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Julius West's "G. K. Chesterton, A Critical Study" discusses the individuality of one of the greatest English writers and provides an assessment of his work. Gilbert Keith Chesterton (May 29, 1874 – June 14, 1936) was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is known as the "prince of paradoxes." The book contains the following: The Romancer - The Maker of Magic - The Critic of Large Things - The Humorist and the Poet - The Religion of a Debater - The Politician who could not tell the Time - A Decadent of Sorts
This classic volume is the second part of a definitive biography of the great English writer, Charles Dickens, by another fine English author, his friend and colleague, G. K. Chesterton.
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G. K. Chesterton, London and Modernity is the first book to explore the persistent theme of the city in Chesterton's writing. Situating him in relation to both Victorian and Modernist literary paradigms, the book explores a range of theoretical and methodological approaches to address the way his imaginative investments and political interventions conceive urban modernity and the central figure of London. While Chesterton's work has often been valued for its wit and whimsy, this book argues that he is also a distinctive urban commentator, whose sophistication has been underappreciated in comparison to more canonical contemporaries. With chapters written by leading scholars in the field of 20th-century literature, the book also provides fresh readings and suggests new contexts for central texts such as The Man Who Was Thursday, The Napoleon of Notting Hill and the Father Brown stories. It also discusses lesser-known works, such as Manalive and The Club of Queer Trades, drawing out their significance for scholars interested in urban representation and practice in the first three decades of the 20th century.
Charles Dickens was in his own day the most popular novelist who had ever lived, a public figure adored like a present-day pop star. He still holds his place as one of the greatest English writers, an original genius whose novels are an essential link in the canon of English literature. He was also actively involved in the life of his time, campaigning for social and educational reform and sharply critical of contemporary society. This short biography provides an excellent introduction to Dickens, from his disturbed childhood with a traumatic period working in a blacking factory, his instant success as a young writer and his tumultuous acclaim in both England and America, the major novels of the 1850s and '60s and the establishment of Household Words, to the final years as a public performer of his own work.
G.K. Chesterton's Father Brown stories are widely considered to be some of the finest detective short stories ever published, offering vivid writing, brilliant puzzles, biting social criticism, and metaphysical explorations of life's great questions. This book presents the first in-depth analysis of his works both as classics of the detective genre and as meaningful philosophical inquiries. The Father Brown stories are examined along with Chesterton's less well known fiction, including the short stories about Mr. Pond, Gabriel Gale, Basil and Rupert Grant, Horne Fisher, Dr. Adrian Hyde and Philip Swayne, and the novels The Man Who Was Thursday and Manalive.
The Book Studies Conrad S Mostly Unconscious Psychological Promp¬Tings Behind His Adopted Method Of Treatment Of Themes, At One Stage One Kind At Another Stage Another Diffe¬Rent Kind, With The Corresponding Changes In His Stylistic Pattern. All These Variations Are Found To Conform To A Well-Related System In The Author S Discernments Arranged In Four Parts And Nineteen Chapters.