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"Only constant observation of civilian Judges and soldier witnesses could have shown me how fallible is the unaided military memory or have led me by three steps to a War Diary- (1) There is nothing certain about war except that one side won't win. (2) The winner is asked no questions-the loser has to answer for everything. (3) Soldiers think of nothing so little as failure and yet, to the extent of fixing intentions, orders, facts, dates firmly in their own minds, they ought to be prepared. Conclusion:-In war, keep your own counsel, preferably in a note-book." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
""Only constant observation of civilian Judges and soldier witnesses could have shown me how fallible is the unaided military memory or have led me by three steps to a War Diary- (1) There is nothing certain about war except that one side won't win. (2) The winner is asked no questions-the loser has to answer for everything. (3) Soldiers think of nothing so little as failure and yet, to the extent of fixing intentions, orders, facts, dates firmly in their own minds, they ought to be prepared. Conclusion: -In war, keep your own counsel, preferably in a note-book."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
"Only constant observation of civilian Judges and soldier witnesses could have shown me how fallible is the unaided military memory or have led me by three steps to a War Diary- (1) There is nothing certain about war except that one side won't win. (2) The winner is asked no questions-the loser has to answer for everything. (3) Soldiers think of nothing so little as failure and yet, to the extent of fixing intentions, orders, facts, dates firmly in their own minds, they ought to be prepared. Conclusion:-In war, keep your own counsel, preferably in a note-book." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
""Only constant observation of civilian Judges and soldier witnesses could have shown me how fallible is the unaided military memory or have led me by three steps to a War Diary- (1) There is nothing certain about war except that one side won't win. (2) The winner is asked no questions-the loser has to answer for everything. (3) Soldiers think of nothing so little as failure and yet, to the extent of fixing intentions, orders, facts, dates firmly in their own minds, they ought to be prepared. Conclusion: -In war, keep your own counsel, preferably in a note-book."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
Den engelske General Ian Hamilton's dagbog fra kampene ved Gallipoli, ved Dardanellerne, 1915-16, under 1. Verdenskrig. Kampene var meget blodige med store tabstal for den engelske side.
Gallipoli Diary, Volume I by Ian Hamilton Excerpt PREFACE On the heels of the South African War came the sleuth-hounds pursuing the criminals, I mean the customary Royal Commissions. Ten thousand words of mine stand embedded in their Blue Books, cold and dead as so many mammoths in glaciers. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
This early work by Herbert Brayley Collett was originally published in 1922 and we are now republishing it as part of our WWI Centenary Series. 'The 28th: A Record of War Service in the Australian Imperial Force, 1915-19' is a work that details the history of the battalion during the First World War. Colonel Collett evidently asked himself: "What do the friends of the men of the Battalion want to know?" They want to know what the men did and what the Battalion did. What was the daily life of the man in the training camp; on the transports; in the war areas, and in the trenches. Of those who fell, they want to know, if possible, how and when they fell and where they were buried. Of those who were wounded, they want to know what they were doing when they "stopped a bullet," and how they were a fterwards treated in hospital or in "Blighty." The public want a brief outline of the great doings of the Battalion, and all these things are plainly and proudly told by the writer. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
"Brave Serbia has not been forgotten in her hour of need by the women of England. For the Women's Imperial Service League, with Mrs. St. Clair Stobart as directress, went out to Serbia under the ægis of the Serbian Relief Fund, after arduous work out in Antwerp and after at Cherbourg. Mrs. Stobart decided that ours should be a Field Hospital owing to typhus and other fever raging in the country." Written in 1915, this work contains a wealth of observations on the area, and gives great insight into the contemporary views of the conflict. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
Offering a comprehensive account of the war as more than a purely military phenomenon, this book also addresses its profound social, cultural, and economic implications. Authors use editorials, memoirs, newspaper articles, poems, and letters to recreate the many facets of the war. Technological developments such as the machine gun and barbed wire brought the world trench warfare, which is vividly depicted here in a firsthand account of then-soldier Benito Mussolini.
One hundred years after the charge of the 4th Light Horse Brigade at Beersheba in October 1917... 'The Desert Column is based on the diaries that he kept through out the war. Published in 1932, it is one of Idriess' earliest works. Harry Chauvel noted in the foreword that it was the only book of the campaign that to his knowledge was "viewed entirely from the private soldier's point of view"... Idriess served as a sniper with the 5th Australian Light Horse. Enlisting in 1914, he began his diary "as we crowded the decks off Gallipoli" and he continued writing until returning to Australia... The diaries cover his experience of some of the war's major events from life in the trenches at Gallipoli to the battles at Romani and Beersheba. One of Idriess' strengths as a writer is his ability to place the reader at the scene of the action... The diaries reveal a keenness of observation and a descriptive and pacey style that Idriess would develop further in The Desert Column.' - The Australian War Memorial