Download Free Genders And Sexualities In Indonesian Cinema Book in PDF and EPUB Free Download. You can read online Genders And Sexualities In Indonesian Cinema and write the review.

Indonesia has a long and rich tradition of homosexual and transgender cultures, and the past 40 years in particular has seen an increased visibility of sexual minorities in the country, which has been reflected through film and popular culture. This book examines how representations of gay, lesbian and transgender individuals and communities have developed in Indonesian cinema during this period. The book first explores Indonesian engagement with waria (male-to-female transgender) identities and the emerging representation of gay and lesbi Indonesians during Suharto’s New Order regime (1966-98), before going on to the reimagining of these positions following the fall of the New Order, a period which saw the rebirth of the film industry with a new generation of directors, producers and actors. Using original interview research and focus groups with gay, lesbi and waria identified Indonesians, alongside the films themselves and a wealth of archival sources, the book contrasts the ways in which transgendered lives are actually lived with their representations on screen.
Indonesia has a long and rich tradition of homosexual and transgender cultures, and the past 40 years in particular has seen an increased visibility of sexual minorities in the country, which has been reflected through film and popular culture. This book examines how representations of gay, lesbian and transgender individuals and communities have developed in Indonesian cinema during this period. The book first explores Indonesian engagement with waria (male-to-female transgender) identities and the emerging representation of gay and lesbi Indonesians during Suharto’s New Order regime (1966-98), before going on to the reimagining of these positions following the fall of the New Order, a period which saw the rebirth of the film industry with a new generation of directors, producers and actors. Using original interview research and focus groups with gay, lesbi and waria identified Indonesians, alongside the films themselves and a wealth of archival sources, the book contrasts the ways in which transgendered lives are actually lived with their representations on screen.
This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of Islamic popular culture. It considers scholarship on gender in Indonesian cinema through the lens of power relations. With key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, Indonesia cinema resonates with the socio-political changes and upheavals in Indonesia’s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia. Offering cutting edge accounts of the production of Islamic cinema, this new book considers gendered dimensions of Islamic media creation which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.
Gender, Sexuality and Islam in Contemporary Indonesia explores gender, sexuality and religion in contemporary Indonesia. It is the first book-length analysis of the experiences of queer Muslims in Indonesia, the largest Muslim country and the world’s fourth most populous nation, as well as the first monograph exploring the voices of their allies vis-à-vis the role of Indonesian progressive Islam and Islam Nusantara. An ethnographic study based on semi-structured in-depth interviews, participant observation and media analysis, the book analyses how queer Indonesian Muslims come to, and navigate, their gender, sexual and religious subjectivities and subject positions, beliefs and practices. This is done by paying attention to their interactions with family, education, media, and peers. It also investigates the emergence of queer religious geographies through the case of an annual camp leading to alternative discussions on gender, sexuality, and religion impacting processes of subjectivity formation among participants. The author draws on recent scholarship that attends to ‘agency’ not merely as a synonym for resistance but also as a modality of action to examine the rise of queer religious agentic systems through the everyday practices of queer Muslims. Finally, the book explores the background of the allies of queer Muslims who have come to develop queer-inclusive strategies from within Islam by considering the processes that shaped their advocacy and the role of Islam Nusantara. The book reflects on the critical role of Islam for gender and sexual minorities in Indonesia. Presenting the voices, practices and activism of present-day Indonesians to explore the position of Islam as a source of emotional strength, guidance, and social support, this book will be of interest to researchers in the fields of Gender and Sexuality Studies, Religious Studies, Asian Studies and Southeast Asian Studies, Islamic Studies and Queer Anthropology.
This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.
Winner of the 2015 Ruth Benedict Prize for Outstanding Edited Volume Sex, sexuality and sexual relationships are hotly debated in Indonesia, triggering complex and often passionate responses. This innovative volume explores these issues in a variety of ways. It highlights historical and newer forms of sexual diversity, as well as the social responses they provoke. It critiques differing representations of sexuality, pointing to the multiplicity of discourses within which sexuality and ‘the sexual’ are understood in modern-day Indonesia. Placing sexuality centre-stage and locating it within the specific historical context of the Reformasi era, this landmark volume explores understandings and practices across a wide variety of sites, focusing in on a diverse group of Indonesian actors, and the contested meanings that sexuality carries. Beginning with a substantive introduction and concluding with a scholarly reflection on key issues, the volume is framed around the four themes of sexual politics, health, diversity and representations. It seeks both to present new empirical findings as well as to add to existing theoretical analysis. This work fills an important gap in our understanding of the evolution and contemporary dynamics of Indonesian sexualities. It will be of interest to scholars and academics from disciplines including gender and sexuality studies, global health, sexual and reproductive health, anthropology, sociology and Asian studies.
This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors
Tang and Wijaya present a range of new and established scholarly voices, including local activists directly involved in developments in Southeast Asia. This groundbreaking collection presents the current state of play and longstanding LGBTQ+ debates in this often-overlooked region of Asia. The diversity of both the subject and the region is reflected in the broad scope of topics addressed, from the impact of Japanese queer popular culture on queer Filipinos, to the politics of public toilets in Singapore, and the impact of digital governance on queer communities across ASEAN. Taken in combination, these investigations not only highlight the operations of queer politics in Southeast Asia, but also present a concrete basis to reflect on queer knowledge production in the region. A vital resource for students and scholars of gender and sexuality in Southeast Asia, or any Queer or LGBTQ+ studies looking beyond the West.
Activists in Transition examines the relationship between social movements and democratization in Indonesia. Collectively, progressive social movements have played a critical role over in ensuring that different groups of citizens can engage directly in—and benefit from—the political process in a way that was not possible under authoritarianism. However, their individual roles have been different, with some playing a decisive role in the destabilization of the regime and others serving as bell-weathers of the advancement, or otherwise, of Indonesia's democracy in the decades since. Equally important, democratization has affected social movements differently depending on the form taken by each movement during the New Order period. The book assesses the contribution that nine progressive social movements have made to the democratization of Indonesia since the late 1980s, and how, in turn, each of those movements has been influenced by democratization.
Here, the history of the Indonesian LBT movement is charted, from invisibility, to visibility and now as it moves again into hiding. In the early 1980s, during the oppressive military dictatorship called the New Order in Indonesia, the first organizations of Lesbian, Bisexual and Trans persons were established. They were short-lived, but prepared the ground for a more comprehensive LBT rights movement after the democratic opening of society in 1998. From 2000 to 2015 the visibility of the movement grew, until a vicious state-sponsored backlash set in, driven by majoritarian, fundamentalist Islamist groups. Saskia Wieringa tracks the movement's progress and explores the persistence of the butch/femme model of relationships; the proliferations of identities; family violence and conversion therapy; religion; and the anti-LGBT campaign. In its insistence on the local dynamics of this movement, the book aims to debunk the idea that homosexuality is a Western import. Chapters deal with the many religious and secular phenomena that are linked with gender diversity and same-sex relations traditionally, and the erasure of many of these traditions is explained using the concept of postcolonial amnesia. A Political Biography of the Indonesian Lesbian, Bisexual and Trans Movement is also a contribution to the growing literature on decolonization studies, pointing out that its dynamics, its historical course and its present condition, different as they are from the dominant Western view on a global LGBT movement, needs to be considered as valuable as accounts of Western LGBT histories are.