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This book reconsiders how we can understand archaeology on a grand scale by abandoning the claims that material remains stand for the people and institutions that produced them, or that genetic change somehow caused cultural change. Our challenge is to understand the worlds that made great projects like the building of Stonehenge or Mycenae possible. The radiocarbon revolution made the old view that the architecture of Mycenae influenced the building of Stonehenge untenable. But the recent use of 'big data' and of genetic histories have led archaeology back to a worldview where 'big problems' are assumed to require 'big solutions'. Making an animated plea for bottom-up rather than top-down solutions, the authors consider how life was made possible by living in the local and materially distinct worlds of the period. By considering how people once built connections between each other through their production and use of things, their movement between and occupancy of places, and their treatment of the dead, we learn about the kinds of identities that people constructed for themselves. Stonehenge did not require an architect from Mycenae for it to be built, but the builders of Stonehenge and Mycenae would have shared a mutual recognition of the kinds of humans that they were, and the kinds of practices these monuments were once host to.
The Mycenaean world: the stuff of legends and heroes who conquered Troy and who still stand at the heart of Greek identity today. This clear, detailed study brings their civilisation, culture, and history to life for both students and enthusiasts
Based on the author’s decipherment of prehistoric carvings and the application of mathematical measurements, The Gods’ Machines shows how “unknown” phenomena from Angkor Wat to Stonehenge to crop circles are actually powerhouses built by an advanced extraterrestrial civilization for tapping electromagnetic energy. The book traces the development of that civilization on Earth over 5,000 years, revealing how all these structures are aligned according to a universal formula: an angle of 135 degrees at which Earth’s energy has been tapped by the alien creators of these monuments. These fascinating theories not only explain our distant past, but also open the door to a future of power technology and space travel. Megalithic sites such as Newgrange and Stonehenge are constructed with quartz- and iron-rich stones with electrical conduction properties — minerals also found atop Aztec temple and inside crop circles. These stones, according to the author, served as dry cell batteries when heated and stressed, and supplied energy to the builders’ traveling vehicles. Most interestingly, the author has tested his theory on today’s crop circles. The Gods’ Machines is certain to stimulate debate among readers interested in alternative history, ancient civilization, and extraterrestrial intelligence.
Our knowledge about Stonehenge has changed dramatically as a result of the Stonehenge Riverside Project (2003-2009), led by Mike Parker Pearson, and included not only Stonehenge itself but also the nearby great henge enclosure of Durrington Walls. This book is about the people who built Stonehenge and its relationship to the surrounding landscape. The book explores the theory that the people of Durrington Walls built both Stonehenge and Durrington Walls, and that the choice of stone for constructing Stonehenge has a significance so far undiscovered, namely, that stone was used for monuments to the dead. Through years of thorough and extensive work at the site, Parker Pearson and his team unearthed evidence of the Neolithic inhabitants and builders which connected the settlement at Durrington Walls with the henge, and contextualised Stonehenge within the larger site complex, linked by the River Avon, as well as in terms of its relationship with the rest of the British Isles. Parker Pearson's book changes the way that we think about Stonehenge; correcting previously erroneous chronology and dating; filling in gaps in our knowledge about its people and how they lived; identifying a previously unknown type of Neolithic building; discovering Bluestonehenge, a circle of 25 blue stones from western Wales; and confirming what started as a hypothesis - that Stonehenge was a place of the dead - through more than 64 cremation burials unearthed there, which span the monument's use during the third millennium BC. In lively and engaging prose, Parker Pearson brings to life the imposing ancient monument that continues to hold a fascination for everyone.
This book reconsiders how we can understand archaeology on a grand scale by abandoning the claims that material remains stand for the people and institutions that produced them, or that genetic change somehow caused cultural change. Our challenge is to understand the worlds that made great projects like the building of Stonehenge or Mycenae possible. The radiocarbon revolution made the old view that the architecture of Mycenae influenced the building of Stonehenge untenable. But the recent use of 'big data' and of genetic histories have led archaeology back to a worldview where 'big problems' are assumed to require 'big solutions'. Making an animated plea for bottom-up rather than top-down solutions, the authors consider how life was made possible by living in the local and materially distinct worlds of the period. By considering how people once built connections between each other through their production and use of things, their movement between and occupancy of places, and their treatment of the dead, we learn about the kinds of identities that people constructed for themselves. Stonehenge did not require an architect from Mycenae for it to be built, but the builders of Stonehenge and Mycenae would have shared a mutual recognition of the kinds of humans that they were, and the kinds of practices these monuments were once host to.
Three against an Empire! Ason: Prince of an ancient house, intent on restoring the keystone of his father's power, braves the limits of the land-rimmed sea to sail North, through the cold fog, to the icy island where, with heroic effort, the key to victory may be found. Inteb: Former envoy of the Pharoah, reluctant voyager to the forbidden island of Yerni, armed only with his arcane knowledge and his loyalty to Ason. Naikeri: Pround daughter of the Albi, she has never known a warrior like Ason, nor a world like the one she helps him build-a world that will center on one of the greatest monuments of all time... STONEHENGE The exciting saga of the creation of a legend! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Night and day, month after month, year after year, our ancestors dutifully recorded the passage of time on clay tablets, watching the heavens from stage towers and pyramids and from megalithic monuments whose incredible size and precise architecture boggle the mind. . . . Who were the builders of these mysterious structures? What was their purpose? Whose signature is indelibly written on these timeless stones, and who was the Divine Architect? Why was Stonehenge and its likes built by ancient civilizations at the very same time--4,100 years ago? What is their message for our time? With these questions in mind, Zecharia Sitchin, renowned researcher of past ages, takes us on a journey through the records of time in this, the fifth book of his Earth Chronicles series. Drawing deeply on Sumerian and Egyptian writings, millenia-old artifacts, and sacred architecture ranging from ancient Mesopotamia to pre-Columbian civilizations in the Americas, this bestselling scholar provides astounding insights into the origins of the calendar, astronomy, and astrology. He takes readers to the climax circa 2100 b.c. when Marduk, the Babylonian national god, attained supremacy on Earth and proclaimed the New Age of Aries--after which society, religion, science, and the status of women were never the same.
Stonehenge dates its Bronze Age phase to 2000 B.C. (but with a history stretching back yet another thousand years to Neolithic times). It attracts more than a million tourists a year, but is more than an array of great standing stones. Stonehenge was indeed its own city, the metropolitan center of a powerful kingdom heretofore unsuspected. That city is reconstructed by the author from the archaeological evidence--royal palace, banquet hall and tomb, among other buildings. Here (apart from Homer) begins European literature, derived from oral traditions. The entire book is richly illustrated.
Our Cosmic Ancestors is a dynamic work unraveling the messages of these 'universal astronauts' and decoding the symbols and visual mathematics they have left for us in the Egyptian Pyramids, Stonehenge, the Mayan calendar, the Maltese Cross and the Sumerian zodiac. The book is captivating reading from beginning to end. However Mr. Chatelain's purpose in sharing these exciting discoveries lies in the hope that all humans will extend their horizons, to release fear of the unknown just enough that another generation will exhibit growing curiosity to continue the search for signs of purposeful nurturing of this planet.