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Essay from the year 2019 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Amsterdam, language: English, abstract: Oscar Wilde's plays are characterized by satirical wit that exposes and derides the norms, values and believes of Victorian society. Although it could be argued that his comedies were mainly designed to amuse the aristocratic audience, his characters challenge the dominate gender roles in a revolutionary way. In her article "Gender roles in the 19th century," Kathryn Hughes explains, that "during the Victorian period men and women's roles became more sharply defined than at any time in history." It can be said that the clear division of two gender roles is created by a social system and the prevailing cultural beliefs of a society.
Jack Worthing gets antsy living at his country estate. As an excuse, he spins tales of his rowdy brother Earnest living in London. When Jack rushes to the city to confront his "brother," he's free to become Earnest and live a different lifestyle. In London, his best friend, Algernon, begins to suspect Earnest is leading a double life. Earnest confesses that his real name is Jack and admits the ruse has become tricky as two women have become enchanted with the idea of marrying Earnest. On a whim, Algernon also pretends to be Earnest and encounters the two women as they meet at the estate. With two Earnests who aren't really earnest and two women in love with little more than a name, this play is a classic comedy of errors. This is an unabridged version of Oscar Wilde's English play, first published in 1899.
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Essay from the year 2017 in the subject American Studies - Literature, , language: English, abstract: Apparently, the general public was slanted to underestimate and command over ladies. Aside from directing their conduct and particular requirements of them, these ladies are likewise underrated. Notwithstanding when they have administration positions, they are as yet thought to be second rate compared to men. For example, it is clear from the two plays that fundamental rights like training and voting were not permitted to women. Also, both novels demonstrate that men needed to act more than moms; they looked down on women. Regardless of their enlivening and clatter for autonomy, the difficulties ladies need to persist are as yet incalculable
This book reads Oscar Wilde's literary texts in relation to his open support for revolutionaries, along with his expressions of solidarity with Irish republicans, anarchists, workers and migrants.
At the time of its publication, a woman's sexual desire was thought to be muted, even nonexistent. Sexual pursuits of any kind were thought to be a man's game, left for a woman to indulge or deny. The novel and its author so obviously challenges the standing ideas of what desire looks like and who it can come from. The main protagonist disguises herself as four different women in her efforts to understand how a man may interact with each individual persona. She is intrigued by the men at the theater and the attention they pay to the prostitutes there, decides to pretend being a prostitute herself. Disguised, she especially enjoys talking with Beauplaisir, whom she has encountered before, though previously constrained by her social status's formalities. He, not recognizing her, and believing her favors to be for sale, asks to meet her. She demurs and puts him off until the next evening.... The story explores a variety of themes, almost none of which come without literary dispute and controversy. The protagonist's game of disguise touches on everything from gender roles, to identity, to sexual desire.
The present collection of essays is the outcome of the Oscar Wilde conference held at the Technical University of Dresden, 31 August - 3 September 2000. The papers cover a wide range of historical and comparative aspects: they look into the status of Wilde as poet, dramatist, essayist and intellectual during his own times as well as investigate the meaning of his work for subsequent writers and critics, thus, giving an outline of the Wildean history of literary reception, intellectual discourse and media transformation. Intellectually brilliant and challenging, Oscar Wilde had been a favourite of the late Victorians, performing the roles of the dandy and the poet of art for art's sake. However, due to his questioning of prevalent moral double standards and his insistence on the autonomy of art, he was indicted for gross indecencies, convicted, and sent to prison. Instead of being ostracised, he became a source of inspiration for writers and artists on the British isles as well as on the European continent. The papers in this volume explore such topics as Wilde's concepts of socialism and aestheticism, his fashioning of the femme fatale and of the dandy, his use of fashion and of simulation, his impact on modernism and postmodernism as well as on genres such as crime writing and fictional biography, and the influence of Wilde on writers such as James Joyce, W.B. Yeats, Joe Orton, Peter Ackroyd, Tom Stoppard, David Hare and Mark Ravenhill. Other papers focus on the reception of Wilde in Russia, former Yugoslavia, Hungary and Germany as well as on cinematic and Internet representations of Wilde. Critical and creative responses vary from the general to the specific - from traditional assessments to analyses of the arts of camp, parody, and pastiche; thus, indicative of the (sub)cultural appropriation of 'Saint Oscar' (Terry Eagleton).
This volume presents interpretive essays utilizing a variety of approaches to honor the 160th anniversary of Oscar Wilde’s birth, celebrating the writer’s genius. This unique collection of scholarship explores a broad spectrum of subjects, including his travels, sexuality, children’s literature, jail writings, novel, poetry, individualism, masks, homosexuality, influence on others, and morality. It offers historical, biographical, psychological and sociological perspectives written by international experts and features a broad spectrum of subjects which will appeal to a range of scholars seeking original and alternative approaches to understanding Oscar Wilde, his aesthetics and his influence in a variety of genres in the twenty-first century. The multiplicity of interest in the writer expands across genres, disciplines, cultures and time. Quintessential Wilde examines his intellectual strength in “His Worldly Place,” analyzes his ingenious thoughts in “His Penetrating Philosophy,” and recounts his enduring place in “His Influential Aestheticism.”
'Women's Lives, Men's Laws' collects papers by MacKinnon from 1980 to the present, in which she discusses the deep gender bias of American law and the changes to legislation on sexual harassment, rape and battering, to which she has contributed.