Download Free Funhouse Book in PDF and EPUB Free Download. You can read online Funhouse and write the review.

Evil comes in frightening and familiar forms in this terrifying novel from #1 New York Times bestselling author Dean Koontz. Once there was a girl who ran away and joined a traveling carnival. She married a man she grew to hate—and gave birth to a child she could never love. A child so monstrous that she killed it with her own hands... Twenty-five years later, Ellen Harper has a new life, a new husband, and two normal children—Joey loves monster movies and Amy is about to graduate from high school. But their mother drowns her secret guilt in alcohol and prayer. The time has come for Amy and Joey to pay for her sins, because the carnival is coming back to town...
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books. This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.
DIVA high schooler suspects that a tragic roller coaster crash wasn’t an accident/div DIVIf it weren’t for the Boardwalk, the small town of Santa Luisa might disappear altogether. The amusement park employs half the town’s workers, pulls in tourists, and gives teenagers like Tess Landers someplace to hang out on the weekends. Tess is eating a hot dog when the Boardwalk’s roller coaster—the Devil’s Elbow—jumps the track, hangs for a moment in the air, and then plummets to the ground. One of Tess’s classmates is dead on impact, two are forever maimed, and over twenty others are taken to the hospital. It’s the worst tragedy Santa Luisa has ever seen, but it’s only the beginning./divDIV /divDIVAs people rush to help, Tess spies a black-suited figure running away from the crowd. The crash was no accident. Five more teens will suffer before the killer is through, and Tess may be about to put herself on the list of victims./divDIV /divDIVThis ebook features an illustrated biography of Diane Hoh including rare photos and never-before-seen documents from the author’s personal collection./div
In the tradition of such great Latin American magic realists as Jorge Amada, Sergio Kokis recreates the magic world of a child in Brazil. The novel is told from the point of view of a Brazilian painter in exile somewhere in the northern climes - man who longs for the warmth and vibrancy of his childhood. But his childhood and adolescence were not easy. Torn between a deeply religious (and superstitious) mother and his father, a man of science and reason, the young man survives his home life, life at boarding school, and life abroad to become an artist and a person in his own right. Funhouse (Le pavillon des miroirs in French) has won four major literary awards in Quebec: Grand Prix du livre de Montrl, Prix de L’Acadie des lettres du Quec, Prix Quec-Paris, and Prix Desjardins.
Death is a roller coaster. The traveling carnival has made its stop in Sinful and everyone is ready for thrilling rides, challenging games, and most importantly, funnel cake. But when a man is murdered in the funhouse and Emmaline LeBlanc is knocked unconscious so the killer can escape, the good times are over. Carter is beside himself wanting to hunt down the man responsible for putting his mother in the hospital, but he can’t investigate when he’s related to one of the victims. Palmer Reed was well known as a boy by most everyone in Sinful for being a sneak, a liar, and sometimes a thief. As an adult, he continued his reign of underachieving and mostly making people angry wherever he went. Now he’s a state police detective and is assigned to the case, but Fortune knows that to get Carter the answers he needs, Swamp Team 3 has to take on the investigation. As they dig deep into the confusion and lies that surround the murder, they uncover a secret that could devastate Carter and Emmaline, but Fortune is determined to discover the truth…whatever that may be.
NATIONAL BOOK AWARD FINALIST • John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction exploring themes of purpose and the meaning of existence. "[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times From its opening story, "Frame-Tale"--printed sideways and designed to be cut out by the reader and twisted into a never-ending Mobius strip--to the much-anthologized "Life-Story," whose details are left to the reader to "fill in the blank," Barth's acclaimed collection challenges our ideas of what fiction can do. Highlights include the Homerian story-wthin-a-story-within-a-story (times seven) of "Menalaiad,' and "Night-Sea Journey," a first-person account of a confused human sperm on its way to fertilize an egg. All of the characters in Lost in the Funhouse are searching, in one way or another, for their purpose and the meaning of their existence. Together, their stories form a kaleidescope of exuberant metafictional inventiveness.
A gothic, blood curdling edition of the world's greatest journal of sex, religion and death. Incisive and cutting edge essays from the world of underground film, fanaticism, crime, sex, art, trash and sleaze. Contents include; A visit to the reclusive director of 70s seminal obscure horror movie Last house on Dead End Street, interview with Tom Robbins whose book 'Another Roadside Attraction' Elvis was reputed to be reading when he died, and Laurence O'Toole, author of 'Pornucopia' on set with gonzo pornmaker Buttman. Illustrated with 20 black and white illustrations.
"Prisons are hard places to get into and harder yet to get out of," writes Robert Ellis Gordon as he takes you on a remarkable eight-year journey into the Washington State corrections system. As a writing teacher in the state¿s prisons from 1989 until 1998, Gordon had the unique experience of gaining access to the system¿s darkest realms while still being free to walk away from penitentiary confines at the end of the day. His account is aided by essays and stories contributed by six extraordinary inmates--works that give this book an unforgettable edge. Together, Gordon and his students provide revealing glimpses of this vast secret-laden subculture of incarcerated individuals, which nationwide comprises more than two million U.S. citizens. Here is a gallery of portraits of prison life, from the female guard who tantalizes male inmates with her sexuality to the terrified young fish trying to stave off other prisoners. The stories are jarring, harsh, compelling. A surprising--and frequently searing--examination of the prison experience, seen from both inside and out¿ memorable and gripping."--Kirkus Reviews
Something creepy is lurking in the funhouse at the annual school carnival. Can the G.H.O.S.T. Squad solve the case in time so their school can raise the money it badly needs?
G.H. Hovagimyan is an absurdist, a strategist, a serial collaborator, and nothing short of a cultural icon in the world of contemporary art, particularly as it relates to how artists have adopted the digital technological tools of our times, adapting them in his work for critique of art, popular culture, and social engagement. Situationist Funhouse is a joyride through this history. The journey Stephen Zacks so meticulously documents and describes is not only an incredibly comprehensive ride through G.H.'s life work to date--Hovagimyan adopted G.H. as an acronym in the 1990s as a kind of gesture of personal rebirth and to ease others' difficulty with his last name [pronounced ho-va-GIM-yan]--it also serves as a document that tracks a particular view on the alternative contemporary art scene of New York from the 1970s to the present day.