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This is a definitive account of Fruitlands, one of history's most unsuccessful, but most significant, utopian experiments. It was established in Massachusetts in 1843 by Bronson Alcott (whose ten year old daughter Louisa May, future author of Little Women, was among the members) and an Englishman called Charles Lane, under the watchful gaze of Emerson, Thoreau, and other New England intellectuals. Alcott and Lane developed their own version of the doctrine known as Transcendentalism, hoping to transform society and redeem the environment through a strict regime of veganism and celibacy. But physical suffering and emotional conflict, particularly between Lane and Alcott's wife, Abigail, made the community unsustainable. Drawing on the letters and diaries of those involved, the author explores the relationship between the complex philosophical beliefs held by Alcott, Lane, and their fellow idealists and their day to day lives. The result is a vivid and often very funny narrative of their travails, demonstrating the dilemmas and conflicts inherent to any utopian experiment and shedding light on a fascinating period of American history.
We are all going to be made perfect . . . In 1843, with all their possessions loaded onto a single wagon, ten-year-old Louisa May Alcott and her family bravely set out into the wilderness to make a new home for themselves on a farm called Fruitlands. Louisa's father has a dream of living a perfect, simple life. It won't be easy, but the family has vowed to uphold his high ideals. In her diary -- one she shares with her parents -- Louisa records her efforts to become the girl her parents would like her to be. But in another, secret diary, she reveals the hardships of this new life, and pours out her real hopes and worries. Can Louisa live up to her father's expectations? Or will trying to be perfect tear the family apart?
New England Transcendentalism was a vibrant and many-sided movement whose members are probably best remembered for their utopian experiments, their attempts to reconcile the contingent world of history with what they perceived as the stable and patterned world of nature. Richard Francis has written the first book to explore in detail the ideological basis of the three famous experiments during the 1840s: Brook Farm, Fruitlands, and Henry David Thoreau's "community of one" on the shores of Walden Pond.Francis suggests that at the heart of Transcendentalism was a belief that all phenomena are connected in a repetitive sequence. The task was to explain how human society could be reordered to benefit from this seriality. Some members of the movement believed in evolutionary progress, whereas others hoped to be the agents of a sudden millennial transformation. They differed, as well, in their views as to whether the fundamental social unit was the individual, the family, the phalanstery, or the community. The story of the three communities was, inevitably, also the story of particular individuals, and Francis highlights the lives and ideas of such leaders as George Ripley, W. H. Channing, Bronson Alcott, Charles Lane, and Theodore Parker. The consistent underlying beliefs of the New England Transcendentalists have exerted a powerful influence on American intellectual and cultural history ever since.
In June of 1843, Bronson Alcott and Charles Lane, both reformers involved in the Transcendentalist movement, founded Fruitlands in an attempt to strengthen their spirituality through self-reliant, simple living. Joinmed by their families and about a dozen other individuals, the Con-Sociate family (as they called themselves) was to bring about a new Eden by cultivating a mystical and scetic way of life in a rural retreat. Compiling, in their own words, from letters, diaries, and books, and from the comments of friends and associates such as Emerson and Thoreau, Clara Endicott Sears, founder of Fruitlands Museum, tells the story of this famous encounter of transcendental philosophy with the realities of the New England soil and climate and the vagaries of human nature. Louisa May Alcott's classic satire based on her father's experiment, "Transcendental Wild Oats," completes the picture of a noble failure.
He set out to make his utopian dream come true-Bronson Alcott, his wife and four daughters, and an odd assortment of friends who knew more about philosophy than they did about farming. Would their experience at Fruitlands last through the hard New England winter? Transcendentalist commune is for readers of all ages who love Alcott, history, or just a good story told with humor and sensitivity.
This collection is the first academic study of the captivating life and career of expatriate artist, writer, and activist, May Alcott Nieriker. Nieriker is known as the sister of Louisa May Alcott and model for "Amy March" in Alcott’s Little Women. As this book reveals, she was much more than "Amy"—she had a more significant impact on the Concord community than her sister and later became part of the creative expat community in Europe. There, she imbued her painting with the abolitionist activism she was exposed to in childhood and pursued an ideal of artistic genius that opposed her sister’s vision of self-sacrifice. Embarking on a career that took her across London, Paris, and Rome, Nieriker won the acclaim of John Ruskin and forged a network of expatriate female painters who changed the face of nineteenth-century art, creating opportunities for women that lasted well into the twentieth century. A "Renaissance woman," Nieriker was a travel writer, teacher, and curator. She is recovered here as a transdisciplinary subject who stands between disciplines, networks, and ideologies—stiving to recognize the dignity of others. Contributors include foundational Alcott scholar Daniel Shealy and Pulitzer Prize winner John Matteson, as well as Curators, Jan Turnquist (Orchard House) and Amanda Burdan (Brandywine River Museum of Art). In this book, readers will become acquainted with a dynamic feminist thinker who transforms our understanding of the place of women artists in the wider cultural and intellectual life of nineteenth-century Britain, France, and the United States.
Winner of the Pulitzer Prize for Biography Louisa May Alcott is known universally. Yet during Louisa's youth, the famous Alcott was her father, Bronson—an eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply coveted—her father's understanding—seemed hardest to win. This story of Bronson and Louisa's tense yet loving relationship adds dimensions to Louisa's life, her work, and the relationships of fathers and daughters.
Bronson Alcott's Fruitlands by Louisa May Alcott and Clara Endicott Sears: The Utopian Experiment of Fruitlands and the Alcott Family's Idealistic Pursuits: Bronson Alcott's Fruitlands, Louisa May Alcott and Clara Endicott Sears shed light on the remarkable utopian experiment undertaken by the Alcott family in Fruitlands. This insightful book provides a fascinating exploration of the family's idealistic pursuits, their commitment to a self-sufficient lifestyle, and the challenges they faced in their quest for a harmonious, idyllic existence. Key Aspects of the Book "Bronson Alcott's Fruitlands": Utopian Idealism: Delve into the vision and philosophy behind the Fruitlands experiment, where the Alcott family strived to create a utopian society rooted in simplicity, communal living, and ethical principles. Family Dynamics: Gain a deeper understanding of the Alcott family, particularly Bronson Alcott, the renowned philosopher, and his daughters, including Louisa May Alcott, who later achieved fame as an author. Challenges and Lessons: Explore the challenges faced by the Alcotts, from practical difficulties of self-sufficiency to philosophical conflicts, and discover the valuable lessons that emerged from their experiences. Louisa May Alcott, a beloved American author known for her novel "Little Women," and Clara Endicott Sears, an accomplished writer and historian, collaborated to bring to life the intriguing story of Fruitlands and the Alcott family's pursuit of a utopian ideal. Louisa May Alcott's personal connection to the Alcott family, coupled with Clara Endicott Sears' research and writing expertise, resulted in this captivating account of the Fruitlands experiment.
The Fate of Transcendentalism examines the mid-nineteenth-century flowering of American transcendentalism and shows the movement’s influence on several subsequent writers, thinkers, and artists who have drawn inspiration and energy from the creative outpouring it produced. In this wide-ranging study, Bruce A. Ronda offers an account of the movement as an early example of the secular turn in American culture and brings to bear insights from philosopher Charles Taylor and others who have studied the broad cultural phenomenon of secularization. Ronda’s account turns on the interplay and tension between two strands in the transcendentalist movement. Many of the social experiments associated with transcendentalism, such as the Brook Farm and Fruitlands reform communities, Temple School, and the West Street Bookshop, as well as the transcendentalists’ contributions to abolition and women’s rights, spring from a commitment to human flourishing without reference to a larger religious worldview. Other aspects of the movement, particularly Henry Thoreau’s late nature writing and the rich tradition it has inspired, seek to minimize the difference between the material and the ideal, the human and the not-human. The Fate of Transcendentalism allows readers to engage with this fascinating dialogue between transcendentalist thinkers who believe that the ultimate end of human life is the fulfillment of human possibility and others who challenge human-centeredness in favor a relocation of humanity in a vital cosmos. Ronda traces the persistence of transcendentalism in the work of several representative twentieth- and twenty-first-century figures, including Charles Ives, Joseph Cornell, Truman Nelson, Annie Dillard, and Mary Oliver, and shows how this dialogue continues to inform important imaginative work to this date.