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November 1917. The American troops were poorly trained, deficient in military equipment and doctrine, not remotely ready for armed conflict on a large scale—and they’d arrived on the Western front to help the French push back the Germans. The story of what happened next—the American Expeditionary Force’s trial by fire on the brutal battlefields of France—is told in full for the first time in Thunder and Flames. Where history has given us some perspective on the individual battles of the period—at Cantigny, Chateau Thierry, Belleau Wood, the Marne River, Soissons, and little-known Fismette—they appear here as part of a larger series of interconnected operations, all conducted by Americans new to the lethal killing fields of World War I and guided by the battle-tested French. Following the AEF from their initial landing to their emergence as an independent army in late September 1918, this book presents a complex picture of how, learning warfare on the fly, sometimes with devastating consequences, the American force played a critical role in blunting and then rolling back the German army’s drive toward Paris. The picture that emerges is at once sweeping in scope and rich in detail, with firsthand testimony conjuring the real mud and blood of the combat that Edward Lengel so vividly describes. Official reports and documents provide the strategic and historical context for these ground-level accounts, from the perspective of the Germans as well as the Americans and French. Battle by battle, Thunder and Flames reveals the cost of the inadequacies in U.S. training, equipment, logistics, intelligence, and command, along with the rifts in the Franco-American military marriage. But it also shows how, by trial and error, through luck and ingenuity, the AEF swiftly became the independent fighting force of General John “Blackjack” Pershing’s long-held dream—its divisions ultimately among the most combat-effective military forces to see the war through.
In the tradition of All Quiet on the Western Front, Elton E. Mackin’s memoirs are a haunting portrayal of war as seen through the eyes of a highly decorated Marine who fought in every Marine Brigade battle from Belleau Wood to the crossing of the Meuse on the eve of the Armistice. Praise for Suddenly We Didn't Want to Die “This beautifully written and truly gripping war memoir is a significant addition to battlefield literature. A minor classic . . . An altogether remarkable job [comparable] to Crane, Remarque and Mailer. Deserves the widest possible audience.”—The Cleveland Plain Dealer “This immediate, eloquent report merit[s] comparison with Thomas Boyd’s Marine Corps [1923] classic Through the wheat.”—Publishers Weekly “A real curiosity: a highly mannered World War I diary, published nearly 80 years after being written and 20 years after its author’s death. Bright snapshots abound…sometimes a young man’s lyricism takes over [but] the horror of war never departs. The diary has the faults one expects, and the promise one prays for. A fine addition to WWI literature.”—Kirkus Reviews “A forthright, eloquent, and powerful memoir certain to become an enduring testament to the drama and tragedy of World War I. Threaded with no small measure of poetry, this superb memoir is sure to become a classic.”—Great Battles “A plain but powerful tale . . . [in] vivid prose loaded with details that bring the horrors of World War I to life, he tells an exceptional new version of the old story of battle transforming a boy into a veteran.”—American Library Association Booklist “To the ranks of Erich Maria Remarque, E.E. Cummings, John Dos Passos and Siegfried Sassoon, we must now add Elton Mackin . . . who, in a terse style reminiscent of Hemingway, [succeeds] in making someone unfamiliar with war truly now the frightfulness of the trenches and the greatness of the many men who fought in them.”—Marine Corps Gazette
Clifton B. Cates's fame came from his consistent and courageous demeanour throughout the war. In the bloody second half of 1918 with the 6th Marine Regiment, he was awarded the Navy Cross, the Distinguished Service Cross, the Purple Heart, the Silver Star, was recognized by the French government with the Legion of Honour and the Croix de Guerre, and earned the nickname 'Lucky'. I Will Hold is the inspiring, brutal, and incredible true life story of a Marine Corps legend whose grit and unstoppable spirit on the battlefield matched his personal drive and sage wisdom off of it.
A comprehensive history of the US military’s involvement in World War I, including soldiers’ experiences, the creation of the air force, and more. The War to End All Wars is considered by many to be the best single account of America’s participation in World War I. Covering famous battles, the birth of the air force, naval engagements, the War Department, and experiences of the troops, this indispensable volume is again available in paperback for students and general readers. Praise for The War to End All Wars “Will surely stand as the first source for anyone interested in the conflict.” —Stephen Ambrose “Coffman’s skilled use of archived materials, diaries and memoirs brings life and immediacy to his story.” —Virginia Quarterly Review “[Coffman] can explain complex matters in a few sharp paragraphs, illuminate technical discussions with personal vignettes, and use statistics to clarify rather than confuse. . . . Should become standard reading in twentieth century American history courses.” —Indiana Magazine of History
James Carl Nelson tells the dramatic true story of five brilliant young soldiers from Harvard, a thrilling tale of combat and heroism. Five Lieutenants tells the story of five young Harvard men who took up the call to arms in the spring of 1917 and met differing fates in the maelstrom of battle on the Western Front in 1918. Delving deep into the motivations, horrific experiences, and ultimate fates of this Harvard-educated quintet—and by extension of the brilliant young officer class that left its collegiate and post-collegiate pursuits to enlist in the Army and lead America's rough-and-ready doughboys—Five Lieutenants presents a unique, timeless, and fascinating account of citizen soldiers at war, and of the price these extraordinary men paid while earnestly giving all they had in an effort to end "the war to end all wars." Drawing upon the subjects' intimate, eloquent, and uncensored letters and memoirs, this is a fascinating microcosm of the American experience in the First World War, and of the horrific experiences and hardships of the educated class of young men who were relied upon to lead doughboys in the trenches and, ultimately, in open battle.
Powerful and poignant, a masterpiece. 'Through the Wheat' depicts the horrors of World War 1: the first modern war fought in trenches with mustard gas, artillery, and tanks. Thomas Boyd brings home the psychological damage done to men under extreme pressure fighting for their livers thousands of miles from home. Unforgettable!
Osprey's study of gas warfare tactics that were employed during World War I (1914-1918). Battlefield Gas was first employed in April 1915 at the village of Langemarck near Ypres. At 1700 hours the Germans released a five mile-wide cloud of 168 tons of chlorine gas from 520 cylinders, causing panic and death in the French and Algerian trenches. Despite initial widespread condemnation and disgust, its use rapidly spread with all the armies entering into the race to produce gases, new ways to use them, and protective measures including masks and warning systems. For the first time in detail, this book charts the development of gas as a battlefield weapon and the steps taken to counter it. Delivery methods, including the use of artillery, the consequences of changing wind direction, and infantry advancing into an area just gassed, are all covered alongside key milestones in its introduction and usage. With an abundant array of artwork and photographs illustrating the gas masks, insignia, and protective clothing of the protagonists, this book conveys the horror of the gas attack and reveals the practical challenges for soldiers struggling to cope with this new form of warfare. Conveying the reality behind the iconic Sargent painting of a column of blindfolded gas casualties, it is a fascinating survey of one of the darkest facets of 20th century warfare.