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On a remote island in the middle of the Atlantic secrets are buried. When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.
THE STORY: On a remote island in the middle of the Atlantic secrets are buried. When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well
A man is banished in a soldier's hearing. His daughter is left to wander. In a rash moment, Beatriz offers to take the child back to her father, and so starts an unimaginable journey across continents and in and out of war zones. But in their need to survive, the woman and the child transform in ways that become irreversible. The Wheel by Zinnie Harris premiered at the Traverse Theatre, Edinburgh, in August 2011 in a production by the National Theatre of Scotland. Zinnie Harris is a playwright and screenwriter, her work includes the multi-award-winning play Further than the Furthest Thing, and Spooks. 'A glorious luminosity of spirit...really rather special.' Financial Times on Further than the Furthest Thing
In this first collection by Zinnie Harris, Further than the Furthest Thing evokes the fragility of an island community as their way of life is threatened and they must determine their future, while Midwinter opens as a woman steals a dead horse to feed to a child. How To Hold Your Breath tells the story of a woman who sleeps with the devil and defends her belief in love, even as her world collapses around her, and Meet Me at Dawn offers a compelling, allegorical love story that explores the desolating effects of grief. With an introduction by director Dominic Hill. Further than the Furthest Thing 'Already has the status of a modern classic.' Lyn Gardner, Guardian 'Arguably the greatest tragedy in the Scottish theatrical canon' Mark Brown, Telegraph Midwinter 'There is no mistaking her talent' Observer 'A stunning metaphor for our time' Herald How to Hold Your Breath 'Harris's writing is not only wonderfully imaginative, but also beautifully light.' Tribune 'Dizzyingly bold . . . pressingly topical and admirably ambitious' Financial Times Meet Me at Dawn 'A twenty-first-century classic' Scotsman 'Lyrical, raw and hazy' Sunday Times
This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.
You'd be surprised how a simple thing like locking up your husband in the same room as you, makes you aware of something. Of being alive. The Scent of Roses begins with a wife who takes her husband hostage in order to have an honest conversation. This simple, transgressive act, and her demand for a straight answer, sparks a chain of conversations, interrogations, obfuscations and revelations, as they and those around them try to discover what is real and who they can trust in a post-truth world. Zinnie Harris's The Scent of Roses premieres at the Royal Lyceum Theatre, Edinburgh, in February 2022.
Because we live in Europe. Because nothing really bad happens. The worst is a bit of an inconvenience. Perhaps not such a good mini break. But really in the grand scheme of life, not so bad. Starting with a seemingly innocent one night stand, this dark, witty and magical play by Zinnie Harris dives into our recent European history. An epic look at the true cost of principles and how we live now, How to Hold Your Breath premiered at the Royal Court Theatre in February 2015.
You should know: I sing at parties, I wear colourful dresses, I am headstrong, I won't wear my hair up because you say I should, or do this because you prefer it, in fact I might do the other just to be contrary, but I am utterly and always myself. The Duchess is a young widow. Her husband is dead, she is free. But her financial position, sexual freedom and youth mean that she could be dangerous, she could get to determine her own life. That is if she isn't stopped first. Terrified by her sudden power and its implications, her brothers Ferdinand and The Cardinal seek to block The Duchess' desire to re-marry, repress her agency, and dismantle both her authority and spirit through any means necessary, with horrifying results and bloody vengeance from the most unexpected of sources . . . The Duchess (of Malfi) premiered at the Royal Lyceum Theatre, Edinburgh, in May 2019
A family is riven by intergenerational conflict when forced to resettle in an oppressive state. Solstice explores themes of faith and terror in a world slipping out of control. Zinnie Harris' Solstice is her second RSC commission and marks the first in a trilogy of plays, Solstice, Midwinter (New Work Festival 2004) and Fall. Solstice premiered at The Other Place, Stratford-upon-Avon, in March 2005.
Played this game. Inside, with the other girls. The 'he is going to meet you' game. The 'he is going to meet you with flowers' game. The 'he is going to turn up in a limo' game. The 'he is going to bring champagne' game. The 'he is going to cover you in kisses, or cum, or love bites or bloody Belgian chocolate' game, doesn't matter but when you walk out of those gates. He is going to be there, that is the game.Chase is waiting to be released from prison. And Nightingale is there to meet her. Everything is under control and they're both going to get it right. This time.Nightingale and Chase premiered at the Royal Court Theatre, London, in September 2001.