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A survey of all known variants of the Messerschmitt 109, 209, 309, 409, 509 and 609 including Czech and Spanish production models. Heavilly illustrated complete with a page of 35 genuine paint chips of authentic German aircraft colors.
Beautifully told, this is the true story of the relationship between brothers Theo and Vincent van Gogh.
When a high-powered gallery owner collides with a wildly offbeat artist, it’s the perfect recipe for disaster. But in her 63rd bestselling novel, Danielle Steel proves that when two hopelessly mismatched people share a love for art, a passion for each other, and a city like Paris, nothing is truly impossible…or is it? Everything Sasha does is within the boundaries of tradition. Liam is sockless in December. Sasha is widowed, a woman who knows she was lucky enough to be married to the most wonderful man in the world and thankful for every moment they had. Liam is half in and half out of a marriage that only a “wacky” artist could manage, and that his own impossibly impulsive behavior has helped tear apart. But while Sasha has been methodically building her father’s Parisian art gallery into an intercontinental success story, Liam has been growing into one of the most original and striking young painters of his time. So while the two are utterly unalike–and a nine-year age difference stares them squarely in the face–the miracle of art brings them crashing together. Now the question is, can Sasha guard her reputation while juggling a secret, somewhat scandalous relationship? And how can Liam, who lives for the moment, put up with a woman who insists on having things her own way, in her own style, and at her own time? For Sasha, it’s a matter of keeping Liam hidden from her grown children and well-heeled clientele as she commutes between New York and Paris and two thriving galleries. For Liam, it’s about creating chaos out of order, bringing out the wild streak that Sasha barely knows she has, of choosing pizza over foie gras, and making love when others are busy making money. That is, until a family tragedy suddenly alters Liam’s life–and forces a choice and a sacrifice that neither one of them could have expected. But from the snow falling on the Tuileries to the joy of eating ice cream by candlelight, the artist and the art dealer have tasted perfection. And giving up now might just be the most impossible thing of all. With unerring insight into the hearts of men and women– and into the soul of the artist –Danielle Steel takes us into a world of glamour and genius, priceless art and dazzling creativity. From the luxurious galleries of Europe to the endless beaches of the Hamptons, ImPossible weaves an extraordinary tale of love and compromise, of taking chances and counting blessings. With brilliant color and breathtaking emotion, Danielle Steel has written her most compelling novel to date.
In this ground-breaking book, a theory of ’distortion’ - of the way in which the processes of human life are subject to interference, diversion and transformation - is developed by way of the art of one of Britain’s greatest twentieth-century painters and that art’s public reception. Devoted to his native village of Cookham-on-Thames, Stanley Spencer painted not only landscapes and portraits with loving detail but also the ’memory-feelings’ which he felt were a ’sacred’ part of his consciousness. Yet Spencer was also a controversial public figure, with some taking the view that his visionary paintings were ugly distortions of human life, even marks of an immoral nature. Examining how Spencer lived his vision, how he painted it and wrote it, and also how his attempts to communicate that vision were received by his contemporaries and have continued to be interpreted since his death, the author posits distortion as key: an intrinsic aspect both of human creation and of human interaction. What we intend to make, to say, to do and have done, often mutates in the process of being expressed or put into effect: we live amid distortion. Love - the affective appreciation of one another - is then a means by which we accommodate distortion and its consequences in our lives. An illustration, through Stanley Spencer’s story, of significant aspects of a human condition, this book will appeal across disciplines, including to art historians and students of Spencer’s work, as well as to scholars of anthropology with interests in creativity, perception and interpretation.
Relaunching Titanic critically considers the invocation of Titanic heritage in Belfast in contributing to a new ‘post-conflict’ understanding of the city. The authors address how the memory of Titanic is being and should be represented in the place of its origin, from where it was launched into the collective consciousness and unconscious of western civilization. Relaunching Titanic examines the issues in the context of international debates on the tension between place marketing of cities and other alternative portrayals of memory and meaning in places. Key questions include the extent to which the goals of economic development are congruous with the ‘contemplative city’ and especially the need for mature and creative reflection in the ‘post-conflict’ city, whether development interests have taken precedence over the need for a deeper appreciation of a more nuanced Titanic legacy in the city of Belfast, and what Belfast shares with other places in considering the sacred and profane in memory construction. While Relaunching Titanic focuses on the conflicted history of Belfast and the Titanic, it will have lessons for planners and scholars of city branding, tourism, and urban re-imaging.
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.