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A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.
A reworked version of the author's Radner lectures given at Columbia University in 1974.
Answers questions on free speech, public protests, and surveillance.
This book presents the socio-political history of birth of Bangladesh. It provides a brief summary of the roles the Bengali Muslims played in relation to British rule and the Pakistan movement. It narrates the dynamics that took place during British Colonial administration that inspired the people of this land toward freedom and equality on the basis of modern democratic principles they experienced in whatever limited fashion during the British rule. It also illuminates the peoples' expectations that with the replacement of Colonial democracy they could establish true democracy as was exposed through the writings of Western scholars. It provides a summary of how the hopes and aspirations of the East Pakistani Bengalis were shattered due to West Pakistani politicians' attitudes and actions. It provides a description how military rule further alienated East Pakistani Bengalis due to its new form of central governmentBasic Democracyand how discrimination gave impetuses for further protests and agitations. It illustrates how economic and social discriminations created disparities and uneven development and how East Pakistani Bengalis responded as a group. It explains the rise of Bengali nationalism. It is shown how East Pakistani Bengalis were committed to the restoration of a true democratic system of governance as the only way to save Pakistan from disintegration. It shows how the downfall of Aga Mohammad Ayub Khan (1907-1974) and the rise of Yahya Khan (1917-1980) were nothing but a change of face and a repeat of deceitfulness. It describes the occupation period when the West Pakistani army literally occupied East Pakistani Bengali population. It describes how during the occupation period, the West Pakistani army committed genocide and how most of the world powers remained indifferent to it. Finally, a description has been provided of the Mukti Bhanithe people's army of East Bengalhow it was formed and how it fought against Pakistan's pampered army until the surrender of West Pakistani army and Bangladesh was born. This book provides a comprehensive understanding of a long chain of events that ultimately led to the victory on December 16, 1971.
"In Freedom Time, Anthony Reed reclaims the power of black experimental poetry and prose by arguing that if literature fundamentally serves the human need for freedom in expression, then readers and critics must see it as something other than a reflection of the politics of social protest and identity formation. Prior to the successful campaigns against Jim Crow segregation in the U.S. and colonization in the Caribbean, literary politics seemed much more obviously interventionist. As more African Americans and Afro-Caribbean writers gained access to formal political power, more writing emerged whose political concerns went beyond improving racial representation, appealing for social recognition, raising consciousness, or commenting on the political disillusion and fragmentation of the post-segregation and post-colonial moments. Through formal innovation and abstraction, writers increasingly pushed the limits of representation and expression in order to extend the limits of thought and literary possibility. Reed offers a theoretical account of this new "black experimental writing," which is at once a literary historical development, and a concept with which to analyze the ways writing engages race and the possibilities of expression. One of his key interventions is arguing that form drives the politics literature, not vice-versa. Through extended analyses of works by N. H. Pritchard, NourbeSe Philip, Kamau Brathwaite, Claudia Rankine, Douglas Kearney, Harryette Mullen, Suzan-Lori Parks and Nathaniel Mackey, Freedom Time draws out the political implication of their innovative approaches to literary aesthetics"--
This is an open access book. The start of the 21st century has seen the world shaken by protests, from the Arab Spring to the Yellow Vests, from the Occupy movement to the social uprisings in Latin America. There are periods in history when large numbers of people have rebelled against the way things are, demanding change, such as in 1848, 1917, and 1968. Today we are living in another time of outrage and discontent, a time that has already produced some of the largest protests in world history. This book analyzes almost three thousand protests that occurred between 2006 and 2020 in 101 countries covering over 93 per cent of the world population. The study focuses on the major demands driving world protests, such as those for real democracy, jobs, public services, social protection, civil rights, global justice, and those against austerity and corruption. It also analyzes who was demonstrating in each protest; what protest methods they used; who the protestors opposed; what was achieved; whether protests were repressed; and trends such as inequality and the rise of women’s and radical right protests. The book concludes that the demands of protestors in most of the protests surveyed are in full accordance with human rights and internationally agreed-upon UN development goals. The book calls for policy-makers to listen and act on these demands.
The best examples of the posters, prints and other graphics that have been used for political protest throughout history and right to the present.
"Explores protesting as an act of faith . . . How to Read a Protest argues that the women's marches of 2017 didn't just help shape and fuel a moment—they actually created one."—Masha Gessen, The New Yorker O, the Oprah Magazine’s “14 Best Political Books to Read Before the 2018 Midterm Election” "A fascinating and detailed history of American mass demonstrations."—Publishers Weekly When millions of people took to the streets for the 2017 Women’s Marches, there was an unmistakable air of uprising, a sense that these marches were launching a powerful new movement to resist a dangerous presidency. But the work that protests do often can’t be seen in the moment. It feels empowering to march, and record numbers of Americans have joined anti-Trump demonstrations, but when and why does marching matter? What exactly do protests do, and how do they help movements win? In this original and richly illustrated account, organizer and journalist L.A. Kauffman delves into the history of America’s major demonstrations, beginning with the legendary 1963 March on Washington, to reveal the ways protests work and how their character has shifted over time. Using the signs that demonstrators carry as clues to how protests are organized, Kauffman explores the nuanced relationship between the way movements are made and the impact they have. How to Read a Protest sheds new light on the catalytic power of collective action and the decentralized, bottom-up, women-led model for organizing that has transformed what movements look like and what they can accomplish.
Can free speech coexist with an inclusive campus environment? Hardly a week goes by without another controversy over free speech on college campuses. On one side, there are increased demands to censor hateful, disrespectful, and bullying expression and to ensure an inclusive and nondiscriminatory learning environment. On the other side are traditional free speech advocates who charge that recent demands for censorship coddle students and threaten free inquiry. In this clear and carefully reasoned book, a university chancellor and a law school dean—both constitutional scholars who teach a course in free speech to undergraduates—argue that campuses must provide supportive learning environments for an increasingly diverse student body but can never restrict the expression of ideas. This book provides the background necessary to understanding the importance of free speech on campus and offers clear prescriptions for what colleges can and can’t do when dealing with free speech controversies.
A survey of the state of human freedom around the world investigates such crucial indicators as the status of civil and political liberties and provides individual country reports.