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Edward P. Cogger's 'Funny Alphabet. Uncle Franks' Series' is a delightful children's book that combines humor and education seamlessly. The book presents the alphabet in a unique and entertaining way, featuring Uncle Franks' amusing anecdotes and whimsical illustrations. Cogger's literary style is charming and engaging, making learning the alphabet an enjoyable experience for young readers. Set in a whimsical and imaginative world, the book provides a refreshing take on a fundamental aspect of early education. With its playful tone and creative approach, 'Funny Alphabet' stands out in the realm of children's literature. Edward P. Cogger, a seasoned author and educator, has a profound understanding of children's learning needs and interests. His background in early childhood education influenced the creation of this book, ensuring that it is both informative and entertaining. Cogger's passion for fostering a love of reading in children shines through in every page of 'Funny Alphabet.' I highly recommend this book to parents, teachers, and anyone looking to introduce young readers to the wonders of language in a fun and engaging way.
Readers who love Percy Jackson, the Unwanteds, and Beyonders will discover that 100 cupboards mean 100 opportunities for adventure! The bestselling and highly acclaimed 100 Cupboards series starts here. What dangers are locked behind the cupboard doors? Henry isn’t brave, but when he hears a thumping and scratching on the other side of his bedroom wall, he can’t ignore it. He scrapes off the plaster and discovers mysterious doors—cupboards of all different shapes and sizes. Through one he sees a glowing room and a man strolling back and forth. Through another he sees only darkness and feels the cold sense that something isn’t right. When his cousin Henrietta boldly travels into the worlds beyond the cupboards, it’s up to Henry to follow her. Now that he’s opened the doors, can he keep the evil inside from coming through? "A must-read series." —The Washington Post
A major literary event: the first volume in the definitive, complete collection of the letters of Sylvia Plath—most never before seen. One of the most beloved poets of the modern age, Sylvia Plath continues to inspire and fascinate the literary world. While her renown as one of the twentieth century’s most influential poets is beyond dispute, Plath was also one of its most captivating correspondents. The Letters of Sylvia Plath is the breathtaking compendium of this prolific writer’s correspondence with more than 120 people, including family, friends, contemporaries, and colleagues. The Letters of Sylvia Plath includes her correspondence from her years at Smith, her summer editorial internship in New York City, her time at Cambridge, her experiences touring Europe, and the early days of her marriage to Ted Hughes in 1956. Most of the letters are previously unseen, including sixteen letters written by Plath to Hughes when they were apart after their honeymoon. This magnificent compendium also includes twenty-seven of Plath’s own elegant line drawings taken from the letters she sent to her friends and family, as well as twenty-two previously unpublished photographs. This remarkable, collected edition of Plath’s letters is a work of immense scholarship and care, presenting a comprehensive and historically accurate text of the known and extant letters that she wrote. Intimate and revealing, this masterful compilation offers fans and scholars generous and unprecedented insight into the life of one of our most significant poets.
The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different - if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived? Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian émigrés and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. 'If I were allowed one simple cry to God,' she wrote in one of her last letters, that cry would be I want to be REAL.'