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Captain Minoru Genda was the mastermind behind the raid on Pearl Harbor. He was commander of the 343 Kokutai-an elite unit of handpicked pilots chosen to fly Japan's newest and most advanced fighter, the Shiden-Kai (George), in the bitter defensive air battles over the Japanese homeland during the first half of 1945. The authors have spent years tracing and interviewing former pilots of both the 343 Kokutai and the American carrier and bomber groups that they encountered, to piece together this dramatic story and tell it largely from the personal perspective. The narrative is spiced with 300 remarkable photographs, most of which are published for the first time in an English language book. Accompanied by color artwork and written by acknowledged experts on Japanese military aviation, this book will be an essential requirement for any student of the Pacific air war.
Focusing on a less acknowledged period in Action Cinema history, Gender and Action Films prioritises female led action movies and champion a more meaningful interaction and representation between the Action genre and contemporary issues of race, sexuality, and gender.
A young sword prodigy must impersonate a lost princess and throw her life into a deadly political game, in this kinetic epic fantasy novel by the author of the award-winning Majat Code series Naia dreams of becoming a Jaihar Blademaster, but after assaulting a teacher, her future seems ruined. The timely intervention of a powerful stranger suddenly elevates her into elite Upper Grounds training. She has no idea that the stranger is Dal Gassan, head of the Daljeer Circle. Seventeen years ago he witnessed the massacre of Challimar’s court and rescued its sole survivor, a baby girl. Gassan plans to thrust a blade into the machinations of imperial succession: Naia. Disguised as the legendary Princess Xarimet of Challimar, Naia must challenge the imperial family, and win. Naia is no princess, but with her desert-kissed eyes and sword skills she might be close enough… File Under: Fantasy [ Warrior Foretold | Royal Massacre | Wrongful Heir | Forbidden Kingdom ]
Questioning essentialist forms of feminist discourse, this work develops an innovative approach to gender and feminist theory by drawing together the work of key feminist and gender theorists, such as Judith Butler and Donna Haraway, and the biopolitical philosophy of Giorgio Agamben and Gilles Deleuze. By analysing representations of the female cyborg figure, the gynoid, in science fiction literature, television, film and videogames, the work acknowledges its normative and subversive properties while also calling for a new feminist politics of selfhood and autonomy implied by the posthuman qualities of the female machine.
Attacking Princess Marissa's caravan, an evil wizard casts a spell that switches Marissa and her captain to each other's bodies.
Though mining is an infamously masculine industry, women make up 20 percent of all production crews in Wyoming’s Powder River Basin—the largest coal-producing region in the United States. How do these women fit into a working culture supposedly hostile to females? This is what anthropologist Jessica Smith Rolston, herself a onetime mine worker and the daughter of a miner, set out to discover. Her answers, based on years of participant-observation in four mines and extensive interviews with miners, managers, engineers, and the families of mine employees, offer a rich and surprising view of the working “families” that miners construct. In this picture, gender roles are not nearly as straightforward—or as straitened—as stereotypes suggest. Gender is far from the primary concern of coworkers in crews. Far more important, Rolston finds, is protecting the safety of the entire crew and finding a way to treat each other well despite the stresses of their jobs. These miners share the burden of rotating shift work—continually switching between twelve-hour day and night shifts—which deprives them of the daily rhythms of a typical home, from morning breakfasts to bedtime stories. Rolston identifies the mine workers’ response to these shared challenges as a new sort of constructed kinship that both challenges and reproduces gender roles in their everyday working and family lives. Crews’ expectations for coworkers to treat one another like family and to adopt an “agricultural” work ethic tend to minimize gender differences. And yet, these differences remain tenacious in the equation of masculinity with technical expertise, and of femininity with household responsibilities. For Rolston, such lingering areas of inequality highlight the importance of structural constraints that flout a common impulse among men and women to neutralize the significance of gender, at home and in the workplace. At a time when the Appalachian region continues to dominate discussion of mining culture, this book provides a very different and unexpected view—of how miners live and work together, and of how their lives and work reconfigure ideas of gender and kinship.
Like a photo that captures a moment, I am sharing moments of my life that highlight and explain how love exists in every detail of your life. Love is glamorised, used, abused, and sold. Love is all you need and all you have. Understanding love makes your life unique. You are love. How love is handled creates the story. This insightful book will bring you understanding of love, sex, and relationships. Time runs fast so we end up living on empty. You have more control than you think if you stop what you are doing and observe. Life can run away with us. My life started out in my search for love and has taken me to where I am now. I didn’t stop when I found my self- love. I didn’t stop when I shared my love. I didn’t stop when I had everything that I needed in my life. I felt, what is the point in knowing all this knowledge if I don’t share it? This is why I took ten years out of my life to gather all this wisdom and write it over five books so that I could share it with you. I didn’t share it because I wanted to make money. I didn’t share it to be a celebrity. I shared it because I love you all and want you to have access to 100 percent of you.
In this collection of previously published essays, Sally Haslanger draws on insights from feminist and critical race theory and on the resources of contemporary analytic philosophy to develop the idea that gender and race are positions within a structure of social relations. Explicating the workings of these interlocking structures provides tools for understanding and combatting social injustice.
The subjects of this book constitute a significant cross section of BBC science fiction television. With such characters as the Doctor (an enigmatic time-traveling alien), Kerr Avon (a problematic rebel leader), Dave Lister (a slovenly last surviving human) and Captain Jack Harkness (a complex omnisexual immortal), these shows have both challenged and reinforced viewer expectations about the small-screen masculine hero. This book explores the construction of gendered heroic identity in the series from both production and fan perspectives. The paradoxical relationships between the producers, writers and fans of the four series are discussed. Fan fiction, criticism and videos are examined that both celebrate and criticize BBC science fiction heroes and villains.
The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-based politics with the increasing visibility of imagined futures for all; and show how SF stories about new kinds of gender relations inspire new models of artistic, technoscientific, and political practice. Their chapters are grouped into five conversations—about the history of gender and genre, theoretical frameworks, subjectivities, medias and transmedialities, and transtemporalities—that are central to discussions of gender and SF in the current moment. A range of both emerging and established names in media, literature, and cultural studies engage with a huge diversity of topics including eco-criticism, animal studies, cyborg and posthumanist theory, masculinity, critical race studies, Indigenous futurisms, Black girlhood, and gaming. This is an essential resource for students and scholars studying gender, sexuality, and/or science fiction.