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DIVA collection of writings and artwork by Richard Bruce Nugent, an important yet heretofore obscure figure of the Harlem Renaissance./div
Richard Bruce Nugent (1906–1987) was a writer, painter, illustrator, and popular bohemian personality who lived at the center of the Harlem Renaissance. Protégé of Alain Locke, roommate of Wallace Thurman, and friend of Langston Hughes and Zora Neale Hurston, the precocious Nugent stood for many years as the only African-American writer willing to clearly pronounce his homosexuality in print. His contribution to the landmark publication FIRE!!, “Smoke, Lilies and Jade,” was unprecedented in its celebration of same-sex desire. A resident of the notorious “Niggeratti Manor,” Nugent also appeared on Broadway in Porgy (the 1927 play) and Run, Little Chillun (1933) Thomas H. Wirth, a close friend of Nugent’s during the last years of the artist’s life, has assembled a selection of Nugent’s most important writings, paintings, and drawings—works mostly unpublished or scattered in rare and obscure publications and collected here for the first time. Wirth has written an introduction providing biographical information about Nugent’s life and situating his art in relation to the visual and literary currents which influenced him. A foreword by Henry Louis Gates Jr. emphasizes the importance of Nugent for African American history and culture.
"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
Gentleman Jigger stands as a landmark novel, celebrated for its candid exploration of Black sexuality set against the dynamic backdrop of the Harlem Renaissance. The story follows Stuartt, a defiantly queer artist, who navigates the complexities of racial and sexual identity in a period of profound cultural upheaval. Originating from a distinguished light-skinned Black family in Washington D.C., Stuartt immerses himself into the burgeoning arts scene of Harlem, where he aligns with the "Niggeratti," a group of young, rebellious artists and writers. This collective boldly challenges their elders’ conviction that their creative endeavors should be dedicated solely to the advancement of racial equality. When their rebellion fizzles and they go their separate ways, Stuartt moves downtown to Greenwich Village where, where he fully indulges in his desires, intertwines with underworld figures, and achieves unexpected fame and fortune. It is also a world that, until his Hollywood debut, assumes that he is white. Part fictionalized autobiography, part social satire, Gentleman Jigger opens up a whole new dimension not only of the Harlem Renaissance but also of the racial and sexual politics of the Jazz Age.
A landmark reference guide to the LGBTQIA+ community’s contributions to the English language—an intersectional, inclusive, playfully illustrated glossary featuring more than 800 terms and fabulous phrases created by and for queer culture. Do you know where “yaaaas queen!” comes from? Do you know the difference between a bear and a wolf? Do you know what all the letters in LGBTQIA+ stand for? The Queens’ English is a comprehensive guide to modern gay slang, queer theory terms, and playful colloquialisms that define and celebrate LGBTQIA+ culture. This modern dictionary provides an in-depth look at queer language, from terms influenced by celebrated lesbian poet Sappho and from New York’s underground queer ball culture in the 1980s to today's celebration of RuPaul’s Drag Race. The glossary of terms is supported by full-color illustrations and photography throughout, as well as real-life usage examples for those who don't quite know how to use “kiki,” “polysexual,” or “transmasculine” in a sentence. A series of educational lessons highlight key people and events that shaped queer language; readers will learn the linguistic importance of pronouns, gender identity, Stonewall, the Harlem Renaissance, and more. For every queen in your life—the men, women, gender non-conforming femmes, butches, daddies, and zaddies—The Queens’ English is at once an education and a celebration of queer history, identity, and the limitless imagination of the LGBTQIA+ community.
Minor classic of the Harlem Renaissance centers on the larger-than-life inhabitants of an uptown apartment building. The rollicking satire's characters include stand-ins for Langston Hughes, Zora Neale Hurston, and Alain Locke.
A source of controversy upon its 1929 publication, this novel was the first to openly address color prejudice among black Americans. The author, an active member of the Harlem Renaissance, offers insightful reflections of the era's mood and spirit in an enduringly relevant examination of racial, sexual, and cultural identity.
Abel Jones Jr., a civil rights lawyer's son turned black Washington neo-con, has met an unlikely end: collapsing at the Rebel Yell dinner theater, surrounded by actors in Confederate regalia, with his white second wife at his side. Hope Jones Blackshear, Abel's first wife and mother of his only son, is left confounded by the turn his life took in his later years. Sharing a drink after the funeral with Abel's old friend Nicholas Gordon, Hope lets herself reminisce about first meeting Abel at Harvard, and their early married days as a foreign service couple in Manila and Martinique. But her own version of history is altered by that of Nicholas, a dandified Brit who seems to know more than he lets on. To fully understand the story of Abel Jones, for her own sake and that of their teenage son, Hope journeys from Nashville to Rome, seeking the connection between the Abel she loved, a child of Southern terror in the sixties, and the Abel who became a White House watchdog of global terror, driven to measures Hope could never have imagined. The work of one of our gutsiest writers, Rebel Yell is a novel of resilient love, political intrigue, and family secrets, steeped in our country's racial history and framing our unique political moment.
This compelling book recounts the history of black gay men from the 1950s to the 1990s, tracing how the major movements of the times—from civil rights to black power to gay liberation to AIDS activism—helped shape the cultural stigmas that surrounded race and homosexuality. In locating the rise of black gay identities in historical context, Kevin Mumford explores how activists, performers, and writers rebutted negative stereotypes and refused sexual objectification. Examining the lives of both famous and little-known black gay activists—from James Baldwin and Bayard Rustin to Joseph Beam and Brother Grant-Michael Fitzgerald—Mumford analyzes the ways in which movements for social change both inspired and marginalized black gay men. Drawing on an extensive archive of newspapers, pornography, and film, as well as government documents, organizational records, and personal papers, Mumford sheds new light on four volatile decades in the protracted battle of black gay men for affirmation and empowerment in the face of pervasive racism and homophobia.