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Presents a novel of hope, love, and redemption.
A compendium of other musics, channelled from the spirit world, the fairy kingdom, outer space, secret societies and occult lodges. This unique collection of esoteric earworms gathers, and reproduces, music from other worlds. Here you'll find tunes hummed, strummed, and sung by spirits, sprites, and fairies, extraterrestrial elevator music, dreamed ditties, marches for occult ceremonies, secret musical codes and languages, music made by animals, and more. Each entry contains an explanatory text on its origins and purpose, and also reproduces the musical notation, in facsimile where possible, so that you can play along at home. An in-depth introductory essay by musician, historian and collector Doug Skinner rounds out this wondrous musical cabinet of curiosities.
Scott Mandelker interviewed twenty-five Americans who claim extraterrestrial (E.T.) identity, a he made some astounding discoveries. Focusing on personal stories, Mandelker describes how childhood experiences, emotional traumas, and paranormal events led each subject from a life of confusion to one of clarity and self-validation. It is not easy to believe that you are an E.T., but once Mandeker's subjects were sure, all embraced their new identity with renewed sense of purpose Whether or not you accept it ad truth, "From Elsewhere" presents a compelling and credible examination of an unforgettable group of individuals who are firm in their beliefs and ardent in their desire to affect our lives for the better.
Richly emotive and darkly captivating, with elements of Shirley Jackson’s “The Lottery” and the imaginative depth of Margaret Atwood, Elsewhere by Alexis Schaitkin conjures a community in which girls become wives, wives become mothers and some of them, quite simply, disappear. Vera grows up in a small town, removed and isolated, pressed up against the mountains, cloud-covered and damp year-round. This town, fiercely protective, brutal and unforgiving in its adherence to tradition, faces a singular affliction: some mothers vanish, disappearing into the clouds. It is the exquisite pain and intrinsic beauty of their lives; it sets them apart from people elsewhere and gives them meaning. Vera, a young girl when her mother went, is on the cusp of adulthood herself. As her peers begin to marry and become mothers, they speculate about who might be the first to go, each wondering about her own fate. Reveling in their gossip, they witness each other in motherhood, waiting for signs: this one devotes herself to her child too much, this one not enough—that must surely draw the affliction’s gaze. When motherhood comes for Vera, she is faced with the question: will she be able to stay and mother her beloved child, or will she disappear? Provocative and hypnotic, Alexis Schaitkin’s Elsewhere is at once a spellbinding revelation and a rumination on the mysterious task of motherhood and all the ways in which a woman can lose herself to it; the self-monitoring and judgment, the doubts and unknowns, and the legacy she leaves behind.
For fans of Small Spaces, Coraline, A Series of Unfortunate Events, and James Howe's Bunnicula classics comes the first book in the award-winning, New York Times bestselling Books of Elsewhere series. This house is keeping secrets . . . When eleven-year-old Olive and her parents move into the crumbling mansion on Linden Street and find it filled with mysterious paintings, Olive knows the place is creepy—but it isn’t until she encounters its three talking cats that she realizes there’s something darkly magical afoot. Then Olive finds a pair of antique spectacles in a dusty drawer and discovers the most peculiar thing yet: She can travel inside the house’s spooky paintings to a world that’s strangely quiet . . . and eerily sinister. But in entering Elsewhere, Olive has been ensnared in a mystery darker and more dangerous than she could have imagined, confronting a power that wants to be rid of her by any means necessary. With only the cats and an unusual boy she meets in Elsewhere on her side, it’s up to Olive to save the house from the shadows, before the lights go out for good.
Mirabel Osler attempts in this work to take the reader beyond her own garden, offering encouragement to all gardeners, especially novices, to ignore books and try whatever appeals to them.
In the fall of 2005, Mark C. Taylor, the controversial public intellectual and widely respected scholar, suddenly fell critically ill. For two days a team of forty doctors, many of whom thought he would not live, fought to save him. Taylor would eventually recover, but only to face a new threat: surgery for cancer. "These experiences have changed me in ways I am still struggling to understand," Taylor writes in this absorbing memoir. "After the past year, I am persuaded that I have done enough fieldwork to write a book that combines philosophical and theological reflection with autobiographical narrative. Writing is not only possible but actually seems necessary." Field Notes from Elsewhere is Taylor's unforgettable, inverted journey from death to life. Each of his memoir's fifty-two chapters and accompanying photographs recounts a morning-to-evening experience with sickness and convalescence, mingling humor and hope with a deep exploration of human frailty and, conversely, resilience. When we confront the end of life, Taylor explains, the axis of the lived world shifts, and everything must be reevaluated. As Taylor sorts through his remembrances, much that once seemed familiar becomes strange, paradoxical, and contradictory. He reads his experience with and against ghosts from his past, recasting the meaning of mortality, sacrifice, solitude, and abandonment, along with a host of other issues, in light of modern ways of dying. "You never come back from elsewhere," Taylor concludes, "because elsewhere always comes back with you."
The author weaves observations about modern society with geographical phenomena, glimpses of herself in various stages of growth, spiritual and musical impressions, and retrospective realizations of family dynamics. The book offers keen insights of human behavior and emotions, poses questions for the reader to grapple with. Each poem bears date of creation for chronological interest.
The three volumes of Always Now contain all of Margaret Avison's published books of poetry. The author has removed a very few poems: `Public Address' (from Winter Sun), `The Two Selves' and `In Eporphyrial Harness' (from The Dumbfounding), `Highway in April', `The Evader's Meditation', and `Until Christmas' (from sunblue), `Living the Shadow', `Insomnia' and `Beginning Praise' (from No Time), `Having Stopped Smoking' and `Point of Entry' (from Selected Poems). The opening section of volume one, `From Elsewhere', is arranged according to date of publication, from 1932 to 1991, the date of Selected Poems. `From Elsewhere' includes the `Uncollected' and `New Poems' of that book, except for the two noted above and `The Butterfly', which is here in its original form. All of the poems in Always Now having been considered and reconsidered, and small corrections having been made, the book contains definitively all of the published poems up to 2002 that Margaret Avison wishes to preserve.