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With one fateful science project, Luz Santos risks losing her best friend, her crush, and her reputation on national TV. . . Tres unpopular students plus. . . My freshman year at Gamma High was totally going perfecto until I was summoned to enter the regional science competition, which is taking place the same weekend as the Homecoming Dance--the same dance where I was going to get Swen, the guy I'm hopelessly in love with, to notice me. This calls for major damage control. My plan? Devise a scientific experiment that will be so outrageous it'll knock me out of the competition and onto the dance floor. Tres brilliant makeovers. . . Enter Project Gamma Glamma to the rescue! My experiment will help three unknowns climb up the Gamma High popularity food chain by giving them the ultimate makeovers. But instead of eliminating me from the competition, my teacher actually loves mi loco idea. Equals one recipe for disaster. . . Gamma Glamma is a tragic hit, turning my closest amigos overnight into the most popular kids at school but making mi vida a toxic chemical reaction: my best friend is now too cool to talk to me; my biggest enemy is moving in for the social kill; and my reputation stands to be obliterated on TV's hottest reality show. Now I've got to set things right. But can I make the scientifically impossible happen twice? An award-winning filmmaker and producer, Kim Flores wrote and co-directed the film Vocessitas/Little Voices, which went on to win an ALMA (American Latino Media Arts Award) for best independent film and played in virtually every Latin film festival in the country. She directs commercials and projects for such companies as Nickelodeon, Time Warner, Dr. Pepper, Midway Games, Mountain Dew and develops television shows at her production company. Kim and her lifelong crush Mike spend time between New York City and Dallas shooting photography, creating a line of designer toys, and hanging out with their rescued dogs Pud, Rabbit, and Shortie.
Arnorr Thordarson jarlaskald 'Earls'-poet', born c. 1011 in western Iceland, spent most of his adult life in mainland Scandinavia and Orkney, and his poetry consists mainly of encomia for the kings Magnus and Haraldr of Norway, and for Earls Thorfinnr and Rognvaldr of Orkney, whose patronage of Arnorr is commemorated in his nickname. The corpus of his work is, by skaldic standards, large and well preserved. The verses, orally composed, were not written down in full, but are preserved as scattered quotations within manuscripts of prose sagas from the thirteenth century onwards. When reconstructed they form substantial remains of four main encomiastic poems, together with similar fragments, which celebrate the deeds of Arnorr's heroes, singing especially of triumphs in battle, but also of seafaring, political manoeuvrings, and court customs. By his time, skaldic poetry had reached full maturity, and Arnorr, consummate master of the medium, uses its metrical and stylistic resources with wit and exuberance tempered with moderation.