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A ranch hand with dangerous secrets falls for his beautiful boss in this western American historical romance. Not even a remote Colorado ranch can shelter Jace Denby while he’s on the run. He voluntarily took the blame for his brother-in-law’s murder, but one danger this fugitive doesn’t see coming is impulsive Clara Seavers. With the law on his back he must leave, though her beauty and fierce courage entice him to stay. . . . Clara doesn’t trust this hired farmhand, but she can’t deny the rugged, unexpectedly caring man ignites her spirit . . . and heart. The more Jace fights their mounting passion, the more she’ll risk to make him hers forever.
Can a lady tempt a Free Fellow to surrender his heart? As a founding member of the Free Fellows League—a group of four gentlemen who signed a pledge to never wed when they were lads—Griffin, Viscount Abernathy, swears that he will put off marrying as long as possible. But when he is suddenly called off to war, he has no choice but to obey his father’s wishes and find a wife… Just days later, he marries the lovely Lady Alyssa. For a man committed only to his freedom, she seems a perfect—and perfectly undemanding—bride. Intelligent and self-sufficient, Alyssa craves her independence just as much as Griffin loves his. But as the irresistible attraction between them flourishes with every look and touch, they discover there is something they desire even more than a loveless marriage of convenience—the passion they find in each other’s arms… Book 1 of the “Free Fellows League” Series, which includes BARELY A BRIDE, MERELY THE GROOM, HARDLY A HUSBAND and TRULY A WIFE “Barely a Bride” is wonderfully charming! A must have!”—Romance Reviews Today “Superb!”—The Best Reviews “Historical romance fans are fortunate to have a treasure like Rebecca Hagan Lee.”—Affaire de Coeur “Every Rebecca Hagan Lee book is a tender treasure! She warms my heart and touches my soul.”—Teresa Medeiros, New York Times bestselling author “Sparkling romance and passion that sizzles…Rebecca Hagan Lee taps into every woman’s fantasy!”—Christina Dodd, New York Times bestseller
The bite is back in vampire fiction as five of today’s most provocative authors cast their irresistible spells on you… Follow a vampire hunter who can be as deadly as her prey. Meet a down-home southern girl who’s found out, much to her chagrin, that vampires are her type. Feel the euphoria of fear in the shadow of a reluctant queen of the undead. Step closer to the hot-blooded edge of passion as a strange new mythology of the night is unveiled. Includes never-before-published stories featuring vampire hunter Anita Blake and everyone's favorite vampire-loving waitress, Sookie Stackhouse.
In 1815, Isabella Marston, a refined English young lady, is eager to escape her carping mother and constantly quarreling older sisters. Seeing a newspaper advertisement seeking a “lady wife” for a wealthy North American lumberman, she sends a letter and receives a marriage proposal in response. With her maid, her horse, and her dog, she crosses the Atlantic with high expectations, only to receive a heart-wrenching shock on her arrival in the colony of Riverhaven, New Brunswick. Exhibiting the manners of a barbarian, her prospective groom is brawny, bearded, long-haired, and clad in buckskins. His foreman, Fletcher Atkin, wrote the ad and the letters to Isabella, and he draws her unwilling attention despite his reputation as a gambler, drunkard, and lothario. He at least treats her as a gentleman should, and she wonders about his hidden background. As the summer progresses, love blooms in duplicate despite a charging bear, a kidnapping, and a brewing war between lumber barons.
"Art supervisors in the public schools assign picture-study work in each grade, recommending the study of certain pictures by well-known masters. As Supervisor of Drawing I found that the children enjoyed this work but that the teachers felt incompetent to conduct the lessons as they lacked time to look up the subject and to gather adequate material. Recourse to a great many books was necessary and often while much information could usually be found about the artist, very little was available about his pictures. Hence I began collecting information about the pictures and preparing the lessons for the teachers just as I would give them myself to pupils of their grade. My plan does not include many pictures during the year, as this is to be only a part of the art work and is not intended to take the place of drawing. The lessons in this grade are planned for the usual drawing period of from twenty to thirty minutes, and have been given in that time successfully. However, the most satisfactory way of using the books is as supplementary readers, thus permitting each child to study the pictures and read the stories himself."--Preface
Seven years ago, a pregnant Tessa Earldon had been passionately in love with her newlywed husband. But she was told he was dead and was quickly pushed into an ill-fated marriage¿and lost her child shortly thereafter. Now divorced and on the run from her ex, when she hears footsteps one dark night, she assumes they belong to her husband. And she's right. But she's wrong about which husband is pursuing her.... Six years ago, David Oliveri¿aka Jirrah McLaren¿was about to claim his bride when her brother intercepted him, threw him in jail...and convinced Tessa that he was dead and to marry another. Now Jirrah is a free man, and he's back to get what's his¿his wife. His child. And revenge. And not necessarily in that order.
The selected texts under examination include, among others, hagiographies, works of Bernard of Clairvaux and Aelred of Rievaulx, The Quest of the Holy Grail, Thomas' Tristan, the Prose Lancelot, Ami and Amile, the Decameron, and L.B. Alberti's Dell' amicizia.
WAY OUT WEST RANCHER TO THE RESCUE Rough-edged cowboy Matt Whitewolf knew that being a husband—or a father—just wasn't his style. But when he came across a little girl and her very pregnant mother stranded in the midst of a raging storm, instincts took over, and before he knew it, this self-declared lone wolf had three new guests staying at his ranch. Beautiful single mom Vivian Ashland was running from something, and Matt vowed to do anything to keep her and her children safe. But he didn't anticipate the desire Vivian would stir in him—or the longing he felt to be part of a family he'd never dreamed he needed…. Because there's nothing like a cowboy.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada