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From their personal lives at home to their roles in the realms of religion, health, economics, governance, war, philosophy, and poetry, this is the story of ancient women in all their aspects. Vivante explores women's lives in four ancient civilizations of the Mediterranean: Egypt, Mesopotamia, Greece, and Rome. While the experiences of women in ancient cultures were certainly very different from those of most women today, a tendency to focus too much on negative or restrictive images has until now provided readers with a rather incomplete picture. Looking at this important era from a female-oriented perspective, Vivante widens the perceptual lens and makes it possible to highlight the fundamental empowered aspects of women's activities in order to present them in balance with the various limits imposed on their societal participation. Beginning with powerful images of goddesses and women's roles in the religious sphere, Vivante details the foundation for women's activities in all other social realms. While these four Mediterranean civilizations were distinctive, they also influenced each other through various forms of contact—trade, colonization, and war. Both the similarities and the differences permit richer comparisons and promote a deeper understanding of the lives of women in each.
This Scottish novel offers a glimpse of a world ravaged by climate change, where heroes struggle against impossible odds to preserve the land, and those whom they love. In a fast paced narrative, the reader is drawn into the lives of climate refugees.Aberdeenshire 2050 In a world transformed by climate change, Scotland has become a war zone. City gangs battle homesteaders for food supplies. An unstoppable plague kills one in ten. A new race is born, the Lupans: golden-eyed and wild, they reject their mothers and live apart, speaking no recognizable language. Alienated from society, these Lupans are even hunted for sport.For thirty years Linella Sienkiewicz has taken in climate refugees. She has protected Lupans from captivity and death. But the Scottish government, responding to public xenophobia, plans to imprison the refugees and destroy the Lupan colony. The only man who can help her is Scott Maguire, a lawyer on the run. Infected by plague he has taken shelter among the Lupans. He discovers a fascinating and impenetrable society, destined to take up the evolutionary torch from the human race. Even as he is healed and transformed by living with them, he uncovers a secret that could spell salvation for humanity – but at a terrible cost. Against impossible odds, Scott and Linella must stop the approaching army. If the Lupans are destroyed the last hope for the survival of the human race will be gone.
King Oberon visits the planet Gaia and forms a friendship with a child, Lilyana. He casts spells but loses his Queen Tatinia to King Leonauric of the leprechauns. The planet, Gaia, floods land and parches soil. The child, Lilyana, grows up to marry a brilliant man who works with her to innovate life style changes on Gaia insuring their survival. Humor, friendship and deception follow Lilyana as Oberon watches over her. Lilyana's husband is a talented gamer and inventor who offers a new life to everyone with his Hollow Man and Wishing Well Games. Queen Titania learns self-esteem apart from being royalty. King Oberon learns magic does not replace a heart. Lilyana learns to accept love in a world where everyone is broken.
Gaia’s Lost Children is a politically conservative sci-fi novel of a near-term dystopian future. In the story, the Extinction Reversal Corp. (ERC) genetically engineers and reintroduces the recently extinct moas, woolly mammoths, and passenger pigeons species to the Earth’s environment. Unfortunately, these reintroductions unsettle the Global Union (GU), a carefully balanced, all-encompassing world government. In reaction, the members of the ERC are banished to a huge space habitat located equal distance from the Earth and Moon. A later attempt at further punishment leads the space exiles to rebel. The novel follows two childhood friends, Peter Tanaka and Ivar Hardford, as they try to navigate the turmoil in the GU. Peter joins the ERC and becomes a leader of the space exiles. Ivar establishes himself as the head of a mercenary band used as off-the-books government enforcers. Peter and Ivar end as mortal enemies on opposite sides of the space rebellion.
Play with the ever-present energy of life in Mother Earth--play with Gaia! This is not yoga, dance or tai chi; it is an awakening and discovery of playfulness and inner freedom. Open a new doorway with yourself or the children in your life. Together you can heal wounds, dissolve boundaries, create deep inner bonds and bring new creativity and awareness into your world. Be independently joyful. Expand your awareness of beauty, support and love found in nature. Connect with Mother Earth--play with Gaia!
Alphabetically listed entries identify and explain the characters, events, important places, and other aspects of Greek and Roman mythology.
Darwin Chambers and the Children of Gaia By: Tracy Kiger Imagine if all the myths, legends and fairy tales were all based on real individuals. These people have a fantastic connection to our world and possess great powers based on science, not magic. They can live for hundreds of years and currently have their own culture hidden from our own. This fascinating story explores new worlds full of secrets, power, and lust.
Leonardus White is like any other typical teenager. Troubles at school. Trouble at home. And an ancient vampire that wants to kill him. Well, guess not so ordinary... And why is the Chronicler so interested in how this all plays out? Not only that, but Leonardus is next in line to be the alpha of alphas. No pressure right. And what’s all this prophecy nonsense about? About the Author Christopher Richard grew up in the suburbs of Long Island, New York. He would spend his summers running through the woods, catching toads and snakes and getting covered in mud. His first introduction to the world of reading was 20,000 Leagues Under the Sea at age nine, and by the time he entered high school, Richard had written over one hundred stories. After locating the flash drive containing those stories as an adult, he decided it was time to pick them up, polish them off, and put them out into the world.
From the #1 internationally bestselling author of Ariadne, Elektra, and Atalanta, a propulsive, empowering retelling of Hera, reclaiming her as a feminist hero Even the gods must have their queen. When the immortal goddess Hera and her brother Zeus overthrow their tyrannical father, she dreams of ruling at his side. But as they establish their reign on Mount Olympus, Hera begins to see that Zeus is just as ruthless and cruel as the father they betrayed. While Zeus ascends, Hera is relegated to the role of wife and mother, a role she never wanted. She was always born to rule, but must she lose herself in perpetuating this cycle of violence and cruelty? Or can she find a way to forge a better world? In this enthralling retelling, Greek mythology’s most famous and maligned goddess finally tells her own story, as power, passion, and divine strength collide in the heart of Olympus.
Drawing on a wealth of sources, from Hesiod to Pausanias and from the Orphic Hymns to Proclus, Professor Kerényi provides a clear and scholarly exposition of all the most important Greek myths. After a brief introduction, the complex genealogies of the gods lead him from the begettings of the Titans, from Aphrodite under all her titles and aspects, to the reign of Zeus, to Apollo and Hermes, touching the affairs of Pan, nymphs, satyrs, cosmogonies and the birth of mankind, until he reaches the ineffable mysteries of Dionysos. The lively and highly readable narrative is complemented by an appendix of detailed references to all the original texts and a fine selection of illustrations taken from vase paintings. ‘...learned, admirably documented, exhaustive...’—TIMES LITERARY SUPPLEMENT ‘...it most emphatically must be the book that many have long been waiting for...’—STEPHEN SPENDER ‘Kerényi’s effort to reinterpret mythology...arises out of the conviction that an appreciation of the mythical world will help Western man to regain his lost sense of religious values....(His) theory of myth and his actual interpretations of mythical themes...help to point the way to...a new kind of humanism.’—A. Altman, Philosophy