Download Free Gaelic In Contemporary Scotland Book in PDF and EPUB Free Download. You can read online Gaelic In Contemporary Scotland and write the review.

Examines the politics of female ship in relation to contemporary documentary practices
New perspectives on the use and acquisition of a minority language. The number of young people speaking Gaelic in Scotland is growing for the first time since Census records began but less than half of all Gaelic speakers use Gaelic in the home. This book sets out to explore why. Focusing on how people, communities and organisations are 'doing' Gaelic, this book explores the processes and patterns of Gaelic language acquisition, use and management across four key spaces of interaction: the family, the community, educational settings, and in organisations. The contributors adopt an experiential approach to give voice to speakers in a diverse range of communities, both geographically and socially, as the volume illustrates the ways in which the use of Gaelic is changing in the context of increasingly fragmented, networked communities. Gaelic in Contemporary Scotland provides a range of critical perspectives on existing models for minority language revitalisation and to introduce fresh ideas for language revitalisation theory. Through its analysis of the interconnections between, and differences within, Gaelic communities, this collection challenges old understandings of the Gaelic community as a single collective identity, making it an invaluable resource for students, lecturers and researchers interested in questions of linguistic diversity, linguistic minorities and language policy and planning.
In this extensive study of the changing role of Gaelic in modern Scotland, Wilson McLeod looks at the policies of government and the work of activists and campaigners who have sought to maintain and promote Gaelic.
Can Scotland be considered an English colony? Is its experience and literature comparable to that of overseas postcolonial countries? Or are such comparisons no more than patriotic victimology to mask Scottish complicity in the British Empire and justify nationalism? These questions have been heatedly debated in recent years, especially in the run-up to the 2014 referendum on independence, and remain topical amid continuing campaigns for more autonomy and calls for a post-Brexit “indyref2.” Gaelic Scotland in the Colonial Imagination offers a general introduction to the emerging field of postcolonial Scottish studies, assessing both its potential and limitations in order to promote further interdisciplinary dialogue. Accessible to readers from various backgrounds, the book combines overviews of theoretical, social, and cultural contexts with detailed case studies of literary and nonliterary texts. The main focus is on internal divisions between the anglophone Lowlands and traditionally Gaelic Highlands, which also play a crucial role in Scottish–English relations. Silke Stroh shows how the image of Scotland’s Gaelic margins changed under the influence of two simultaneous developments: the emergence of the modern nation-state and the rise of overseas colonialism.
The first in-depth assessment of language use and attitudinal perceptions among adults who received an immersion education in a minority language.
In this extensive study of the changing role of Gaelic in modern Scotland - from the introduction of state education in 1872 up to the present day - Wilson McLeod looks at the policies of government and the work of activists and campaigners who have sought to maintain and promote Gaelic. In addition, he scrutinises the competing ideologies that have driven the decline, marginalisation and subsequent revitalisation of the language. Taking an interdisciplinary approach, at the boundary of history, law, language policy and sociolinguistics, the book draws upon a wide range of sources in both English and Gaelic to consider in detail the development of the language policy regime for Gaelic that was developed between 1975 and 1989. It examines the campaign for the Gaelic Language (Scotland) Act 2005, its contents and implementation; and assesses the development and delivery of development and delivery of Gaelic education and media from the late 1980s to the present.
Bringing together a range of perspectives on the Gaelic language, this book covers the history of the language, its development in Scotland and Canada, its spelling, syntax and morphology, its modern vocabulary, and the study of its dialects. It also addresses sociolinguistic issues such as identity, perception, language planning and the appearance of the language in literature. Each chapter is written by an expert on their topic.The book has been written accessibly with a non-specialist audience in mind. It will have a particular value for those requiring introductions to aspects of the Gaelic language. It will also be of great interest to those who are embarking on research on Gaelic for the first time. Authors include Colm O Baoill, David Adger, Rob Dunbar, Seosamh Watson, Ken Nilsen, Ken MacKinnon and Ronald Black.
This volume presents an interdisciplinary collection of essays, reviewing the state of Gaelic in contemporary Scotland, covering sociolinguistics and language policy, questions of identity and community and educational, media, cultural, and development issues. Contributions in Gaelic also have detailed English language synopses.
A 21st- century Book of Kells that brings together the work of more than 150 poets, visual artists, and calligraphers. Scotland and Ireland share a mythology, a rich music tradition, languages and some history. Irish Gaels, known as Scoti, invaded Scotland in the 5th century and gave it their name. An Leabhar Mòr is a major artwork which renews the connection between Gaelic Scotland and Ireland and celebrates the diverse strands of contemporary Celtic culture. A beautiful book featuring work from every century between the sixth and the twenty-first - contains the earliest Gaelic poetry in existence. One hundred visual artists respond to the poetry in a variety of media. Includes work by poets Nuala Ní Dhomhnaill and Máire Mhac an tSaoi and by artists Allan Davie, Will Maclean and Rita Duffy among others. There is a website for the book, full of more information and details of related projects. Click here to watch a slideshow of 18 of the artworks in the book. Here are two samples 100 specially-commissioned artworks in the book, to whet your appetite: Art by Doug Cocker inspired by Tairseacha by Liam Ó Muirthile (b. 1950) Art by Andrew Folan inspired by An Scáthán by Michael Davitt (1950-2005)