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"This book is an engineering history of the Gamera Human Powered Helicopter, which was creatively designed, skillfully built, and courageously flown by the students of the University of Maryland"--
What makes a kaiju a kaiju? What makes an ape a large ape, and why do we sympathize with some, such as King Kong, and not with others, such as Konga? And what makes a giant person become a "monster"? This book provides a new perspective on kaiju and reveals that our boundaries for the genre are perhaps not so solid. The work focus primarily on newer kaiju works, ranging from Colossal to Shin Godzilla to Godzilla vs. Kong, but also touches on classics such as King Kong, Mighty Joe Young, Godzilla Raids Again, and lesser-known works such as What to Do With the Dead Kaiju? and Agon. Like our ancestors we have collectively adopted giant monsters into our culture, especially our pop culture. Within the domains where giant monsters walk, we experience the rigidity of our moral structures, and the fleeting borders of our definitions of humanity. Within the kaiju film genre rest our own assumptions about what makes a monster a monster, and, more importantly, what makes a human a human.
In 1954, a massive irradiated dinosaur emerged from Tokyo Bay and rained death and destruction on the Japanese capital. Since then Godzilla and other monsters, such as Mothra and Gamera, have gained cult status around the world. This book provides a new interpretation of these monsters, or kaiju-ū, and their respective movies. Analyzing Japanese history, society and film, the authors show the ways in which this monster cinema take on environmental and ecological issues--from nuclear power and industrial pollution to biodiversity and climate change.
Celebrate the world of movie monsters and beasts with Kaiju Unleashed, a complete reference guide to strange creatures in film and how they came to be. Kaiju (Japanese for “strange creature”) is a film genre that emerged in Japan in the early ’50s. The movies center on giant monsters battling humans, machines, or other beasts. This film category has stomped its way back into mainstream culture. This comprehensive guide features: A thorough discussion of monster movies (Gamera; Rodan; Destroy All Monsters) Insight into how kaiju has impacted international films (Ant Man; 50-Foot Woman; Jurassic Park) Stunning movie posters and film stills, plus fan-made tributes to some of the kaiju classics (Godzilla; King Kong; Mothra; Pacific Rim) And more! If you are a kaiju fan or are interested in kaiju’s cultural influence worldwide, this volume provides the perfect general introduction to the genre, reference to its film highlights, and celebration of its practitioners, trends, and stories.
The stern administrator Matsumoto comes to oversee the final stages of Kaijumax’s repair, and her old-school inflexibility causes problems for Warden Kang. Electrogor dodges patrols on the open seas, heading for his children, while a mourning Officer Chisato gets a surprising new partner. Also: Space graveyards! Sympathy-shaming! Double-crosses! And… the adorable BeetoGor?
HOWARD HUGHES'S NEW FILMGOERS' GUIDE TO SCIENCE-FICTION FILMS DELVES DEEP INTO THE LANDMARK MOVIES OF THIS EVERPOPULAR GENRE, FROM METROPOLIS TO AVATAR AND BEYOND, AND COVERS OVER 250 MORE Outer Limits explores science-fiction cinema through 26 great films, from the silent classic Metropolis to today. It reviews the galaxy of stars and directors who have created some of the most popular films of all time, including George Lucas's 'Star Wars' films, Steven Spielberg's Close Encounters of the Third Kind and Minority Report, James Cameron's 'Terminator' films and Ridley Scott's milestones Alien and Blade Runner. It also discusses everything from A-listers 2001: A Space Odyssey and Planet of the Apes, to Japanese monster movies, 1950s B-movies, creature features and cult favourites, depicting time travel, distant planets or alien invasions. Films featured include The War of the Worlds, Independence Day, Tarantula, Godzilla, The Thing, Forbidden Planet, Barbarella, Galaxy Quest, Mad Max 2, Back to the Future, The Man Who Fell to Earth, Star Trek, Apollo 13, Invasion of the Body Snatchers, The Matrix, and many, many more. Illustrated with original posters, Outer Limits is an informative, entertaining tour of the sci-fi universe.
Dismissed as camp by critics but revered by fans, the kaiju or "strange creature" film has become an iconic element of both Japanese and American pop culture. From homage to parody to advertising, references to Godzilla--and to a lesser extent Gamera, Rodan, Ultraman and others--abound in entertainment media. Godzilla in particular is so ubiquitous, his name is synonymous with immensity and destruction. In this collection of new essays, contributors examine kaiju representations in a range of contexts and attempt to define this at times ambiguous genre.
The second exciting sequel to the award-winning anthology Daikaiju! Giant Monster Tales. Stories of impossible dimension, startling invention and big-budget spectacle by an international line-up of authors!
Utilising in-depth reviews, cast and plot details, Slimetime wallows in those films which the world has deemed it best to forget - everything from cheesy no-budget exploitation to the embarrassing efforts of Major Studios. Many of these films have never seen a major release, some were big hits, and others have simply vanished. To compliment the wealth of reviews on sci-fi, schlock, flower power and puppet people films are detailed essays on specific sleaze genres such as Biker, Blaxploitation and Drug movies. Fully updated and revised with new reviews and new illustrations.
The Kaiju (strange monster or strange beast) film genre has a number of themes that go well beyond the "big monsters stomping on cities" motif. Since the seminal King Kong 1933) and the archetypal Godzilla (1954), kaiju has mined the subject matter of science run amok, militarism, capitalism, colonialism, consumerism and pollution. This critical examination of kaiju considers the entirety of the genre--the major franchises, along with less well known films like Kronos (1957), Monsters (2010) and Pacific Rim (2013). The author examines how kaiju has crossed cultures from its original folkloric inspirations in both the U.S. and Japan and how the genre continues to reflect national values to audiences.