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Essays offering new insights into important topics and figures in German literature, from the middle ages to the present day. The essays in this volume, contributed by well-known Germanists and those working in the field of comparative literature, take fresh looks at key figures and issues in German literary and cultural studies, from the medieval to thepost-modernist period.
This title was first published in 2003. The secular song of the 17th century represents a relatively neglected area of German culture. In this book, Anthony J. Harper first studies the songs of the two great models of the time, Martin Opitz and Paul Fleming, following this with an analysis of the song-books and collections from three regions: the North-East, Central Germany, and the North. The procedure is thus both historical and geographical. The texts of these songs are examined in relation to structural principles, thematic range and stylistic treatment. Harper establishes common features and regional variations of this genre, which involves love-poetry, songs of manners with colourful portrayals of everyday life, and comic songs in a lower stylistic register. Particular attention is paid to the work of Albert and Dach in Konigsberg, Finckelthaus, Schirmer, Krieger and Schoch in Leipzig and Dresden, and Rist, Voigtlander, Zesen, Greflinger and Stieler in the Hamburg region. Where appropriate, the book assesses the role of musical settings, while not seeking to offer technical insights into musical matters. Of value to scholars of German literature, this study should also be of interest to musicologists working on the Renaissance and Baroque periods.
Gerhard Lohfink, renowned Scripture scholar and Catholic Media Association's 2023 Author of the Year, invites us to be renewed through the image of the springs of true life bursting forth in our own lives. The image of springs breaking forth from the earth moves us--not only because pure, fresh water is precious on our exploited planet, but also because springs are among the loveliest and most mysterious natural phenomena. By reflecting on the statement "All my springs are in you," renowned Scripture scholar Gerhard Lohfink invites us to be renewed through the image of the springs of true life bursting forth in our own lives. In All My Springs Are in You--citing Psalm 87:7--Lohfink focuses on fundamental beliefs, feasts and liturgical seasons, as well as distinctions and contrasts to break down any narrow interpretations of biblical texts readers may experience. The final verse in the Old Testament offers readers a means to uncover how much hope and revolutionary power may be found in numerous Bible texts that we may or may not be familiar with. By applying the psalm statement "All My Springs Are in You" directly to God, readers will come to read the text in a way that is biblical and transformative.
Petrarch’s revival of the ancient practice of laureation in 1341 led to the laurel being conferred on poets throughout Europe in the later Middle Ages and the Early Modern period. Within the Holy Roman Empire, Maximilian I conferred the title of Imperial Poet Laureate especially frequently, and later it was bestowed with unbridled liberality by Counts Palatine and university rectors too. This handbook identifies more than 1300 poets laureated within the Empire and adjacent territories between 1355 and 1804, giving (wherever possible) a sketch of their lives, a list of their published works, and a note of relevant scholarly literature. The introduction and various indexes provide a detailed account of a now largely forgotten but once significant literary-sociological phenomenon and illuminate literary networks in the Early Modern period. A supplementary Volume 5 of Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook will be published in June 2019.
19 Beiträger zeigen in diesem Sammelband anhand ausgewählter Beispiele, wie Vergils Werke,vor allemsein Epos Aeneis, von neuzeitlichen Autoren rezipiert werden. Die Beispiele umfassen fünf Jahrhunderte (vom 15. bis zum 20. Jahrhundert) und beschränken sich nicht auf die lateinische Rezeption, sondern stellen Texte unterschiedlicher Gattungen und Sprachen (Latein, Deutsch, Englisch, Französisch, Italienisch u.a.) vor. Der Band gibt so einen eindrucksvollen Überblick über die Vielfalt der neuzeitlichen Vergilrezeption.