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In the first book of the Bible, every patriarch and many of the matriarchs become angry in significant ways. However, scholars have largely ignored how Genesis treats this emotion, particularly how Genesis functions as Torah by providing ethical instruction about handling this emotion’s perplexities. In this important work, Schlimm fills this gap in scholarship, describing (1) the language surrounding anger in the Hebrew Bible, (2) the moral guidance that Genesis offers for engaging anger, and (3) the function of anger as a literary motif in Genesis. Genesis evidences two bookends, which expose readers to the opposite extremes of anger and its effects. In Gen 4:1–16, anger takes center stage when Cain kills his brother, Abel, although he has done nothing wrong. Fratricide is at one extreme of the spectrum of anger’s results. In the final chapter of Genesis, readers encounter the opposite extreme, forgiveness. Here, Joseph and his brothers forgive one another after a long history of jealousy, anger, deception, and abuse. It is a moment of reconciliation offered just before the book closes, allowing readers to see Joseph as an anti-Cain—someone who has all the power and all the reasons to harm his brothers but instead turns away from anger and, despite the inherent difficulties, offers forgiveness. Although Genesis frames its post-Edenic narratives with two contrasting outcomes of anger—fratricide and forgiveness—it avoids simplistic moral platitudes, such as demanding that its readers respond to being angry with someone by forgiving the person. Genesis instead returns to the theme of anger on many occasions, presenting a multifaceted message about its ethical significance. The text is quite realistic about the difficulties that individuals face and the paradoxes presented by anger. Genesis presents this emotion as a force that naturally arises from one’s moral sensitivities in response to the perception of wrongdoing. At the same time, the text presents anger as a great threat to the moral life. Genesis thus warns readers about the dangers of anger, but it never suggests that one can lead a life free from this emotion. Instead, it portrays many characters who are forced to deal with anger, presenting them with dilemmas that defy easy resolution. Genesis invites readers to imagine ways of alleviating anger, but it is painfully realistic about how difficult, threatening, and short-lived attempts at reconciliation may be.
The Old Testament can seem strange and disturbing to contemporary readers. What should Christians make of Genesis 1-3, seemingly at odds with modern scientific accounts? Why does the Old Testament contain so much violence? How should Christians handle texts that give women a second-class status? Does the Old Testament contradict itself? Why are so many Psalms filled with anger and sorrow? What should we make of texts that portray God as filled with wrath? Combining pastoral insight, biblical scholarship, and a healthy dose of humility, gifted teacher and communicator Matthew Schlimm explores perennial theological questions raised by the Old Testament. He provides strategies for reading and appropriating these sacred texts, showing how the Old Testament can shape the lives of Christians today and helping them appreciate the Old Testament as a friend in faith.
In the first book of the Bible, every patriarch and many of the matriarchs become angry in significant ways. However, scholars have largely ignored how Genesis treats this emotion, particularly how Genesis functions as Torah by providing ethical instruction about handling this emotion's perplexities. In this important work, Schlimm fills this gap in scholarship, describing (1) the language surrounding anger in the Hebrew Bible, (2) the moral guidance that Genesis offers for engaging anger, and (3) the function of anger as a literary motif in Genesis. Genesis evidences two bookends, which expose readers to the opposite extremes of anger and its effects. In Gen 4:1-16, anger takes center stage when Cain kills his brother, Abel, although he has done nothing wrong. Fratricide is at one extreme of the spectrum of anger's results. In the final chapter of Genesis, readers encounter the opposite extreme, forgiveness. Here, Joseph and his brothers forgive one another after a long history of jealousy, anger, deception, and abuse. It is a moment of reconciliation offered just before the book closes, allowing readers to see Joseph as an anti-Cain--someone who has all the power and all the reasons to harm his brothers but instead turns away from anger and, despite the inherent difficulties, offers forgiveness. Although Genesis frames its post-Edenic narratives with two contrasting outcomes of anger--fratricide and forgiveness--it avoids simplistic moral platitudes, such as demanding that its readers respond to being angry with someone by forgiving the person. Genesis instead returns to the theme of anger on many occasions, presenting a multifaceted message about its ethical significance. The text is quite realistic about the difficulties that individuals face and the paradoxes presented by anger. Genesis presents this emotion as a force that naturally arises from one's moral sensitivities in response to the perception of wrongdoing. At the same time, the text presents anger as a great threat to the moral life. Genesis thus warns readers about the dangers of anger, but it never suggests that one can lead a life free from this emotion. Instead, it portrays many characters who are forced to deal with anger, presenting them with dilemmas that defy easy resolution. Genesis invites readers to imagine ways of alleviating anger, but it is painfully realistic about how difficult, threatening, and short-lived attempts at reconciliation may be.
The academy has not been kind to Malachi. Indeed, some of the most influential and seminal studies on the book denigrate its style, message, and overall artistry. This negative assessment proves extensive in the history of scholarship. Furthermore, the studies demonstrating a more positive assessment of Malachi do so without offering serious challenges to these long-standing denigrations. Complicating the matter is the observation that critical study has proffered numerous suggestions for what Malachi contains while failing to provide a viable model of what Malachi actually is. A Message from the Great King presents serious challenges to the guild’s prior assessments and conclusions about the book. Through an interdisciplinary approach that synthesizes insights from literary theory, thorough historical reconstruction, and a close reading of the biblical text, R. Michael Fox makes a formidable case that a root messenger metaphor pervades the entire text of Malachi. Viewed and read through this new lens, Malachi’s artistry becomes more readily apparent and its theological message more intense and demanding. A Message from the Great King provides serious reassessment of the academy’s long-standing denigrations of the book and a compelling answer to what Malachi actually is. Accompanying these insights into Malachi are new methodological procedures and exercises that merit further attention and reflection.
Natalie Mylonas uses Ezekiel 16 as a case study in order to reveal the critical relationship between space, emotion, and identity politics in the Hebrew Bible. Drawing on interdisciplinary research that emphasises how space and emotions are inextricably linked in human experience, Mylonas explores the portrayal of Yhwh's wife, Jerusalem, in Ezekiel 16 as a personified city who feels emotion. She foregrounds purity and gender issues, as well as debates on emotions in the Hebrew Bible, emphasising that spatiality is a key component of how these issues are conceptualised in ancient Israel. This book argues that the power struggle between Jerusalem and Yhwh in Ezekiel 16 is a struggle over the contested space of Jerusalem's body and the city space. Jerusalem's emotions are in a dynamic relationship with the spaces in the text – they are signified by these spaces, shift as the constitution of the spaces shifts, and are shaped by Jerusalem's use of space. Her desire, pride, and shamelessness are communicated spatially through her use of city space, while her representation as disgusting is underscored by her “uncontrollable” female body. Mylonas concludes by showing how Ezekiel's vision of the new Jerusalem in Ezekiel 40-48 re-establishes sacred space through the erasure of the feminine city metaphor coupled with strict boundary policing, which is a far cry from the assault on Jerusalem's boundaries described in Ezekiel 16.
This study is an examination of the principal ancient translations of Gen. 4.1-16 in the Hebrew Bible. The goal is to understand the translation techniques adopted by the translators, to what extent external influences may have affected their work, and how each version communicates its message through its literary form. In addition to the versional renderings of the Hebrew text, this inquiry also takes into account various ancient Jewish and Christian interpretations of the Cain narrative. The primary focus of the work is on the diverse exegetical tendencies of Hebrew Bible translation in the ancient world and on how these interpretations were transmitted in particular cultural milieus.
The story Luke tells in his gospel, says F. Scott Spencer, is “a compelling, complex narrative confession of faith in God. To what degree anyone joins Luke in that faith journey is up to them, but any responsible interpreter must attend considerately to Luke’s theological roadmap.” In this latest addition to the Two Horizons New Testament Commentary series, Spencer integrates close textual analysis of Luke’s unfolding narrative with systematic theology, spiritual forma­tion, philosophical inquiry, and psychological research. With section-by-section commentary, Spencer highlights the overriding salvific message that runs through Luke’s gospel. Pastors, scholars, and students alike will benefit from Spencer’s insight into Luke’s theological significance.
In this collection of Torah essays, ... "Held probes the portions in bold, original, and provocative ways. He mines Talmud and midrashim, great writers of world literature, and .. commentators of other religious backgrounds to ponder fundamental questions about God, human nature, and what it means to be a religious person in the modern world"--Back cover.
Offers a theoretical account of the relationship between power, emotion, and identity through an analysis of ancient Jewish texts.
This book traces the theme of justice throughout the narrative of Exodus in order to explicate how yhwh’s reclamation of Israel for service-worship reveals a distinct theological ethic of justice grounded in yhwh’s character and Israel’s calling within yhwh’s creational agenda. Adopting a synchronic, text-immanent interpretive strategy that focuses on canonical and inner-biblical connections, Nathan Bills identifies two overlapping motifs that illuminate the theme of justice in Exodus. First, Bills considers the importance of Israel’s creation traditions for grounding Exodus’s theology of justice. Reading Exodus against the backdrop of creation theology and as a continuation of the plot of Genesis, Bills shows that the ethical disposition of justice imprinted on Israel in Exodus is an application of yhwh’s creational agenda of justice. Second, Bills identifies an educational agenda woven throughout the text. The narrative gives heightened attention to the way yhwh catechizes Israel in what it means to be the particular beneficiary and creational emissary of yhwh’s justice. These interpretative lenses of creation theology and pedagogy help to explain why Israel’s salvation and shaping embody a programmatic applicability of yhwh’s justice for the wider world. This volume will be of substantial interest to divinity students and religious professionals interested in the themes of exodus, exile, and return.