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In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
In a career that spanned 60 years, Paul Whiteman changed the landscape of American music, beginning with his million-selling recordings in the early 1920s of “Whispering,” “Japanese Sandman,” and “Three O’Clock in the Morning.” Whiteman would then introduce “symphonic jazz,” a powerful blend of the classical and jazz idioms that represented a whole new approach to modern American music, influencing generations of bandleaders and composers. While some hold that at the close of the Roaring Twenties Whiteman’s musical hegemony quickly waned, Don Rayno illustrates in this second volume of Paul Whiteman: Pioneer in American Music how much of a dominant figure Whiteman remained. A major figure on the American music scene for decades to come, he would continue to lead critically-acclaimed orchestras, filling theaters and concert halls alike and diligently seeking out and nurturing musical talent on the largest scale of any orchestra leader in the 20th century. In this second volume of Rayno’s magisterial treatment of the life and music of this remarkable maestro, Whiteman’s career during the second half of his life is explored in the fullest detail, as Whiteman conquers the worlds of theater and vaudeville, the concert hall, radio, motion pictures, and television, winning accolades in all of them. Through hundreds of interviews, extensive documentation, and exhaustive research of over nearly three decades, a portrait emerges of one of American music’s most important musical figures during the last century. Rayno paints a stunning portrait of Whiteman’s considerable accomplishments and far-reaching influence.
A biography of Davy Crockett, who grew to be a legend on America's colonial frontier.
Expertly arranged piano solo for any early intermediate piano student.
How can the life of one relatively unknown man change our understanding of Texas history and the American West? Peter Ellis Bean, a fairly minor but fascinating character, casts unexpected light on conflicts, famous characters, and events from the time of Mexican rule through the years of the Republic. Bean’s role in Mexico’s revolution against Spain and his service as an agent of the Mexican government, especially as Indian agent in eastern Texas, provide an unusually vivid picture of Mexican Texas, as well as new information about the Indians in his region. More explosively, Jackson’s research on Bean’s career as Indian agent casts doubt on the traditional characterization of Sam Houston as a friend to the Texas Indians. Bean’s career shows Houston as a rival for the loyalty of the Indians during Texas’ rebellion against Mexico, a rival who made false promises for military and political gain. After Texas independence, Bean acquired vast lands in Texas, at one point holding more than 100,000 acres. A good citizen and a good businessman, involved with real estate, sawmills, salt works, agriculture, and stock raising, he was also a bigamist. Meticulously researched, dramatically written, and embodying a unique understanding of Mexican Texas, Jack Jackson’s chronicle of Peter Ellis Bean not only rescues him from relative obscurity but also corrects key aspects of the history in which he was involved and brings to life an era more often consigned to myth.