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Providing an historical overview of the song cycle and a survey of the children's song cycle, this text includes structural, stylistic, and interpretative analysis of four representative children's song cycles and an original cycle.
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.
The career of Gabriel Fauré as a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French mélodie is contained within these parameters. In this book, the distinguished accompanist and song scholar Graham Johnson places the vocal music within twin contexts: Fauré's own life story, and the parallel lives of his many poets. Each of Fauré's 109 songs receives a separate commentary. Additional chapters for the student singer and serious music-lover discuss interpretation and performance in both aesthetical and practical terms and Richard Stokes provides parallel English translations of the original French texts.
This work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more. The 240 analytical entries examine individuals such as Bergson, Durkheim, Mauss, Sartre, Beauvoir, Foucault, Levi-Strauss, Lacan, Kristeva, and Derrida; specific disciplines such as the arts, anthropology, historiography, psychology, and sociology; key beliefs and methodologies such as Catholicism, deconstruction, feminism, Marxism, and phenomenology; themes and concepts such as freedom, language, media, and sexuality; and istorical, political, social, and intellectual context. --From publisher's decription.
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
(Guitar Book). If you're new to the guitar, you're probably eager to learn some cool new blues licks. This one-of-a-kind collection features accessible, must-know turnarounds, transitions, and set-ups the universal blues phrases that serve to "turn around" the music and take you back to the beginning of the song. Styles include Delta and Piedmont blues to Chicago, Texas, and jazz blues. Each turnaround is presented in four different keys and notated with easy-to-read rhythm tab. You'll learn cool turnarounds in the styles of these jazz legends: George Benson, Kenny Burrell, John Cephas, Charlie Christian, John Lee Hooker, Lightnin' Hopkins, Robert Johnson, Freddie King, Joe Pass, Jimmy Rogers, Hubert Sumlin, Stevie Ray Vaughan, T-Bone Walker, Muddy Waters, and more!
This book traces Fauré's life and the rich cultural milieu in which he lived and worked.