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In the three decades following World War II, a group of architects centered in the Puget Sound region were designing buildings of extraordinary quality, whose most evident commonality was the use of wood in profusion, as exposed, meticulously detailed structure and as interior and exterior surface. Gene Zema, a 1950 graduate of the University of Washington and a student of the legendary Lionel Pries, was one of this group. In a career that spanned twenty years, Zema designed forty-six houses, seven clinics, two architectural offices, a nursery, and a golf clubhouse, and he participated in the design of two University buildings. He built several buildings with his own hands, developing a consummate sense of appropriate design in wood. The luxuriantly crafted details and uniquely dramatic spatial compositions of his work place it at the forefront of that remarkable movement. Zema was also a distinguished collector and retailer of Native American and Japanese antiquities. In 1983, relying on the sale of antiquities for income and limiting his architectural practice, he and his wife, Janet, bought a 70-acre meadow on Whidbey Island. On their property Zema built a workshop, a windmill and pump house, a chicken house, a home, a peacock house, and a kiln, all of which are as remarkable as his earlier masterpieces. Gene Zema is an iconic figure among those who know his work, but the region to which his work is intimately bound is far from the centers of architectural journalism and his story is little known. It is the story of a unique figure in an extraordinary American architectural movement and an exceptional figure in the history of the Pacific Northwest. Grant Hildebrand is professor emeritus of architecture and art history at the University of Washington, and author of eight books on architecture, including Suyama: A Complex Serenity, The Wright Space: Pattern and Meaning in Frank Lloyd Wright's Houses, and Frank Lloyd Wright's Palmer House. He is a recipient of the Washington Governor's Writers Award for work of literary merit and lasting value.
The first edition of Shaping Seattle Architecture, published in 1994, introduced readers to Seattle’s architects by showcasing the work of those who were instrumental in creating the region’s built environment. Twenty years later, the second edition updates and expands the original with new information and illustrations that provide an even richer exploration of Seattle architecture. The book begins with a revised introduction that brings the story of Seattle architecture into the twenty-first century and situates developments in Seattle building design within local and global contexts. The book’s fifty-four essays present richly illustrated profiles that describe the architects' careers, provide an overview of their major works, and explore their significance. Shaping Seattle Architecture celebrates a wide range of people who helped form the region's built environment. It provides updated information about many of the architects and firms profiled in the first edition. Four individuals newly included in this second edition are Edwin J. Ivey, a leading residential designer; Fred Bassetti, an important contributor to Northwest regional modernism; L. Jane Hastings, one of the region’s foremost women in architecture; and Richard Haag, founder of the landscape architecture program at the University of Washington and designer of Gas Works Park and the Bloedel Reserve. The book also includes essays on the buildings of the Coast Salish people, who inhabited Puget Sound prior to Euro-American settlement; the role that architects played in speculative housing developments before and after World War II; and the vernacular architecture built by nonprofessionals that makes up a portion of the fabric of the city. Shaping Seattle Architecture concludes with a substantial reference section, updated to reflect the last twenty years of research and publications. A locations appendix offers a geographic guide to surviving works. The research section directs interested readers to further resources, and the appendix “Additional Significant Seattle Architects” provides thumbnail sketches of nearly 250 important figures not included in the main text.
The newest titles in the Princeton Architectural Press Campus Guide series take readers on an insider's tour of the University of Washington in Seattle, Rice University in Houston, and Cranbrook in Bloomfield Hills, Michigan. Beautifully photographed in full color, the guides present architectural walks at three of America's finest campuses, revealing the stories behind the historic and contemporary buildings, gardens, and works of public art. The University of Washington, designed by landscape architects the Olmsted Brothers, features works by Bebb and Gould, Cesar Pelli, Edward Larrabee Barns, and Gwathmey Siegel.
A recent volume of this series (Signals and Signal Transduction Pathways in Plants (K. Palme, ed.) Plant Molecular Biology 26, 1237-1679) described the relay races by which signals are transported in plants from the sites of stimuli to the gene expression machinery of the cell. Part of this machinery, the transcription apparatus, has been well studied in the last two decades, and many important mechanisms controlling gene expression at the transcriptional level have been elucidated. However, control of gene expression is by no means complete once the RNA has been produced. Important regulatory devices determine the maturation and usage of mRNA and the fate of its translation product. Post-transcriptional regulation is especially important for generating a fast response to environmental and intracellular signals. This book summarizes recent progress in the area of post-transcriptional regulation of gene expression in plants. 18 chapters of the book address problems of RNA processing and stability, regulation of translation, protein folding and degradation, as well as intracellular and cell-to-cell transport of proteins and nucleic acids. Several chapters are devoted to the processes taking place in plant organelles.