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"My plan in this book," writes Father Danielou, the eminent French theologian, "is not to record what I say of God, but what God has said of Himselfà to place religions and philosophies, the Old Testament and the New, theology and mysticism, in their proper relationship with the knowledge of God." God and the Ways of Knowing is a classic work of theology and spirituality that presents a subtle and penetrating interpretation of the ways by which man comes to the knowledge of Godùeach form of knowledge carrying him both higher and deeper.
This work offers a synthesis of the meaning of the sacramental rites and feasts. It should be of use to those who are interested in learning, and in instructing others in, the meaning of Christianity.
This volume is the first to adopt systematically a comparative approach to the role of ancient texts and traditions in early modern scholarship, science, medicine, and theology. It offers a new method for understanding early modern knowledge.
(Foreword by Peter M. Masters) This classic work examines typology not only as a biblical and theological subject but also in its connection with Christian doctrines and dispensations. Two volumes in one.
Origen and St. Augustine were the two greatest geniuses of the early Church. Origen's writings can be said to mark a decisive period in all fields of Christian thought. His researches into the history of the different versions of the senses of the Old and New Testaments make him the found of the Scientific study of the Bible. - From the Introduction
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
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Civilization and Christianity depend heavily upon one another. There is no true civilization which is not religious; nor can there be a healthy religion among a populace which is not supported by civilization. Today, too many Christians see no inconsistency in the juxtaposition of a private religion and an irreligious society, nor do they perceive how ruinous this is for both society and religion. But how are society and religion to be joined without either making religion a tool of the secular power, or the secular power a tool of religion?