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“Communisation” means something quite straightforward: a revolution that starts to change social relations immediately. It would extend over years, decades probably, but from Day One it would begin to do away with wage-labour, profit, productivity, private property, classes, States, masculine domination, and more. There would be no “transition period” in the Marxist sense, no period when the “associated producers” continue furthering economic growth to create the industrial foundations of a new world. Communisation means a creative insurrection that would bring about communism, not its preconditions. Thus stated, it sounds simple enough. The questions are what, how, and by whom. That is what this book is about. Communisation is not the be-all and end-all that solves everything and proves wrong all past critical theory. The concept was born out of a specific period, and we can fully understand it by going back to how people personally and collectively experienced the crises of the 1960s and ’70s. The notion is now developing in the maelstrom of a new crisis, deeper than the Depression of the 1930s, among other reasons because of its ecological dimension, a crisis that has the scope and magnitude of a crisis of civilisation. This is not a book that glorifies existing struggles as if their present accumulation were enough to result in revolution. Radical theory is meaningful if it addresses the question: How can proletarian resistance to exploitation and dispossession achieve more than aggravate the crisis? How can it reshape the world?
In this fully updated Second Edition, three of today’s most respected crisis/risk communication scholars provide the latest theory, practice, and innovative approaches for handling crisis. This acclaimed book presents the discourse of renewal as a theory to manage crises effectively. The book provides 15 in-depth case studies that highlight successes and failures in dealing with core issues of crisis leadership, managing uncertainty, communicating effectively, understanding risk, promoting communication ethics, enabling organizational learning, and producing renewing responses to crisis. Unlike other crisis communication texts, this book answers the question, “What now?” and explains how organizations can and should emerge from crisis.
"Can we find alternatives to the failed radical projects of the twentieth century? What are the possible forms of struggle today? How do we fight back against the misery of our crisis-ridden present? 'Communization' is the spectre of the immediate struggle to abolish capitalism and the state, which haunts Europe, Northern California and wherever the real abstractions of value that shape our lives are contested. Evolving on the terrain of capitalism new practices of the 'human strike', autonomous communes, occupation and insurrection have attacked the alienations of our times. These signs of resistance are scattered and have yet to coalesce, and their future is deliberately precarious and insecure. Bringing together voices from inside and outside of these currents Communization and Its Discontents treats communization as a problem to be explored rather than a solution. Taking in the new theorizations of communization proposed by Tiqqun and The Invisible Committee, Théorie Communiste, post-autonomists, and others, it offers critical reflections on the possibilities and the limits of these contemporary forms, strategies, and tactics of struggle"--Publisher's description.
In the wake of new far-right populisms, the fragmentation of progressive global narratives and the dismantling of economic globalization, there are signs that neoliberalism is beginning to enter its death throes. Using 1968 as one of the inaugural moments of neoliberalism, this interdisciplinary collection is a critical and comparative resource that reexamines the significance and legacy of the global 1968 uprisings from today’s vantage point. For scholars and students alike, this interdisciplinary collection will help readers understand why the global uprisings of 1968 continue to resonate and what it means for theory and culture today.
How do we organize in a world after both Occupy and the Sanders campaign? A decade ago, a wave of mass mobilisations described as "horizontal" and "leaderless" swept the planet, holding the promise of real democracy and justice for the 99%. Many saw its subsequent ebb as proof of the need to go back to what was once called "the question of organisation". For something so often described as essential, however, political organisation remains a surprisingly under-theorised field. In this book, Rodrigo Nunes proposes to remedy that lack by starting again from scratch. Redefining the terms of the problem, he rejects the confusion between organisation and any of the forms it can take, such as the party, and argues that organisation must be understood as always supposing a diverse ecology of different initiatives and organisational forms. Drawing from a wide array of sources and traditions that include cybernetics, poststructuralism, network theory and Marxism, Nunes develops a grammar that eschews easy oppositions between "verticalism" and "horizontalism", centralisation and dispersion, and offers a fresh approach to enduring issues like spontaneity, leadership, democracy, strategy, populism, revolution, and the relationship between movements and parties.
Space is never a neutral ‘stage’ on which social actors play their roles, sometimes cooperating with each other, sometimes struggling against each other. Space has multiple and complex functions in the development of social relations, it is a reference for identity-building, a material condition for existence, and an instrument of power. This book explores the ways in which space has been used for resistance, especially in left-libertarian contexts. From the early anarchist organizing efforts in the 19th century to the contemporary social movements of the Mexican Zapatistas, the chapters examine a range of cases to illustrate both the limits and potentialities of utilizing space within anarchist practice. By theorizing the production of anarchist spaces, the book aims to foster new geographical imaginations that energetically cultivate alternative practices to challenge the status quo. It shows that spatial re-organization, spatial practices and spatial resources are also a basic condition for human emancipation, autonomy and freedom.
This major new manifesto offers a “clear and compelling vision of a postcapitalist society” and shows how left-wing politics can be rebuilt for the 21st century (Mark Fisher, author of Capitalist Realism) Neoliberalism isn’t working. Austerity is forcing millions into poverty and many more into precarious work, while the left remains trapped in stagnant political practices that offer no respite. Inventing the Future is a bold new manifesto for life after capitalism. Against the confused understanding of our high-tech world by both the right and the left, this book claims that the emancipatory and future-oriented possibilities of our society can be reclaimed. Instead of running from a complex future, Nick Srnicek and Alex Williams demand a postcapitalist economy capable of advancing standards, liberating humanity from work and developing technologies that expand our freedoms. This new edition includes a new chapter where they respond to their various critics.
In a fascinating and radical critique of identity and class, Your Place or Mine? examines the modern invention of homosexuality as a social construct that emerged in the 19th century. Examining “fairies” in Victorian England, transmen in early 20th century Manhattan, sexual politics in Soviet Russia as well as Stonewall’s attempt to combine gay self-defence with revolutionary critique. Dauvé turns his keen eye on contemporary political correctness in the United States, and the rise of reactionary discourse. The utopian vision of Your Place or Mine? is vital to a just society: the invention of a world where one can be human without having to be classified by sexual practices or gender expressions. Where one need not find shelter in definition or assimilation. A refreshing reminder that we are not all the same, nor do we need to be.
This collection explores the cultural fascination with social media forms of self-portraiture, "selfies," with a specific interest in online self-imaging strategies in a Western context. This book examines the selfie as a social and technological phenomenon but also engages with digital self-portraiture as representation: as work that is committed to rigorous object-based analysis. The scholars in this volume consider the topic of online self-portraiture—both its social function as a technology-driven form of visual communication, as well as its thematic, intellectual, historical, and aesthetic intersections with the history of art and visual culture. This book will be of interest to scholars of photography, art history, and media studies.