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This volume is the first part of a larger work on the philosophy of Solomon Maimon and its systematic place in the history of thought. Here we deal with so me of the fundamental themes of Maimon's philosophy, including his examination of Kant's philosophy, his re lation to such immediate post-Kantians as Reinhold and Schulze, and the relation between him and Fichte. The second volume will concern itself with such aspects of Maimon's theoretical philosophy as the prob lem of the categories, the relation between idea and fiction, the concept of a universal soul, and practical philosophy, that is, ethics and the philosophy of law. Chapters V, VII, and X of this volume contain, with substantial revisions in form and content, material that appeared originally in scholarly periodicals. Grateful acknowledgment is made to the Hebrcw Union College A nnual for permission to use the substance of my articles: "Solomon Maimon's Treatment of the Problems of Antinomies and Its Relation to Maimonides," H.U.C.A., Vol. XXI; "Maimon and Mai monides," H.U.C.A., Vol. XXII, part one; and to the Journal 0/ the History 0/ I deas, for permission to use the substance of my essay "Solomon Maimon's Doctrine of Infinite Reason and Its Historical Relations," J.H.I., Vol. XIII, No. 2.
In Ernst Bloch’s Speculative Materialism: Ontology, Epistemology, Politics, Cat Moir offers a new interpretation of the philosophy of Ernst Bloch. The reception of Bloch’s work has seen him variously painted as a naïve realist, a romantic nature philosopher, a totalitarian thinker, and an irrationalist whose obscure literary style stands in for a lack of systematic rigour. Moir challenges these conceptions of Bloch by reconstructing the ontological, epistemological, and political dimensions of his speculative materialism. Through a close, historically contextualised reading of Bloch’s major work of ontology, Das Materialismusproblem, seine Geschichte und Substanz (The Materialism Problem, its History and Substance), Moir presents Bloch as one of the twentieth century’s most significant critical thinkers.
On April 27, 2007, the first Speculative Realism (SR) workshop was held at Goldsmiths, University of London, featuring four young philosophers whose ideas were loosely allied. Over the ensuing decade, the ideas of SR spread from philosophy to the arts, architecture, and numerous disciplines in the humanities and social sciences. SR has been arguably the most influential new current in continental philosophy since the works of Gilles Deleuze and Félix Guattari found their second wind in the 1990s. But what is SR? This book is the first general overview by one of its original members, focusing on the aesthetic, ethical, ontological, and political themes of greatest importance to the movement. Graham Harman provides a balanced but critical assessment of his original SR colleagues – Ray Brassier, Iain Hamilton Grant, and Quentin Meillassoux – along with a clear summary of his own Object-Oriented Ontology (OOO). A number of central philosophical questions tie the four chapters together: What exactly is "correlationism," the chief enemy of SR? What are the stakes of philosophical realism, and is such realism better served by mathematics and the natural sciences, or by a broader model of cognitive activity that includes aesthetics? This book covers both the historical and conceptual development of the movement, providing a first-rate introduction for students, aided by helpful end-of-chapter study questions chosen by Harman himself. SR, Harman shows, is a vital and fast-developing field in contemporary philosophy.
Interest in German Idealism--not just Kant, but Fichte and Hegel as well--has recently developed within analytic philosophy, which traditionally defined itself in opposition to the Idealist tradition. Yet one obstacle remains especially intractable: the Idealists' longstanding claim that philosophy must be systematic. In this work, the first overview of the German Idealism that is both conceptual and methodological, Paul W. Franks offers a philosophical reconstruction that is true to the movement's own times and resources and, at the same time, deeply relevant to contemporary thought. At the center of the book are some neglected but critical questions about German Idealism: Why do Fichte, Schelling, and Hegel think that philosophy's main task is the construction of a system? Why do they think that every part of this system must derive from a single, immanent and absolute principle? Why, in short, must it be all or nothing? Through close examination of the major Idealists as well as the overlooked figures who influenced their reading of Kant, Franks explores the common ground and divergences between the philosophical problems that motivated Kant and those that, in turn, motivated the Idealists. The result is a characterization of German Idealism that reveals its sources as well as its pertinence--and its challenge--to contemporary philosophical naturalism.
Considered by some to be his most important text, this series of lectures given by Johann Gottlieb Fichte (1762–1814) at his home in Berlin in 1804 is widely regarded as the most perspicuous presentation of his fundamental philosophy. Now available in English, this translation provides in striking and original language Fichte's exploration of the transcendental foundations of experience and knowing in ways that go beyond Kant and Reinhold and charts a promising, novel pathway for German Idealism. Through a close examination of this work one can see that Fichte's thought is much more than a way station between Kant and Hegel, thus making the case for Fichte's independent philosophical importance. The text is divided into two parts: a doctrine of truth or reason, and a doctrine of appearance. A central feature of the text is its performative dimension. Philosophy, for Fichte, is something we enact rather than any discursively expressible object of awareness; a philosophical truth is not expressible as a set of propositions but is a spontaneous inwardly occurring realization. Therefore, he always regards the expression of philosophy in words as strategic, aiming to ignite philosophy's essentially inward process and to arouse the event of philosophical insight. The new translation contains a German-English glossary and an extensive introduction and notes by the translator.
Neo-Kantianism was an important movement in German philosophy of the late 19th century: Frederick Beiser traces its development back to the late 18th century, and explains its rise as a response to three major developments in German culture: the collapse of speculative idealism; the materialism controversy; and the identity crisis of philosophy.
Three seminal philosophical texts by F. W. J. Schelling, arguably the most complex representations of German Idealism, are clearly presented here for the first time in English. Included are Schelling's "Treatise Explicatory of the Idealism in the Science of Knowledge" (1797), "System of Philosophy in General" (1804), and "Stuttgart Seminars" (1810). Of these texts, the "Treatise" constitutes the most comprehensive critical reading of Kant and Fichte by a contemporary thinker and, as a result, proved seminal to Samuel Taylor Coleridge's efforts at interconnecting English Romanticism and German speculative thought. Extending his early critique of subjectivity, Schelling's "System of Philosophy in General" and his "Stuttgart Seminars" launch a far more radical inquiry into the notion of identity, a term which for Schelling, increasingly reveals the contingent nature and inescapable limitations of theoretical practice. An extensive critical introduction relates Schelling's work both to his philosophical contemporaries (Kant, Fichte, and Hegel) as well as to the contemporary debates about Theory in the humanities. The book includes extensive annotations of each translated text, an excursus on Schelling and Coleridge, a comprehensive multi-lingual bibliography, and a glossary.
Mythology, Madness and Laughter: Subjectivity in German Idealism explores some long neglected but crucial themes in German idealism. Markus Gabriel, one of the most exciting young voices in contemporary philosophy, and Slavoj Žižek, the celebrated contemporary philosopher and cultural critic, show how these themes impact on the problematic relations between being and appearance, reflection and the absolute, insight and ideology, contingency and necessity, subjectivity, truth, habit and freedom. Engaging with three central figures of the German idealist movement, Hegel, Schelling, and Fichte, Gabriel, and Žižek, who here shows himself to be one of the most erudite and important scholars of German idealism, ask how is it possible for Being to appear in reflection without falling back into traditional metaphysics. By applying idealistic theories of reflection and concrete subjectivity, including the problem of madness and everydayness in Hegel, this hugely important book aims to reinvigorate a philosophy of finitude and contingency, topics at the forefront of contemporary European philosophy. MARKUS GABRIEL is Assistant Professor of Philosophy at the New School for Social Research, NY. He has published a number of books and journal articles in German, including Der Mensch im Mythos (De Gruyter, 2006), and Das Absolute und die Welt in Schellings Freiheitsschrift (Bonn University Press, 2006).
This book examines the concepts behind a philosophical project on postmodernism: the social and cultural condition of our time, the age of the achieved capitalism. It proposes an original theory of postmodern humanism based on the absence of form and describes the development of philosophical thought as a musical “cadenza” that produces meaning in the empty space between the past of the modern and the future of the postmodern. The book focuses on three main postmodernist themes: the denial of identity and the assertion of the differences, the shattered subject, and the absence of teleology in history and politics.
The philosophy of Gilles Deleuze is increasingly gaining the prestige that its astonishing inventiveness calls for in the Anglo-American theoretical context. His wide-ranging works on the history of philosophy, cinema, painting, literature and politics are being taken up and put to work across disciplinary divides and in interesting and surprising ways. However, the backbone of Deleuze's philosophy - the many and varied sources from which he draws the material for his conceptual innovation - has until now remained relatively obscure and unexplored. This book takes as its goal the examination of this rich theoretical background. Presenting essays by a range of the world's foremost Deleuze scholars, and a number of up and coming theorists of his work, the book is composed of in-depth analyses of the key figures in Deleuze's lineage whose significance - as a result of either their obscurity or the complexity of their place in the Deleuzean text - has not previously been well understood. This work will prove indispensable to students and scholars seeking to understand the context from which Deleuze's ideas emerge.Included are essays on Deleuze's relationship to figures as varied as Marx, Simondon, Wronski, Hegel, Hume, Maimon, Ruyer, Kant, Heidegger, Husserl, Reimann, Leibniz, Bergson and Freud.