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A psychologist confronts our pervasive misunderstanding of anxiety and presents a powerful new framework for reimagining and reclaiming the confounding emotion as the advantage it evolved to be. We taught people that anxiety is dangerous and damaging, and that the solution to its pain is to eradicate it like we do any disease—prevent it, avoid it, and stamp it out at all costs. Yet cutting-edge therapies, hundreds of self-help books, and a panoply of medications have failed to keep debilitating anxiety at bay. A third of us will struggle with anxiety disorders in our lifetime and rates in children and adults continue to skyrocket. That’s because the anxiety-as-disease story is false—and it’s harming us. In this radical reinterpretation, Dr. Tracy Dennis-Tiwary argues that anxiety is an evolved advantage that protects us and strengthens our creative and productive powers. Although it’s related to stress and fear, it’s uniquely valuable—allowing us to imagine the uncertain future and compelling us to make that future better. That’s why anxiety is inextricably linked to hope. By distilling the latest research in psychology and neuroscience, including her own, combining it with real-world stories and personal narrative, Dennis-Tiwary shows how we can acknowledge the discomfort of anxiety and see it as a tool, rather than something to be feared and reviled. Detailing the terrible cost of our misunderstanding of anxiety, while celebrating the lives of people who harness it to their advantage, she argues that we can—and must—learn to be anxious in the right way. Future Tense blazes the way for a paradigm shift in how we relate to and understand anxiety in our day-to-day lives—a fresh set of beliefs and insights that allow us to explore and leverage even very distressing anxiety rather than to be overwhelmed by it. Through this new prism of thinking, even anxiety disorders can be alleviated. Achieving a new mindset will not fix anxiety itself—because the emotion of anxiety is not broken; the way we cope with it is. By challenging our long-held assumptions about anxiety, this book provides a concrete framework for how to reclaim it for what it has always been—a gift rather than a curse, and a source of inner strength, joy, and ingenuity.
In the years between the world wars, French intellectuals, politicians, and military leaders came to see certain encounters-between human and machine, organic and artificial, national and international culture-as premonitions of a future that was alternately unsettling and utopian. Skyscrapers, airplanes, and gas masks were seen as traces in the present of a future world, its technologies, and its possible transformations. In Future Tense, Roxanne Panchasi illuminates both the anxieties and the hopes of a period when many French people-traumatized by what their country had already suffered-seemed determined to anticipate and shape the future.Future Tense, which features many compelling illustrations, depicts experts proposing the prosthetic enhancement of the nation's bodies and homes; architects discussing whether skyscrapers should be banned from Paris; military strategists creating a massive fortification network, the Maginot Line; and French delegates to the League of Nations declaring their opposition to the artificial international language Esperanto.Drawing on a wide range of sources, Panchasi explores representations of the body, the city, and territorial security, as well as changing understandings of a French civilization many believed to be threatened by Americanization. Panchasi makes clear that memories of the past-and even nostalgia for what might be lost in the future-were crucial features of the culture of anticipation that emerged in the interwar period.
Literary Nonfiction. Lyric Essay. Prompted by a sequence of discouraging internet encounters, Felicity Fenton attempts to free herself from the tendrils of an online world we know, but struggle to look away from. She evaluates the endless distractions of being tethered to her device and all that comes with it: email, spam, texting, taking pictures, and social media (aka "the walls"). In lyrical prose that swerves into dream-like mirage, hilarious thoughts, social observations, and unwavering sadness, USER NOT FOUND is a powerful essay that is all too relatable.
The son of a former militant, Fayaz is an aimless bureaucrat whose marriage to his wife Zeenat has broken down. His nephew Imran is a young student, a misfit in Srinagar, hoping to join a new kind of spectacular resistance. Shireen, the granddaughter of a spy, discovers how her painful and divisive family story is deeply intertwined with the history of Kashmir. The paths of these characters intersect and diverge in Nitasha Kaul's tour de force novel Future Tense, which traces the competing trajectories of modernity and tradition, freedom and suffocation, and the possibility of bridging the stories of different kinds of Kashmiris.
“Illustrates the complex and contradictory impact of Muslim revivalism on the expectations and hopes of Egyptian youth . . . Recommended.” —Choice Against the backdrop of the revolutionary uprisings of 2011–2013, Samuli Schielke asks how ordinary Egyptians confront the great promises and grand schemes of religious commitment, middle class respectability, romantic love, and political ideologies in their daily lives, and how they make sense of the existential anxieties and stalled expectations that inevitably accompany such hopes. Drawing on many years of study in Egypt and the life stories of rural, lower-middle-class men before and after the revolution, Schielke views recent events in ways that are both historically deep and personal. Schielke challenges prevailing views of Muslim piety, showing that religious lives are part of a much more complex lived experience. “This wonderful book brings fresh insights into the anthropology of hope in general and Egypt in particular. It makes a rewarding read for scholars interested in how life and all its ambiguities and aspirations unfold under changing notions of religious commitment, new regimes of circulation, and emerging patterns of consumption.” —American Anthropologist “An altogether innovative, compelling, and sensitive perspective on what is perhaps the most important question facing young people in the Middle East today: how to make a life in rapidly shifting, complex times whose future is uncertain.” —Jessica Winegar, author of Creative Reckonings: The Politics of Art and Culture in Contemporary Egypt
One of the most admired religious thinkers of our time issues a call for world Jewry to reject the self-fulfilling image of “a people alone in the world, surrounded by enemies” and to reclaim Judaism’s original sense of purpose: as a partner with God and with those of other faiths in the never-ending struggle for freedom and social justice for all. We are in danger, says Rabbi Jonathan Sacks, of forgetting what Judaism’s place is within the global project of humankind. During the last two thousand years, Jews have lived through persecutions that would have spelled the end of most nations, but they did not see anti-Semitism written into the fabric of the universe. They knew they existed for a purpose, and it was not for themselves alone. Rabbi Sacks believes that the Jewish people have lost their way, that they need to recommit themselves to the task of creating a just world in which the divine presence can dwell among us. Without compromising one iota of Jewish faith, Rabbi Sacks declares, Jews must stand alongside their friends—Christian, Muslim, Hindu, Sikh, Buddhist, and secular humanist—in defense of freedom against the enemies of freedom, in affirmation of life against those who desecrate life. And they should do this not to win friends or the admiration of others but because it is what a people of God is supposed to do. Rabbi Sacks’s powerful message of tikkun olam—using Judaism as a blueprint for repairing an imperfect world—will resonate with people of all faiths.
'From the vantage point of years in active politics, Tony Leon provides a lucid analytical balance sheet of SA Ltd 2021. Eschewing political correctness, Leon tells it as he sees it.' – Judge Dennis Davis 'Anyone who wants to understand South Africa today – a country so beautiful, yet so broken – simply has to read this book.' - Niall Ferguson, author of The Ascent of Money In his riveting new book, Future Tense, Tony Leon captures and analyses recent South African history, with a focus on the squandered and corrupted years of the past decade. With unique access and penetrating insight, Leon presents a portrait of today's South Africa and prospects for its future,based on his political involvement over thirty years with the key power players: Cyril Ramaphosa, Jacob Zuma, Thabo Mbeki, Nelson Mandela and FW de Klerk. His close-up and personal view of these presidents and their history-making, and many encounters in the wider world, adds vivid colour of a country and planet in upheaval. Written during the first coronavirus lockdown, Future Tense examines the surge of the disease and the response, both of which have crashed the economy and its future prospects. As the founding leader of the Democratic Alliance, Leon also provides an insider view for the first time of the power struggles within that party, which saw the exit of its first black leader in 2019. There is every reason to fear for the future of South Africa but, as Leon argues, 'the hope for a better country remains an improbable, but not an impossible, dream'.
"Jessica Teich's understanding of trauma is the infallible authority upon which her tale rests. But the delicacy and nuance with which she renders this story is that of a poet." -- Meryl Streep Jessica Teich was among the first wave of women to expose Hollywood's culture of harassment and abuse. Her memoir, The Future Tense of Joy, tells the inspiring story of her own recovery from trauma, empowering other victims to move past silence and shame toward help, healing, and hope. Teich writes openly, courageously, of the challenges facing so many survivors: to feel safe, to find love, to nurture optimism and resilience, and to reclaim the sense of connection -- of belonging -- that defines us as human beings. Kirkus called The Future Tense of Joy "an honest, compassionate memoir about shaking off personal demons." Library Journal said, "Teich looks at motherhood, depression, the effect of damaging relationships, and the challenges placed on successful, driven women. She does so with grace and openness, even while exploring painful parts of her past." (starred review) The Future Tense of Joy belongs with classics of the genre-from Eat, Pray, Love and The Glass Castle to Wild-that celebrate the triumph of truth-telling and the redeeming power of love. Lyrical, funny and brave, Teich's book speaks to anyone eager to emerge from the long shadow of betrayal to find love, liberation, and joy.
We are living in an age of unprecedented upheaval. The future of Western culture is uncertain. America’s economic and political vitality are more fragile than ever. The preservation of tradition is far from guaranteed. Many have observed that we are living through a world historical moment of which Hegel spoke: a time when many of the traditional assumptions about the shape and future of culture are suddenly in play. As The New Criterion embarks on its fourth decade of publication, the magazine commemorates its commitment to the civilizing values of informed criticism with the publication of Future Tense: The Lessons of Culture in an Age of Upheaval. Compiling the writings of some of the greatest essayists of our time, Future Tense examines this pivotal period through a variety of lenses. Beginning with a meditation on memorials after the 9/11 attacks (Michael J. Lewis), the essays address patriotism in relation to Pericles (Victor Davis Hanson), twenty-first century American pride and leadership (Andrew Roberts), the future of religion in America (David Bentley Hart), and the unwinding of the welfare state (Kevin D. Williamson). Continuing this arc, pieces examine self-knowledge and modern technology (Anthony Daniels), the cultural capital of museums (James Panero), and the difficulties of making law in the modern world (Andrew C. McCarthy). In its penultimate essay, the book explores the possibility of a forthcoming political revolution (James Piereson), then closes with a reflection of culture’s role in the economy of life and the fragility of civilization (Roger Kimball). Taken together, these prominent writers demonstrate an acute understanding of the value of Western thought as well as the challenges it faces. Future Tense is an engaging discourse on the prospects of society and an important collection for anyone concerned with the longevity of traditional culture.
Future Tense is the sequel to Tempus Fugit . It picks up exactly where the first book leaves off. Sloane now finds himself reunited with his girlfriend, Emma, at Duckworth Hall. It should be a time for love and celebration, but our heroOCOs hopes are soon dashed when heOCOs devastated to find that Emma is obsessed with a mysterious stranger, one of the DuckOCOs houseguests. Things rapidly go from bad to worse when he discovers the DuckOCOs other houseguestsOCoin the attic! As usual, the DuckOCOs machinations are unfathomable to mere mortals. Those puritanical fascists, Corrective Measures, are still in hot pursuit, only this time theyOCOre meanerOCotheir snatch squads now blow up time fugitives homes and pack them off to the Castle, a sinister prison lost in the deep freeze of time, from which no time traveler has ever returned. Is Sloane destined to spend the rest of his days on the frozen prison island? Always expect the unexpected in the wacky world of Future Tense . For an author bio and photo, reviews, and a reading sample, visit bosonbooks.com"