Download Free From Virgin To Harlot Book in PDF and EPUB Free Download. You can read online From Virgin To Harlot and write the review.

In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.
AN Earthy Look At Christianity. Many biblical terms have a consistent symbolic significance from Genesis to Revelation eg nudity, light and darkness, virgins, harlots. Nudity occurs in three of the most significant events in the whole Bible, and in every case it is best understood symbolically. This book demonstrates that symbolism is so powerful it can, for example, change the status of Isaiah's virgin birth prophecy from an absurdity to an astonishing fulfilment of prophecy. Harlots (described in the book as God's warning lights) also figure very prominently in the biblical coverage of both Jews and Christians. Another key theme is to show that the raw seed-concepts of the Hebrew Bible evolve so neatly into the Christian New Testament viewpoint over a 1000+ years that readers may conclude uninspired biblical script writers could not have organized it. Here are some quotes from the book that introduce intriguing and/or provocative new trains of thought: 1 "If you think linking sex with religious experience is a bit rich then you need to do some more Bible study." 2 "Indulgence in adultery is the most obvious of the sins proscribed in the Ten Commandments that could trace directly to hormonal influences." 3 "Should we be joining Haters Anonymous, Schadenfreude Anonymous or Egotists Anonymous . . in order to qualify for a better land and to actually enjoy it." 4 "Some of our excretory functions are less than ideal for a brand new earth . . the creator team could have done better by us . . if they wanted to." 5 "It is tacitly assumed God did not conduct experiments in His creation efforts. No need to . . He knows the end from the beginning! But . . ." Other challenging insights emerge in connection with Lot's use of his daughters as sex-sops, the possible symbolic significance of the Mosaic decree to cut off a lady's hand if she squeezed testicles, the massaging of data in St Matthew's genealogies, a religious uncertainty principle, and the reason God doesn't do something to stop the frightful things happening in the world. This is not a book built on hype and emotion.It makes extensive use of scholarly sources but has a light-hearted journalistic approach and is easy to read. In exploring the spiritual import of sexual issues in nature and revelation it offers fresh perspectives on the bitter creation-evolution debate, the gross and genocidal behavior of the chosen people, the currently unacceptable biblical restrictions on human sexual behavior, and the decidedly low-key role of women in organized religion. Innovative, succinct, engaging, thought-provoking, and sometimes shocking!
In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
The idiosyncratic master Chester Brown continues his thoughts on sex work “The Bible is Chester Brown’s holy harlot. He plumbs the mysteries of her depths while she schools him in the ways of love. Like all of Chester’s work, Mary Wept Over the Feet of Jesus is confounding, yet addictive, instantly re-readable, and expands with revelations in his hundred pages of notes. A work of passion, research, and elegant clarity. My new favourite.”—Craig Thompson, author of Blankets and Habibi “Chester Brown is both God’s and the devil’s gift to the world.”—David Henry Sterry, author of Hos, Hookers, Call Girls and Rent Boys “Chester’s work never fails to surprise and delight me. Since I always enjoy mythic and legendary tales of harlots, I knew I would like Mary Wept Over the Feet of Jesus, but I was pleased and impressed by the way he used all these stories to illustrate a larger theme about humanity’s relationship to Divinity and the role my profession plays in that relationship. Chester shows that spirituality and sexuality, which are so often depicted in our culture as opposed to one another, are actually deeply intertwined.”—Maggie McNeill, author of The Honest Courtesan The iconoclastic and bestselling cartoonist of Paying for It: A comic-strip memoir about being a john and Louis Riel returns and with a polemical interpretation of the Bible that will be one of the most controversial and talked-about graphic novels of 2016. Mary Wept Over the Feet of Jesus is the retelling in comics form of nine biblical stories that present Chester Brown's fascinating and startling thesis about biblical representations of prostitution. Brown weaves a connecting line between Bathsheba, Ruth, Rahab, Tamar, Mary of Bethany, and the Virgin Mother. He reassesses the Christian moral code by examining the cultural implications of the Bible's representations of sex work. Mary Wept Over the Feet of Jesus is a fitting follow-up to Brown's sui generis graphic memoir Paying for It, which was reviewed twice in The New York Times and hailed by sex workers for Brown's advocacy for the decriminalization and normalization of prostitution. Brown approaches the Bible as he did the life of Louis Riel, making these stories compellingly readable and utterly pertinent to a modern audience. In classic Chester Brown fashion, he provides extensive handwritten endnotes that delve into the biblical lore that informs Mary Wept Over the Feet of Jesus.
The disconnection between spirituality and passionate love leaves a broad sense of dissatisfaction and boredom in relationships. The author illustrates how our vitality and capacity for joy depend on restoring the soul of the sacred prostitute to its rightful place in consciousness.