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When Feminist Theory: From Margin to Center was first published in 1984, it was welcomed and praised by feminist thinkers who wanted a new vision. Even so, individual readers frequently found the theory "unsettling" or "provocative." Today, the blueprint for feminist movement presented in the book remains as provocative and relevant as ever. Written in hooks's characteristic direct style, Feminist Theory embodies the hope that feminists can find a common language to spread the word and create a mass, global feminist movement.
This is the first book-length study of installation art. JulieReiss concentrates on some of the central figures in its emergence,including artists, critics, and curators.
The essays collected here explore the relation of feminist bioethics to mainstream bioethical thought and practice. From publisher description.
Should modern Chinese history be approached from the center looking out or from the margins looking in? In this book, twelve contributors attempt to answer this question. In the process, they adopt various conceptual schemes for understanding relations between the center and the margins, including at least four different ones: capital as center and provinces as margins; coast as center and interior as margins; cultural metropolis as center and parochial hinterland as margins; China as a center and bordering states also as centers with margins in between. The contributors explore the relations between these centers and margins in periods of time that span three major political eras: the Qing dynasty (1644-1912) when China s capital was in Beijing; the Republic of China (1912-1949) when its capital was in Beijing (1912-1927), Nanjing (1927 1937), Chongqing (1938-1945), and Nanjing again (1945-1949); and the People s Republic of China (1949-present) when its capital has been in Beijing. Taken together, the essays have both a cohesive thematic unity and a long chronological sweep.
Center or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll includes essays by Catherine Belsey, Harry Berger, Jr., Philippa Berry, Raphael Falco, Jean E. Howard, Lena Cowen Orlin, Patricia Parker, Phyllis Rackin, Bruce R. Smith, Barbara Maria Stafford, Peter Stallybrass, and Susanne Woods. With sections on England at the Margins, Researching the Renaissance, The Human Figure on the Stage, and Artificial Persons, the collection makes interventions in historiography as well as history, literary interpretation, and also literary criticism. Some of the issues are England's marginal status in the sixteenth- and seventeenth- century world; the re-centering strategies of the Renaissance public theater in both time and space; mutually reinforcing fallacies engendered by common practices of canon formation and historical narrative; the central meanings of marginal characters in Shakespeare and Milton;
This introduction focuses on how issues involving race, class, and gender influence our understanding of the Bible. Describing how "standard" readings of the Bible are not always acceptable to people or groups on the "margins," this book afters valuable new insights into biblical texts today.
Papers presented at a conference held Mar. 2004, Mary Immaculate College, University of Limerick.
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
Drawing on eight case studies from key cities on the periphery of global cities literature, Relocating Global Cities argues that all cities are globalizing in important ways. Case studies of Frankfurt, Johannesburg, Bangkok, Manila, Tampa, Sydney, Brussels, and Caracas provide the basis for an alternative theoretical approach to global city formation. Reconciling a market-based understanding and an agency-based understanding of global cities, this book proposes that globalization and cities are mutually constituted by the global political economy engaging with transnational and local agents. The volume proposes an alternate theoretical approach to the literature of globalization while remaining grounded in concrete discussions of key cities. Its expert contributors reconcile the conflicting ways in which two dominant paradigms, one emphasizing market forces and the other the unique actions of individuals and groups, embody our understanding of global cities. This book will be of interest to students and researchers alike, and is a perfect complement to texts in Urban Studies and Globalization.
Maria Sibylla Merian, a German painter and naturalist, produced an innovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname.