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"McNicoll has a keen eye for lurid detail, and her narratives moves along with compelling force" - Canadian Book Review Annual Who were the gangster women who risked everything to stay with the men of the underworld? This gripping account chronicles the history of gangsters' molls and mob queens, from harbouring criminals to life on the run. Susan McNicoll investigates these intriguing unions from the heady days of the 1930s flapper era and beyond. Had they abandoned everything for love, or did the idea of being with these hardened criminals seem glamorous and exciting? Covers the life stories of: • Bonnie Parker, from the infamous Bonnie and Clyde double act • Virginia Hill, the glamorous girlfriend of Bugsy Siegel who died mysteriously • Evelyn Frechette, who was charged with harbouring murderous mobster John Dillinger • Vi Mathis, the partner of Kansas City massacre gunman Verne Miller With photographs to accompany these shocking tales, Gangster Women is an honest and gritty account of these "gun molls" and their criminal lovers.
Ceazia Devereaux, obsessed with the finer things in life, starts her own escort service where she meets Virginia druglord Vegas and enters into a dangerous world of fast money, which she finds hard to escape.
The insightful essays in this book shine a new light on the roles of women within criminal networks, roles that in reality are often less traditional than researchers used to think. The book seeks to answer questions from a wide range of academic disciplines and traces the portrait of women tied to organized crime in Italy and around the world. The book offers up accounts of mafia women, and also tales of severe abuse and violence against women.
From the Pulitzer Prize-winning reporter and author of Missing Beauty comes a fascinating inside look at the mafia. Growing up among racketeers on the Lower East Side of New York City, Arlyne Brickman associated with mobsters. Drawn to the glamorous and flashy lifestyle, she was soon dating "wiseguys" and running errands for them; but after years as a mob girlfriend, Arlyne began to get in on the action herself—eventually becoming a police informant and major witness in the government's case against the Colombo crime family.
Broken-hearted, scorned Ceazia is home back in Virginia up to her old ways. With her road dawg, Diamond, by her side she's unstoppable, until the attention she's used to falls on the new booty and envy rears its ugly head. Trust no one without knowing their agenda in the scheme of things or be ready to find out who's game is tighter??
If you think you know everything about the East End's toughest gangsters, think again. Meet Linda Calvey, aka the Black Widow. Growing up after the war in the East End of London, Linda falls in with local gangsters including the Krays, Freddie Foreman and Ronnie Cook. When the love of her life, Mickey Calvey, is gunned down on a job gone wrong, Linda resolves to carry on his work. But in 1990, after years of living in fear of her lover Ronnie Cook, Linda finds herself accused of his murder alongside Danny Reece, in a trial that shocks the nation. Still, Linda sticks to her code of honour, refusing to confess. Until now... After 18 years behind bars alongside notorious names including Rose West and Myra Hindley, she is released. This is the final truth about her life and what happened the day Ronnie Cook was murdered.
The bestselling author delves into his past and discovers the inspiring story of his grandmother’s extraordinary life She was black and a woman and a prosecutor, a graduate of Smith College and the granddaughter of slaves, as dazzlingly unlikely a combination as one could imagine in New York of the 1930s—and without the strategy she devised, Lucky Luciano, the most powerful Mafia boss in history, would never have been convicted. When special prosecutor Thomas E. Dewey selected twenty lawyers to help him clean up the city’s underworld, she was the only member of his team who was not a white male. Eunice Hunton Carter, Stephen Carter’s grandmother, was raised in a world of stultifying expectations about race and gender, yet by the 1940s, her professional and political successes had made her one of the most famous black women in America. But her triumphs were shadowed by prejudice and tragedy. Greatly complicating her rise was her difficult relationship with her younger brother, Alphaeus, an avowed Communist who—together with his friend Dashiell Hammett—would go to prison during the McCarthy era. Yet she remained unbowed. Moving, haunting, and as fast-paced as a novel, Invisible tells the true story of a woman who often found her path blocked by the social and political expectations of her time. But Eunice Carter never accepted defeat, and thanks to her grandson’s remarkable book, her long forgotten story is once again visible.
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
Twenty years ago, Chunichi penned the tale of Cezia, the good girl gone bad at the center of this hood classic. This will introduce new audiences to the Essence® bestseller's debut novel, along with a new collectible cover for longtime fans. Meet Ceazia, a very attractive, very good girl who has just left the safety of her parents' home and entered into the world of bad boys and fast money. Ceazia thinks the world belongs to her when she meets Vegas, one of the Tidewater, Virginia area's most notorious drug dealers. Even though a relationship with Vegas goes against everything her parents taught her, she still can't resist his bad-boy persona. He's fine, sexy, and ready to give her anything her heart desires--just what the doctor ordered for a broke, wannabe diva. This might just end up being the biggest mistake of her life.
The iconic photo of Bonnie Parker—cigar clenched in jaw, pistol in hand—says it all: America loves its bad girls. Now Mary Elizabeth Strunk tells us why. Wanted Women is a startling look at the lives—and legends—of ten female outlaws who gained notoriety during the tumultuous decades that bracketed the tenure of FBI director J. Edgar Hoover. Strunk looks at real-life events and fictional portrayals to decipher what our obsession with these women says about shifting gender roles, evolving law-enforcement practices, and American cultural attitudes in general. These women's stories reveal what it takes-and what it has meant--to be a high-profile female lawbreaker in America. Strunk introduces us to Kathryn "Mrs. Machine Gun" Kelly, Ma Barker, and Bonnie Parker from the 1930s, and, from the 1970s, we meet heiress-turned-revolutionary Patty Hearst, five other women of the Symbionese Liberation Army, and Black Panther Assata Shakur. All saw themselves as struggling against an oppressive legal system. All became "wanted" criminals and would play a part in shaping Hoover's legacy. And all spent enormous amounts of energy attempting to manipulate public opinion in their favor. Strunk argues that each woman's public persona was to some degree invented by Hoover, who saw outlaw women as an alarming threat to public morality. He went after them with a vengeance, but in many ways his obsession only added to their reputations. Strunk shows how Hoover's repeated use of popular culture to publicize the threat of violent women initially succeeded in strengthening his FBI, but his approach became a liability by the time law enforcement was pitted against the women outlaws of the 1970s. The book chronicles the careers of these infamous outlaws both in the real world and in popular culture—film, ads, true-crime stories, autobiographies—as well as Hoover's own forays into filmmaking. It boasts 27 compelling images of movie stills, wanted posters, and other ephemera that have been assembled nowhere else, including rarely reproduced SLA artifacts. Strunk's book is the first study to define the narrow "formula" necessary for a woman to cross over from criminal to outlaw. Hitting on key notes of American culture from Black and gender studies to cinematic and legal history, Wanted Women sets a new benchmark for how we view women and crime as it contributes fresh insights into twentieth-century social history.