As the main focus lies on ,,koshirae", explanations on the sword fittings - the tosogu - were omitted because their descriptions can be easily found elsewhere. Also, the military mountings - the gunto-koshirae - were left out because there are excellent publications available which deal with them in great detail.
"This index contains a comprehensive listing of more than 20,000 Japanese swordsmiths, from the early days right down to modern times, i.e. from kotô to shinsakutô. It is not simply a list of names, it also provides biographical information according to the extent of a smith's fame. Aim is to give the reader a coherent picture of a certain smith, that means his civilian name, how did he sign, in which style did he work, and who was his master or his school environment. Thereby, the most common theories on a smith are included and discrepancies in the transmissions are pointed out. This work is a revised and completely new recorded list of smiths by incorporating all relevant Japanese and non-Japanese sources. Incorrect entries and double listings were deleted and readings corrected. The smiths are listed in alphabetical order and sorted according to their used characters. A list of all characters used in the names of the smiths in this index is available, sorted by stroke order, so that the search of a smith with an unknown reading is also possible."--Back cover.
This book deals systematically, for the first time in English, with all the Japanese tôsô-kinkô schools and sorted by their production sites such as Kyôto, Edo, Mito, Higo and the like. Comprehensive cross references are given for the origins of the individual schools and the master-student relationship(s) of the individual artists, supported by genealogies for the larger schools. In addition, a detailed introduction of the historical context of the Japanese tôsô-kinkô, the manufacturers of sword fittings, is given at the beginning. Also added is an extensive index containing all the names, first names and pseudonyms of the artists introduced in this publication.
I now complete the series with the ,,Nihon-shinshinto-shi", the history of the shinshinto era of Japanese swords, starting from Suishinshi Masahide ́s initiation of a new trend around An ́ei (1772-1781) to the ban on swords issued by the Meiji government in 1876. As with the ,,Nihon-koto-shi" and the ,,Nihon-shinto-shi", the reader should be able to grasp a coherent picture of the backgrounds and scholastic activities around the Japanese sword at the end of the feudal era. Finally, the time scale must not be overlooked: The ,,Nihon-koto-shi" had to deal with roughly 800 years, from the Nara to the end of the Muromachi period, and the ,,Nihon-shinto-shi" comprised ,,just" about 200 years, whereas the shinshinto era lasted only about a century.
"This index contains a comprehensive listing of more than 20,000 Japanese swordsmiths, from the early days right down to modern times, i.e. from kotô to shinsakutô. It is not simply a list of names, it also provides biographical information according to the extent of a smith's fame. Aim is to give the reader a coherent picture of a certain smith, that means his civilian name, how did he sign, in which style did he work, and who was his master or his school environment. Thereby, the most common theories on a smith are included and discrepancies in the transmissions are pointed out. This work is a revised and completely new recorded list of smiths by incorporating all relevant Japanese and non-Japanese sources. Incorrect entries and double listings were deleted and readings corrected. The smiths are listed in alphabetical order and sorted according to their used characters. A list of all characters used in the names of the smiths in this index is available, sorted by stroke order, so that the search of a smith with an unknown reading is also possible."--Back cover.
A fascinating look at ancient Japanese weaponry, complete with 150 dazzling full-color photographs.