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In this irreverent ode to gonzo journalism, one writer travels the globe to explore the use of recreational drugs in cultures around the world. After I got out of jail, I was determined to find out more about how the issue of drugs not only landed me there, but has shaped the entire world: wars, scandals, coups, revolutions. I read every book, watched every documentary. I saved up to buy plane tickets. I went to Colombia, Mexico, Russia, Italy, Japan and the Afghan border—all in all, fifteen countries across five continents. Call me Narco Polo. Just as Anthony Bourdain's No Reservations did for the world of food, Dopeworld is an intoxicating journey into the world of drugs. From the cocaine farms in South America to the streets of Manila, Dopeworld traces the emergence of psychoactive substances and our intimate relationship with them. As a former drug dealer turned subversive scholar, with unparalleled access to drug lords, cartel leaders, street dealers and government officials, journalist Niko Vorobyov attempts to shine a light on the dark underbelly of the drug world. At once a bold piece of journalism and a hugely entertaining travelogue, Dopeworld is a brilliant and enlightening journey across the world, revealing how drug use is at the heart of our history, our lives, and our future.
Literary Nonfiction. PITY THE ANIMAL, an essay by Chelsea Hodson, explores the concept of human submission and commodification by way of window displays, wild animals, performance art, and sugar daddy dating websites. "How much can a body endure? Almost everything."
'Joan is an unforgettable anti-heroine. I don't think I'll ever stop thinking about her' ELIZABETH DAY'So insanely good and true and twisted it'll make your teeth sweat' OLIVIA WILDE'One of my favourite writers of all time' DUA LIPA'Like a series of grenades exploding' MARIAN KEYESI drove myself out of New York City where a man shot himself in front of me. He was a gluttonous man and when his blood came out it looked like the blood of a pig. That's a cruel thing to think, I know. He did it in a restaurant where I was having dinner with another man, another married man.Do you see how this is going? But I wasn't always that way.I am depraved. I hope you like me.------------A FINALIST FOR THE MCKITTERICK PRIZE 2022A 2021 Highlight for: Guardian - Sunday Express - Independent - New Statesman - Evening Standard - Cosmopolitan - Red - Grazia - Daily Mail - Daily Express - The Week - Irish Times - i - The Sun
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
"A memoir from a music personality, TV host and MTV and VH1 veejay chronicles the songs and artists that informed and molded his childhood and teenage years to ultimately inspire his career, relationships and life and shares his stories from the front lines of rock and roll,"--NoveList.
One-night stands are awkward. One-night stands with animals are more awkward. And when you're as desperate to please as Bobby, things get awkward as f*ck. He's just a guy with too much love to give, and a burning desire to give it to consensual adult mammals.
This book explores a number of important issues to illuminate the common ground between Peter Singer and Christian ethics.
…just remember that I’m not telling you to get emotional and judge the world. When words like “fuck off” come into play, people start imagining a very “no-bullshit” headspace, testosterone running high and a rebel soul. No. This isn’t about being the grumpy party pooper, shitting on everyone’s parade. My effort through this book is to clean up as much shit as I can. Or at the very least, encourage you to clean your conscience.
Alexa Tsoulis-Reay's Finding Normal is an author's up close tour of people who are using the Internet to challenge the boundaries of what's taboo and what it means to be normal. Finding Normal explores how people are using the internet to find community, forge connections, and create identity in ways that challenge a variety of sexual norms. Based on a highly candid interview series conducted for New York magazine's human science column—"What It's Like"—each story in Finding Normal intimately immerses the reader in the world of a person who is grappling with a unique set of circumstances relating to sexuality. Finding Normal at once celebrates the power of our evolving media landscape for helping people rewrite the script for their lives and offers a wanring about the danger of that seemingly limitless freedom. Tsoulis-Reay shows the enduring power of the search for belonging—for humans and society. Like happiness of life purpose, finding normal is perhaps the definitive human struggle.
Twelve-year-old Toulouse “Tull” Trotter lives with his grandfather on a vast Bel-Air parkland estate and spends most of his time with young cousins Lucy, “the girl detective,” and Edward, a prodigy who was born disfigured by the effects of Apert Syndrome. One day, an impulsive revelation by Lucy sets in motion a chain of events that changes Tull—and the Trotter family—forever. I’ll Let You Go, the third novel of Bruce Wagner, is a Angelino Bleak House that follows a young boy as he searches for his lost father, his beautiful, drug-addicted mother, Katrina, who is still coming down from the disappearance of her husband, and their family’s connection to a street orphan and a homeless schizophrenic. A masterful, modern-day family saga about the valleys between wealth and poverty and reality and fantasy.