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Poetry. Fiction. Short Stories. These moribund miniatures take the boundary between life and death as their playground, capturing the triviality and quotidian horror of being human. "A darkly funny, wry, vivid set of poetic texts. This is doing the work poetry needs to be doing, it's about language itself as much as it's about the absurdity of our own physical lives and non-lives."--SJ Fowler
ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com "As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves. In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.
For many artists and intellectuals in East Germany, daily life had an undeniably surreal aspect, from the numbing repetition of Communist Party jargon to the fear and paranoia engendered by the Stasi. Echoes of Surrealism surveys the ways in which a sense of the surreal infused literature and art across the lifespan of the GDR, focusing on individual authors, visual artists, directors, musicians, and other figures who have employed surrealist techniques in their work. It provides a new framework for understanding East German culture, exploring aesthetic practices that offered an alternative to rigid government policies and questioned and confronted the status quo.
Life's ironies are easier to take in with a sugar coating. This coating entertains, and acts as a remedy for the bitter truth while you die laughing. Brimming with cheerful colours, juxtaposed details and quirky characters, illustrations of dark humour weave together a twisted yet oddly familiar narrative we can all empathise with. Off the Wall amasses 30 some artists whose works are as somber as they are hilarious. Look at how satirical ideas play out in imagery to voice societal concerns, reflect on human nature or simply as a candid expression of the artist's peculiar creative universe. Through short interviews and a carefully edited showcase, the book takes readers to explore artists' enigmatic minds as they give insight into how they walk the fine line between being funny and unsettling.
Silliness takes center stage in this laugh-out-loud book from the creator of The Very Hungry Caterpillar?--now available as a board book! Yes, there’s something strange, something funny and even downright preposterous on every page of this book. But it’s not a mistake – it’s nonsense! Nonsense lies at the heart of many beloved nursery rhymes. Children readily accept odd statements like “the cow jumped over the moon” and “the dish ran away with the spoon.” This fanciful bending of reality is also basic to surrealism. In this book, nonsense and surrealism combine to spark creativity and imagination. What’s true? What’s impossible? What’s absolutely absurd? From Eric Carle, creator of the classic, The Very Hungry Caterpillar, comes a book to make children laugh and think, preparing them for a lifetime of loving both words and art. Praise for The Nonsense Show A TIME Magazine Top 10 Children's Book of 2015! * "Carle creates fun and laughter in this homage to the surrealist artist René Magritte. [P]erfect for storytimes and silly times all round. Carle hits it out of the nonsense park!"–Booklist, starred review * "A sure hit as a read-aloud and a definite purchase for picture book collections."–School Library Journal, starred review * "A picture book made to incite pleasure and joy."–Kirkus Reviews, starred review * "[The Nonsense Show], with its cleanly designed white pages, makes the unexpected elements of the imagery stand out and prompts questions and wonder."–Horn Book, starred review
It's hard to describe a book that doesn't fit anywhere... a book that uncovers the most bizarre human desires and absurd aspects of our lives. In So Absurd It Must Be True, acclaimed Blåsbo Gatan satirist VICTORIA RAY offers her absolutely odd vision on the present situation in the world, relationships, and human emotions. The book is a collection of dark humor and surreal parodies, where the mix of satire and irony unveils the truth about our laughable existence called 'life'. But don't worry, Ray is here to help you make sense of it all. Each story exposes the tragedy of being an adult, the man-woman game, the kaleidoscope of human relationships, and the limitations of our sexual fantasies. Among the topics covered: 1) why Santa Claus had forgotten that you exist; 2) neighbors and how to deal with them - one by one; 3) Russian gang leader vs American CIA agent; 4) why Leo Tolstoy killed Anna Karenina; 5) cults, dreams and deaths; 6) the walls of wisdom in lifts; 7) famous five are hiding in Cuba... go figure! 8) enemies and their tears; 9) what happened in Kyrgyzstan with Jesus? 10) where to find a clue for NO CLUE? 11) new AI generation; 12) fairy tales and bored Queens; 13) ghosts and X files. Anyone who had ever spent time with another human being or, at least, been born... will love this collection. The book contains profanity, fun or gross erotica, and elements of violence. Only for adults. Genre: surreal humor, satire, parody, horror, dark comedy, absurdist fiction, comic strips.
Despite surrealism's celebration of the subconscious and eschewal of reason, the movement was nevertheless concerned with definitions. Andre Breton included a dictionary-style entry for surrealisme in his 1924 Manifeste du surrealisme and later explored juxtapositions of the absurd and the mundane in the 1938 Dictionnaire abrege du surrealisme. To the mountain of literature that seeks to organize the far-reaching intellectual movement, Aspley (honorary fellow, Univ. of Edinburgh) adds this handy volume that organizes the breadth of surrealism into concise entries on artists, writers, artworks, and themes. A chronology highlights events that sparked the surrealist imagination, activities of formal surrealist groups, and exhibitions. An introductory essay and extensive bibliography are included. One of the few English-language reference sources about surrealism published in the last decade, Aspley's dictionary is useful for quick access to key terms and biographies. For a book devoted to a movement characterized by arresting visual imagery, the lack of illustrations is annoying. Even Rene Passeron's 1978 Phaidon Encyclopedia of Surrealism (CH, May'79) reprints artworks in color. For a richly illustrated and comprehensive history, see Gerard Durozi's History of the Surrealist Movement (CH, Nov'02, 40-1316). Summing Up: Recommended. Lower-level undergraduates through graduate students. Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students. Reviewed by A. H. Simmons.
Beneath the glare of three purple suns, three travelers - an old Mexican woman, an automated jeep, and a brontosaurus - have trudged across a desert for hundreds of years. They do not know if the desert has an end, and if it does, what they might find there. Sometimes they come across perfectly-preserved cities, but without a single inhabitant, and never a drop of rain. Worse still, they have no memory of their lives before the desert. Only at night, in dreams, do they recall fragments of their past identities. But night also brings the madness of the sandstorms, which jolt them out of one body and into another in a game of metaphysical musical chairs. In their disorientation and dysfunction, they have killed each other dozens of times, but they cannot die. Where are they? How can they escape? From this quest form, Stepan Chapman has fashioned a poignant and powerful story of redemption in which pathos is leavened by humor and pain is softened by comfort. It is the story of deranged angels, deadly music boxes, and cellular transformation. It is also the tale of Alex who wanted to be a machine, Naomi, who spent 20 years as a corpsicle, and Eva, who escaped the whale emperor of her native land. The novel alternates between the three characters' attempts to discover where they are with their search for identity through the dream stories which reveal their fragmented pasts. The Troika's satisfying conclusion brings closure to one of the most harrowing journeys ever into the heart of surrealism and the human soul. The Troika has been praised as visionary and completely original by such writers as John Shirley, Kathe Koja, Brian Stableford, Alan Brennert, Lance Olsen, Kathleen AnnGoonan, Brian Evenson, Paul Riddell, and Don Webb. The author's work has frequently been compared to that of Philip K. Dick, Terry Southern, Kurt Vonnegut, Mervyn Peake, Angela Carter, and other fabulists of the first rank. The Troika confirms that status and is destined to become a cult classic of fabulist fiction. The Troika is being backed by extensive promotion and advertising in applicable national magazine markets such as SF Age, with distribution in both the United States and in the United Kingdom.
For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.