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Giuseppe Garibaldi, the Italian revolutionary leader and popular hero, was among the best-known figures of the nineteenth century. This book seeks to examine his life and the making of his cult, to assess its impact, and understand its surprising success. For thirty years Garibaldi was involved in every combative event in Italy. His greatest moment came in 1860, when he defended a revolution in Sicily and provoked the collapse of the Bourbon monarchy, the overthrow of papal power in central Italy, and the creation of the Italian nation state. It made him a global icon, representing strength, bravery, manliness, saintliness, and a spirit of adventure. Handsome, flamboyant, and sexually attractive, he was worshiped in life and became a cult figure after his death in 1882. Lucy Riall shows that the emerging cult of Garibaldi was initially conceived by revolutionaries intent on overthrowing the status quo, that it was also the result of a collaborative effort involving writers, artists, actors, and publishers, and that it became genuinely and enduringly popular among a broad public. The book demonstrates that Garibaldi played an integral part in fashioning and promoting himself as a new kind of “charismatic” political hero. It analyzes the way the Garibaldi myth has been harnessed both to legitimize and to challenge national political structures. And it identifies elements of Garibaldi’s political style appropriated by political leaders around the world, including Mussolini and Che Guevara.
What adventure novelist could have invented the life of Giuseppe Garibaldi? The revolutionary, soldier, politician, and greatest figure in the fight for Italian unification, Garibaldi (1807-1882) brought off almost as many dramatic exploits in the Americas as he did in Europe, becoming an international freedom fighter, earning the title of the "hero of two worlds," and making himself perhaps the most famous and beloved man of his century. Alfonso Scirocco's Garibaldi is the most up-to-date, authoritative, comprehensive, and convincing biography of Garibaldi yet written. In vivid narrative style and unprecedented detail, and drawing on many new sources that shed fresh light on important events, Scirocco tells the full story of Garibaldi's fascinating public and private life, separating its myth-like reality from the outright myths that have surrounded Garibaldi since his own day. Scirocco tells how Garibaldi devoted his energies to the liberation of Italians and other oppressed peoples. Sentenced to death for his role in an abortive Genoese insurrection in 1834, Garibaldi fled to South America, where he joined two successive fights for independence--Rio Grande do Sul's against Brazil and Uruguay's against Argentina. He returned to Italy in 1848 to again fight for Italian independence, leading seven more campaigns, including the spectacular capture of Sicily. During the American Civil War, Abraham Lincoln even offered to make him a general in the Union army. Presenting Garibaldi as a complex and even contradictory figure, Scirocco shows us the pacifist who spent much of his life fighting; the nationalist who advocated European unification; the republican who served a king; and the man who, although compared by contemporaries to Aeneas and Odysseus, refused honors and wealth and spent his last years as a farmer.
First published in 1968, this standard text on Italian nineteenth-century history is reissued, with a new preface, in hardcover and paperback, to meet a continuing demand.
A Pulitzer Prize winner’s “fascinating” account of the political battles that led to the end of the Papal States (Entertainment Weekly). From a National Book Award–nominated author, this absorbing history chronicles the birth of modern Italy and the clandestine politics behind the Vatican’s last stand in the battle between the church and the newly created Italian state. When Italy’s armies seized the Holy City and claimed it for the Italian capital, Pope Pius IX, outraged, retreated to the Vatican and declared himself a prisoner, calling on foreign powers to force the Italians out of Rome. The action set in motion decades of political intrigue that hinged on such fascinating characters as Garibaldi, King Viktor Emmanuel, Napoleon III, and Chancellor Bismarck. Drawing on a wealth of secret documents long buried in the Vatican archives, David I. Kertzer reveals a fascinating story of outrageous accusations, mutual denunciations, and secret dealings that will leave readers hard-pressed to ever think of Italy, or the Vatican, in the same way again. “A rousing tale of clerical skullduggery and topsy-turvy politics, laced with plenty of cross-border intrigue.” —Kirkus Reviews, starred review
The first English language book to cover the full scope of modern Italy, from its official birth to today, "The Force of Destiny" is a brilliant and comprehensive study and a frightening example of how easily nation-building and nationalism can slip toward authoritarianism and war.
A witty, erudite celebration of fifty great Italian cultural achievements that have significantly influenced Western civilization from the authors of What Are the Seven Wonders of the World? “Sprezzatura,” or the art of effortless mastery, was coined in 1528 by Baldassare Castiglione in The Book of the Courtier. No one has demonstrated effortless mastery throughout history quite like the Italians. From the Roman calendar and the creator of the modern orchestra (Claudio Monteverdi) to the beginnings of ballet and the creator of modern political science (Niccolò Machiavelli), Sprezzatura highlights fifty great Italian cultural achievements in a series of fifty information-packed essays in chronological order.
The bestselling author of "Italian Neighbors" returns with a wry and revealing portrait of Italian life--by riding its trains.
A new edition of the classic historical text on Italy
In assembling Gildersleeve's writings-- autobiographical, Richmond Examiner newspaper editorials, and Southern essays, Briggs (classics and humanities, U. of South Carolina) brings to light the reflections of a U. of Virginia classics scholar during the Civil War. His classical rhetoric lends a novel twist to his loyalist but critical views on the South's "Good Cause," in chastising the Confederate administration as well as critics of slavery and Yankee poet "sinners" against the English language. Includes a few bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR