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This volume of the Boston Studies is a distillation of one of the most creative and important movements in contemporary social theory. The articles repre sent the work of the so-called 'Praxis' group in Yugoslavia, a heterogeneous movement of philosophers, sociologists, political theorists, historians, and cul tural critics, united by a common approach: that of social theory as a critical and scientific enterprise, closely linked to questions of contemporary practical life. As the introductory essay explains, in its history and analysis of the development of this group, the name Praxis focuses on the heart of Marx's social theory - the conception of human beings as creative, productive makers and shapers of their own history. The journal Praxis, which appeared regularly in Yugoslavia at Zagreb, and also in an International Edition for many years, is the source of many of these articles. The journal had to suspend publication in 1975 because of political pressures in Yugoslavia. Eight members of the group were dismissed from their University posts in Belgrade, after a long struggle in which their colleagues stood by them staunchly. Yet the creativity and productivity of the group continues, by those in Belgrade and elsewhere. Its contributions to the social sciences, and to the very conception of social science as critical and applied theory, remain vivid, timely and innovative. The importance of the theoretical work of the Praxis group is perhaps at its height now.
In an age of migration, in a world deeply divided through cultural differences and in the context of ongoing efforts to preserve national and regional traditions and identities, the issues of language and translation are becoming absolutely vital. At the heart of these complex, intercultural interactions are various types of agents, intermediaries and mediators, including translators, writers, artists, policy makers and publishers involved in the preservation or rejuvenation of literary and cultural repertoires, languages and identities. The major themes of this book include language and translation in the context of migration and diasporas, migrant experiences and identities, the translation from and into minority and lesser-used languages, but also, in a broader sense, the international circulation of texts, concepts and people. The volume offers a valuable resource for researchers in the field of translation studies, lecturers teaching translation at the university level and postgraduate students in translation studies. Further, it will benefit researchers in migration studies, linguistics, literary and cultural studies who are interested in learning how translation studies relates to other disciplines.
Proceedings of a conference held in Mar. 2010 at University College Dublin.
Opening a long-closed window into the 1960s Communist Eastern Bloc, Motel Trogir explores the history and planning culture that produced a modernist utopian architecture in Yugoslavia. Conceived and built in 1965 by renowned architect Ivan Viti during a period of increased transit tourism, the motel stands by a highway on the Dalmatian coast. A fine example of 20th-century modernism, the motel is in a derelict state today due to unresolved property issues, and stands as a reminder of the former political economy. In 2013, to help rescue the buildings from development, Loose Associations, an association for contemporary artistic practices, argued for protection of the motel as a valuable architectural work. In this modest publication, ample historical images and informative texts tell the story of 1960s socialist Yugoslavia, its tourist architecture and planning as reflected in Vitic's Adriatic motels, and the turbulent decades that have followed as the architectural culture is caught between the socialist agenda and market forces.
The Frankfurt School philosopher Herbert Marcuse (1898–1979) studied with Martin Heidegger at Freiburg University from 1928 to 1932 and completed a dissertation on Hegel’s theory of historicity under Heidegger’s supervision. During these years, Marcuse wrote a number of provocative philosophical essays experimenting with the possibilities of Heideggerian Marxism. For a time he believed that Heidegger’s ideas could revitalize Marxism, providing a dimension of experiential concreteness that was sorely lacking in the German Idealist tradition. Ultimately, two events deterred Marcuse from completing this program: the 1932 publication of Marx’s early economic and philosophical manuscripts, and Heidegger’s conversion to Nazism a year later. Heideggerian Marxism offers rich and fascinating testimony concerning the first attempt to fuse Marxism and existentialism. These essays offer invaluable insight concerning Marcuse’s early philosophical evolution. They document one of the century’s most important Marxist philosophers attempting to respond to the “crisis of Marxism”: the failure of the European revolution coupled with the growing repression in the USSR. In response, Marcuse contrived an imaginative and original theoretical synthesis: “existential Marxism.”
The Legacy of Herbert Marcuse: A Critical Reader is a collection of brand new papers by seventeen Marcuse scholars, which provides a comprehensive reassessment of the relevance of Marcuse's critical theory at the beginning of the 21st century. Although best known for his reputation in critical theory, Herbert Marcuse's work has had impact on areas as diverse as politics, technology, aesthetics, psychoanalysis and ecology. This collection addresses the contemporary relevance of Marcuse's work in this broad variety of fields and from an international perspective. In Part One, veteran scholars of Marcuse and the Frankfurt school examine the legacy of various specific areas of Marcuse's thought, including the quest for radical subjectivity, the maternal ethic and the negative dialectics of imagination. Part Two focuses on a very new trend in Marcuse scholarship: the link between Marcuse's ideas and environmental thought. The third part of this collection is dedicated to the work of younger Marcuse scholars, with the aim of documenting Marcuse's reception among the next generation of critical theorists. The final section of the book contains recollections on Marcuse's person rather than his critical theory, including an informative look back over his life by his son, Peter.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
This book provides a critical overview of the entirety of Marcuse s work and discusses his enduring importance. Kellner had extensive interviews with Marcuse and provides hitherto unknown information about his road to Marxism, his relations with Heidegger and Existentialism, his involvement with the Frankfurt School, and his reasons for appropriating Freud in the 1950s. In addition Kellner provides a novel interpretation of the genesis and structure of Marcuse s theory of one-dimensional society, of the development of his political theory, and of the role of aesthetics in his critical theory."