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From My Heart is a chronological assessment of the contributing events between 2004 and 2009 that have helped define Nigeria and Africa. What leashes have kept Nigeria from fulfilling the expectations of her people? Can a country which spends more on public officials than it does on public education make rewarding economic progress? Was Dr. James D. Watson accurate in his assessment, which attracted the umbrage of Africans and non-Africans in 2007? Those questions and more have been addressed in an interactive and daring manner. From My Heart is a useful resource material for scholars who seek information not only about developments in Nigeria, which are responsible for its current social shape, but also about Africa and the entire black race. This book contains testimony by Nuhu Ribadu, former Nigerian anti-corruption Czar, given before the U.S. House Financial Services Committee. About the Author: Leonard Shilgba grew up in Nigeria, but lived, studied, and worked in Japan. He currently lives with his family in the university town of Yola, just outside Abuja, Nigeria's capital. He is a university professor at the American University of Nigeria, Yola. In addition, he is continuously working on strengthening the Nigeria Rally Movement, which he co-founded. Publisher's website: http: //www.strategicpublishinggroup.com/title/FromMyHeart.html
A stunning novel about the transformative power of love, perfect for fans of 13 Reasons Why by Jay Asher. Sixteen-year-old physics nerd Aysel is obsessed with plotting her own death. With a mother who can barely look at her without wincing, classmates who whisper behind her back, and a father whose violent crime rocked her small town, Aysel is ready to turn her potential energy into nothingness. There’s only one problem: she’s not sure she has the courage to do it alone. But once she discovers a website with a section called Suicide Partners, Aysel’s convinced she’s found her solution—Roman, a teenage boy who’s haunted by a family tragedy, is looking for a partner. Even though Aysel and Roman have nothing in common, they slowly start to fill in each other’s broken lives. But as their suicide pact becomes more concrete, Aysel begins to question whether she really wants to go through with it. Ultimately, she must choose between wanting to die or trying to convince Roman to live so they can discover the potential of their energy together.
A powerful document of the day-to-day realities of Black women in Britain The Heart of the Race is a powerful corrective to a version of Britain’s history from which black women have long been excluded. It reclaims and records black women’s place in that history, documenting their day-to-day struggles, their experiences of education, work and health care, and the personal and political struggles they have waged to preserve a sense of identity and community. First published in 1985 and winner of the Martin Luther King Memorial Prize that year, The Heart of the Race is a testimony to the collective experience of black women in Britain, and their relationship to the British state throughout its long history of slavery, empire and colonialism. This new edition includes a foreword by Lola Okolosie and an interview with the authors, chaired by Heidi Safia Mirza, focusing on the impact of their book since publication and its continuing relevance today
In music, crossover means that a song has moved beyond its original genre and audience into the general social consciousness. Rhetorical Crossover uses the same concept to theorize how the black rhetorical presence has moved in mainstream spaces in an era where African Americans were becoming more visible in white culture. Cedric Burrows argues that when black rhetoric moves into the dominant culture, white audiences appear welcoming to African Americans as long as they present an acceptable form of blackness for white tastes. The predominant culture has always constructed coded narratives on how the black rhetorical presence should appear and behave when in majority spaces. In response, African Americans developed their own narratives that revise and reinvent mainstream narratives while also reaffirming their humanity. Using an interdisciplinary model built from music, education, film, and social movement studies, Rhetorical Crossover details the dueling narratives about African Americans that percolate throughout the United States.
Miles McPherson, founder of The Rock Church in San Diego, presents “a discussion about race that we desperately need...a must read” (Bishop T.D. Jakes, Senior Pastor, The Potter’s House) and argues that we must learn to see people not by the color of their skin, but as God sees them—humans created in the image of God. Pastor Miles McPherson, senior pastor of The Rock Church in San Diego, addresses racial division, a topic many have shied away from, for fear of asking the wrong question or saying the wrong thing. Some are oblivious to the impact racism has, while others pretend it doesn’t exist. Even the church has been affected by racial division, with Sunday now being the most segregated day of each week. Christians, who are called to love and honor their neighbors, have fallen into culture’s trap by siding with one group against another: us vs. them. Cops vs. protestors. Blacks vs. whites. Racists vs. the “woke.” The lure of choosing one option over another threatens God’s plan for unity among His people. Instead of going along with the culture, Pastor Miles directs us to choose the Third Option: honoring the priceless value of God’s image in every person we meet. He exposes common misconceptions that keep people from engaging with those of different racial and ethnic backgrounds, and identifies the privileges and pitfalls that we all face. The Third Option challenges us to fully embrace God’s creativity and beauty, as expressed in the diversity of His people. By following the steps and praying the prayers outlined in his book, Pastor Miles teaches us how we can all become leaders in unifying our communities, our churches, and the nation.
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
This author appreciates writing poetry, novels, childrens stories; the performing arts; and music of many genres. She was raised on gospel and country music played on an old Victrola phonograph with a black-and-white dog staring into a gramophone on the inside of the cover. Today, this author has become enamored with and is fangirling over country a cappella music, which is relatively new. Curious about the behind the scenes activities of a successful bands life, living on the edge of temptations in todays media-frenzied world, she created a believable group running through life on unbelievable favor, spearheaded by love between a wealthy, incredibly intelligent and beautiful African-American ballerina and a super talented tenor from the deep South and their unique way of overcoming racial issues with love. Murder, sex, and drugs fuel the life and romance of these two extraordinary, opposite, characters living and excelling way above the normal expectations of life, hinting into the cosmic pluralism like no one has ever experienced before. This author spent thirty-five years in the busy, topsy-turvy support area of corporate America, starting with the FBI and ending in the legal field, before being forced to retire on disability. This is her first adult romance novel. She writes and has published poetry on poetry.com with two poems published in anthologies; she was the author and publisher of Newsletters for Boy Scout Troop and Pack 731, The Indian Creek District, and for newsletters, service bulletins, and memorial programs for two churches. The author is a widow who lives in Waldorf, Maryland, with her son, daughter-law, grandson, and grandpup, Toli.
Nicole Treadwell has a secret. If she reveals it, she will surely die. Of course, she knows it´s true because certain death is what he promised her after the "incident" in the deep woods years ago. Her fate ever in his hands, keeping the secret guts her on the inside as she struggles to make ends meet, serving as a law clerk to a dangerously ambitious judge in the Nation’s Capitol with secrets of her own. Nicole is tired--exhausted--toying with thoughts (she´s afraid to own) of letting life go. Her life is unraveling, her sound mind frayed. At the end of herself, she knows she can’t save herself, but who can? Worse, does she want to be saved? A swift reply to both questions comes in the way of a still, small voice at an unlikely time that ushers her onto a path few dare to tread or openly discuss. In contrast, Nicole´s former law school chumb and classmate, Timothy Grue, is a hotshot, private attorney who blazes notorious trails in and out of the courtroom. Both handsome and brash (owing to his kinship with privilege and social standing of a “fine” Philadelphia family), he seems to have the world on a string, every creature comfort easily within his reach, including an overabundance of company from the “fairer sex.” Despite his privilege and pedigree, Tim later learns that it came at a very high price. By a stroke of legal fortune (or misfortune), their paths collide professionally, as Tim is handpicked to represent an "A-List" Hollywood client in a lawsuit over which Nicole´s boss is the presiding judge. Not so secretly, the judge relishes the prospect of having her “fifteen seconds of fame” before the world press. Her staff knows that the attention from the paparazzi may prove to be her professional undoing--and theirs. Her job potentially on the line, Nicole contacts Tim Grue for a clandestine meeting of the minds, but will Tim take the bait and “sign on” to Nicole’s “harmless” solution? Their former friendship (on course to self-ignite or implode) sets in motion a chain of events that blast open the door to Nicole´s secret past and their bitter-sweet history; and where crises of identity, spirituality, and morality intersect, conflicting issues of race and class deepen already murky waters, as Nicole is black, and Timothy is white. Yet, as between the two, they want to know why race is still an issue at all? On the road from hell to higher ground, both learn that anything worth having is always tried by fires of a faith that asks, simply, what do you really believe? And more, can redemption ever come too late?
LaRue provides important insights on why black preaching is strong and active, and connects with the real-life experiences of listeners. (Christian)
American blacks, settled on Mars after centuries of abuse on earth, have a chance for revenge when a space ship bearing a white man arrives seeking help in the aftermath of World War III.