Download Free From The Mercy Chair Book in PDF and EPUB Free Download. You can read online From The Mercy Chair and write the review.

The acclaimed novel by the author of The Why of Things tackles “the Deep South during the Gothic worst of Jim Crow times . . . truly a bravura performance” (Geoffrey Wolff). “One of the finest writers of her generation,” and author of three previously acclaimed novels, Elizabeth H. Winthrop delivers a brave new book that will launch her distinguished career anew (Brad Watson). On the eve of his execution, eighteen-year-old Willie Jones sits in his cell in New Iberia awaiting his end. Across the state, a truck driven by a convict and his keeper carries the executioner’s chair closer. On a nearby highway, Willie’s father Frank lugs a gravestone on the back of his fading, old mule. In his office the DA who prosecuted Willie reckons with his sentencing, while at their gas station at the crossroads outside of town, married couple Ora and Dale grapple with their grief and their secrets. As various members of the township consider and reflect on what Willie’s execution means, an intricately layered and complex portrait of a Jim Crow era Southern community emerges. Moving from voice to voice, Winthrop elegantly brings to stark light the story of a town, its people, and its injustices. The Mercy Seat is a brutally incisive and tender novel from one of our most acute literary observers. “Artful and succinctly poetic . . . A worthy novel that gathers great power as it rolls on propelled by its many voices.”—The New York Times Book Review “A miracle of a novel, with rapid-fire sentences that grab you and propel you to the next page . . . It’s a breakout. It’s a wonder.”—Dallas Morning News
Set on September 12, 2001, THE MERCY SEAT continues Neil LaBute's unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness? "There is no playwright on the planet these days who is writing better than Neil LaBute ... THE MERCY SEAT is ... the work of a master." --John Lahr, The New Yorker "An intelligent and thought-provoking drama that casts a less-than-glowing light on man's dark side in the face of disaster ... The play's energy lies in LaBute's trademark scathing dialogue." --Robert Dominguez, Daily News "Though set in the cold, gray light of morning in a downtown loft with inescapable views of the vacuum left by the twin towers, THE MERCY SEAT really occurs in one of those feverish nights of the soul in which men and women lock in vicious sexual combat, as in Strindberg's DANCE OF DEATH and Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF?" --Ben Brantley, The New York Times "[A] powerful drama ... LaBute shows a true master's hand in gliding us amid the shoals and reefs of a mined relationship." --Donald Lyons, New York Post "Uncomfortable yet fascinating ... THE MERCY SEAT makes for provocative theater -- sharp, compelling and more than a little chilling." --Michael Kuchwara, Newsday "LaBute's intriguing [new play] is most compelling when it is daring to look into [a] character's heart to explore the way self-interest, given the opportunity, can swamp all our nobler instincts." --Charles Isherwood, Variety "In THE MERCY SEAT ... LaBute has given us his most compelling portrait of male inner turmoil." --Brendan Lemon, Financial Times "LaBute [is] the dark shining star of stage and film morality." --Linda Winer, Newsday "Sharply funny and incisive SEAT is not a response to September 11, but a response to the response to September 11 -- an emotionally jarring consideration of the self-serving exploitation of tragedy for personal gain ... Perhaps it's time we stop thinking of LaBute as a mere provocateur, a label that condescends to an artist of grand ambition and a nimble facility with language. With this gripping ... new drama, he probes deeper than he ever has before." --Jason Zinoman, Time Out New York "A nihilistic yet brutally honest work ... As complex and unfathomable as human motivations ... THE MERCY SEAT is haunting." --David A. Rosenberg, Backstage "LaBute risks offending contemporary sensibilities by using a historic tragedy as his turning point for a drama regarding a morally empty American ... [THE MERCY SEAT is] controversial and compelling." --Michael Sommers, The Star-Ledger "LaBute ... is holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that -- if only in some dark corner of our soul -- it is there." --Jacques le Sourd, The Journal News
When Jesus asked us to feed the hungry, give drink to the thirsty, and visit the imprisoned, he didn’t mean it literally, right? Kerry Weber, a modern, young, single woman in New York City sets out to see if she can practice the Corporal Works of Mercy in an authentic, personal, meaningful manner while maintaining a full, robust, regular life. Weber, a lay Catholic, explores the Works of Mercy in the real world, with a gut-level honesty and transparency that people of urban, country, and suburban locales alike can relate to. Mercy in the City is for anyone who is struggling to live in a meaningful, merciful way amid the pressures of “real life.” For those who feel they are already overscheduled and too busy, for those who assume that they are not “religious enough” to practice the Works of Mercy, for those who worry that they are alone in their efforts to live an authentic life, Mercy in the City proves that by living as people for others, we learn to connect as people of faith.
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here. The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
The Works of Mercy introduces readers to the seven corporal and seven spiritual works of mercy, inviting readers to explore mercy in our everyday lives. James Keenan defines mercy as “the willingness to enter into the chaos of another,” and it is one of the central elements of the Christian faith. Over the centuries Christians have defined themselves by feeding the hungry, clothing the naked, and caring for the sick. The book explores the traditional works of mercy and also looks at how mercy enters into ordinary life, in the way we care for our families and the way we care for ourselves. The third edition features more inclusive language to resonate with readers of all backgrounds, new case studies and examples—from health care to the prison system, and new material on how Pope Francis and his papacy reflect mercy.
Attorney Theo Buchanan - brother of seasoned FBI agent Nick Buchanan, the hero of HEARTBREAKER - is in New Orleans to receive an award for his work with the Department of Justice. When he becomes unexpectedly ill at the gala, a beautiful stranger rushes him to the hospital and saves his life. The woman - a brilliant surgeon named Michelle Renard - intrigues Theo, but before he can learn more about her, she leaves New Orleans and returns to her small clinic in Louisiana. Theo seeks her out to thank her, but finds more than he bargained for. When he arrives in the little town of Bowen, he discovers that Michelle is being followed, her house has been broken into and her clinic destroyed. Theo is in a position to return the ultimate favour. Michelle saved his life...now can he save hers?
Return to Home Valley with book three in Karen Harper’s fan-favorite romantic suspense series Quiet, cautious Ella Lantz has spent her entire life in the Home Valley. Tending her lavender fields, she finds calm and serenity in purple blooms, heavenly scents and a simple life. But the sudden arrival of a strange visitor heralds a host of new complications. Alex Caldwell is unlike any man Ella has ever met—in fact, he’s a Wall Street whistle-blower under witness protection…and he's brought a world of trouble to the Lantz doorstep. As Ella comes to trust—even love—a man so utterly worldly, she realizes her life has already changed forever. When it becomes violently clear that even the Home Valley is no refuge, Ella and Alex are driven into the wider world to hide. And, with such a high price placed on their silence, they may not survive to share their love…
“Never underestimate the power of a group of women. Fierce, thoughtful and dramatic—this is a story of true courage." —Susan Wiggs, New York Times bestselling author She would stop at nothing to protect the women under her care. Inside a century-old row house in Brooklyn, renegade Sister Evelyn and her fellow nuns preside over a safe haven for the abused and abandoned. Gruff and indomitable on the surface, warm and wry underneath, little daunts Evelyn, until she receives word that Mercy House will be investigated by Bishop Hawkins, a man with whom she shares a dark history. In order to protect everything they’ve built, the nuns must conceal many of their methods, which are forbidden by the Catholic Church. Evelyn will go to great lengths to defend all that she loves. She confronts a gang member, defies the church, challenges her own beliefs, and faces her past. She is bolstered by the other nuns and the vibrant, diverse residents of the shelter—Lucia, Mei-Li, Desiree, Esther, and Katrina—whose differences are outweighed by what unites them: they’ve all been broken by men but are determined to rebuild. Amidst her fight, Evelyn discovers the extraordinary power of mercy and the grace it grants, not just to those who receive it, but to those strong enough to bestow it.
#1 New York Times bestselling author John Lescroart weaves together a story of a privileged youth on trial for murder and an entire city on the brink of panic in this suspensful and stylish Dismas Hardy legal thriller. Although he appears to have reached the top, Dismas Hardy, rainmaker and managing partner of his thriving San Francisco law firm, has lost his faith in the justice system. When his young associate, Amy Wu, brings in a high profile, controversial double murder case, he decides to sit second chair—in defense of a wealthy, privileged young man even he has trouble believing. At the same time, Hardy’s friend Abe Glitsky has just been promoted to deputy chief of the Investigations Bureau, and has trouble of his own. Hounded by a hostile media, distanced from day-to-day police work, Glitsky must struggle against a wave of violence that has put the city on the verge of panic. As the tension builds around them, Hardy and Amy’s search for the truth will take them down a perilous path, and force Hardy to face his own demons in order to clear his client—and save himself.
“A stylish whodunit . . . Lescroart [is] in his best form yet.”—People Once Dismas Hardy was a cop. Now he spends his days in a lawyer’s suit, billing hours to a corporate client in a downtown San Francisco office. Hardy’s wife and kids like it that way. Then one client changes everything. Graham Russo, a former baseball star, is charged with murdering his dying father. Was it suicide, the last desperate act of a dying man? Was it murder? Or mercy? Now, as a carnival of reporters, activists, cops, lovers, and families throng around the case, Dismas Hardy is going to trial with a client he doesn’t trust, a key witness he cannot believe, and a system that almost destroyed him once. For Dismas, this case will challenge everything he believes about the law, about his family, and about himself. Because a chilling truth is beginning to emerge about an old man’s lonely death. And what Dismas knows could put him next in line to die. . . . Praise for The Mercy Rule “Very entertaining . . . a large and emotionally sprawling novel.”—Chicago Tribune “As usual in a Lescroart novel, character dominates plot as the author proves, yet again, that resonant drama can be found in family.”—The Philadelphia Inquirer “An edge-of-the-seat legal thriller that has it all—hot-button issues, deception, greed, corruption, and a labyrinthine plot that will keep you guessing until the very last page.”—Faye Kellerman