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Love and War in Afghanistan presents true stories of fourteen ordinary men and women living in Northern Afghanistan. In a quarter-century of uninterrupted war, the people of Afghanistan have endured foreign invasions, ethnic strife, a fundamentalist Islamic totalitarian regime, and the unending crossfire of rival warlord factions. The country remains an object of fascination for journalists, academics, and filmmakers from around the world. In the midst of it all it is a startlingly powerful experience to discover, here, the voices of the Afghan people themselves. Young lovers who elope against the wishes of their kin; a mullah whose wit is his only defense against his armed captors; a defector from the Soviet army; a woman who is forced to stand up to gangsters in Tajikistan—their dramatic stories emerge in their own unforgettable words. Whether in the sudden awakening of mercy in a Taliban militiaman, the lingering contempt of a woman for her husband’s first wife, the pain and confusion of flight into exile, or the resourcefulness of a child who must provide for an entire family, the real focus of these narratives is the strength of solitary individuals faced daily with their own vulnerability. Men, women, orphans, widows, widowers, Tajiks, Pashtuns, Uzbeks, Turkmens, schoolteachers, mullahs, former Taliban, mujahideen, big brothers, little sisters, captive wives, lovers in flight: Love and War in Afghanistan tells their stories, putting human faces onto a country torn by war.
As Salam Alaikum, friends. My name is Andisha "Andi" Khairzad. I was born in the province of Nimruz, Afghanistan, and raised in the City of Montreal, Quebec. My parents Aziz and Azra own Chez Khairzad, a lovely restaurant located in suburban Laval. I studied for my Master's degree in Anthropology at the University of Ottawa, and got married right after graduation to Ali Haidari, a handsome young Afghan immigrant. Things didn't work out and Ali divorced me. I led a lonely life in the Capital until I met Bilal Tunani, a handsome engineer from Central African Republic. We fell in love, against all odds. My parents just about lost their minds when they found out about us. It's basically us against the world, Bilal and I. This is our story.
“Spectacular . . . a majestic collection that captures the drama of everyday existence in war zones around the world. . . . There is no disputing the impact of this revelatory collection.” —BookPage From the Pulitzer Prize-winning photojournalist and New York Times bestselling author, a stunning and personally curated selection of her work across the Middle East, South Asia, and Africa Pulitzer Prize–winning photojournalist and MacArthur Fellow Lynsey Addario has spent the last two decades bearing witness to the world’s most urgent humanitarian and human rights crises. Traveling to the most dangerous and remote corners to document crucial moments such as Afghanistan under the Taliban immediately before and after the 9/11 attacks, Iraq following the US-led invasion and dismantlement of Saddam Hussein’s government, and western Sudan in the aftermath of the genocide in Darfur, she has captured through her photographs visual testimony not only of war and injustice but also of humanity, dignity, and resilience. In this compelling collection of more than two hundred photographs, Addario’s commitment to exposing the devastating consequences of human conflict is on full display. Her subjects include the lives of female members of the military, as well as the trauma and abuse inflicted on women in male-dominated societies; American soldiers rescuing comrades in the Korengal Valley of Afghanistan, and Libyan opposition troops trading fire in Benghazi. Interspersed between her commanding and arresting images are personal journal entries and letters, as well as revelatory essays from esteemed writers such as Dexter Filkins, Suzy Hansen, and Lydia Polgreen. A powerful and singular work from one of the most brilliant and influential photojournalists working today, Of Love & War is a breathtaking record of our complex world in all its inescapable chaos, conflict, and beauty.
An eye-opening, heart-rending tale of love, honor and betrayal from veteran foreign news correspodent Atia Abawi Fatima is a Hazara girl, raised to be obedient and dutiful. Samiullah is a Pashtun boy raised to defend the traditions of his tribe. They were not meant to fall in love. But they do. And the story that follows shows both the beauty and the violence in current-day Afghanistan as Fatima and Samiullah fight their families, their cultures and the Taliban to stay together. Based on the people Atia Abawi met and the events she covered during her nearly five years in Afghanistan, this stunning novel is a must-read for anyone who has lived during America's War in Afghanistan. Perfect for fans of Patricia McCormick, Linda Sue Park, and Khaled Hosseini, this story will stay with readers for a long time to come. * “A suspenseful, enlightening, and hopeful love story.” Publishers Weekly, starred review “Riveting plot, sympathetic characters and straightforward narration studded with vivid, authentic detail: a top choice.” – Kirkus review “Heartbreaking and heartwarming.” – VOYA review
A riveting, real-life equivalent of The Kite Runner—an astonishingly powerful and profoundly moving story of a young couple willing to risk everything for love that puts a human face on the ongoing debate about women’s rights in the Muslim world. Zakia and Ali were from different tribes, but they grew up on neighboring farms in the hinterlands of Afghanistan. By the time they were young teenagers, Zakia, strikingly beautiful and fiercely opinionated, and Ali, shy and tender, had fallen in love. Defying their families, sectarian differences, cultural conventions, and Afghan civil and Islamic law, they ran away together only to live under constant threat from Zakia’s large and vengeful family, who have vowed to kill her to restore the family’s honor. They are still in hiding. Despite a decade of American good intentions, women in Afghanistan are still subjected to some of the worst human rights violations in the world. Rod Nordland, then the Kabul bureau chief of the New York Times, had watched these abuses unfold for years when he came upon Zakia and Ali, and has not only chronicled their plight, but has also shepherded them from danger. The Lovers will do for women’s rights generally what Malala’s story did for women’s education. It is an astonishing story about self-determination and the meaning of love that illustrates, as no policy book could, the limits of Western influence on fundamentalist Islamic culture and, at the same time, the need for change.
The authors of oral literature in the Pashtun language create their work at a far remove from any books. Generally deprived of the support of schools and universities, their compositions are inseparable from song. Their poetry is never declaimed; rather, their rhyme and rhythm have melodic value. These popular improvisations do not exalt mystic love. In them there is no aspiration whatsoever to an unfathomable and incommunicable heaven, nor devotion to the lord, nor praise for an absolute master, nor any Adonis. To the contrary, they are songs of the earth. They celebrate nature, mountains, rivers, dawn and night’s magnetic space. They are songs of war and honor, shame and love, beauty and death. The repression of Afghan women has caused untold suffering, particularly through moral subjugation. Infant daughters and their mothers are received with scorn and shame, and lead lives of subordination and humiliation. Their rebellion against these tribal codes comes only through suicide and song. Translated from the Pashtun into French by the eminent Sayd Bahodine Majrouh, the greatest Afghan poet of the twentieth century, his text has been rendered into English in the expert hands of Marjolijn de Jager of the Translation Department at NYU.
Often risky, sometimes dangerous, Suzanne Griffin's work in Afghanistan has been sustained by love. In 1968, she went to Afghanistan a neophyte. Romantic love had led her there as a newlywed, the wife of a Peace Corps Officer. Love for the Afghan people led her back thirty-four years later, a respected college dean and a widow who knew her heart and had the education, position, tenacity and grace to help Afghans improve maternal health and broaden access to education for women and girls. Love, as she says, can take you many places that you never dreamed of going. In this memoir, you will see that in traditional cultures that respect wisdom and age, older, educated, energetic foreign women can overcome barriers that stop younger foreign co-workers. You will meet Afghans whose sacrifices for love illustrate the strength of the human heart. You will understand how it is possible to survive widowhood or heartache by following a compelling call to serve others on a large scale. You will see how one woman helps overcome perceived cultural barriers by applying the simple principles of inclusiveness, respect, and power-based negotiation.
In 2006, Sanaz Fotouhi, a young woman in her twenties, travels to Afghanistan with her partner to make a film Seven years and four trips later their feature documentary Love Marriage in Kabul wins awards and the hearts of audiences in Australia and around the world. Love Marriage in Kabul is the behind-the-scenes account of the hardships and heartaches, tears and joys of the seemingly impossible project of making a film in Afghanistan. It is the story of a young woman's determination to confront her fears to provide an insight into the hidden world of Afghanistan's widows and orphans. With rare compassion and lucidity, Sanaz Fotouhi chronicles her inner struggles and external events and leads us to interrogate our own notion of humanity. The manuscript of Love Marriage in Kabul: a Memoir won the University of Melbourne's 2018 Peter Blazey Fellowship. 'This is a beautifully written memoir about local traumas and predicaments, pitching them - often uneasily - against global movement and an increasingly cosmopolitan self-awareness.' -- Judges of the University of Melbourne's Peter Blazey Fellowship
“A page-turner. The portrait of Africa that emerges is disturbing, tender, and harsh. . . . A tremendous read. I couldn’t put it down.” —Abraham Verghese, New York Times–bestselling author of The Covenant of Water A seasoned war correspondent, Jeffrey Gettleman has covered every major conflict over the past twenty years, from Afghanistan to Iraq to the Congo. For the past decade, he has served as the East Africa bureau chief for the New York Times, fulfilling a teenage dream. At nineteen, Gettleman fell in love, twice. On a do-it-yourself community service trip in college, he went to East Africa—a terrifying, exciting, dreamlike part of the world in the throes of change that imprinted itself on his imagination and on his heart. But around that same time he also fell in love with a fellow Cornell student—the brightest, classiest, most principled woman he’d ever met. To say they were opposites was an understatement. She became a criminal lawyer in America; he hungered to return to Africa. For the next decade he would be torn between these two abiding passions. A sensually rendered coming-of-age story, Love, Africa is a tale of passion, violence, far-flung adventure, tortuous long-distance relationships, screwing up, forgiveness, parenthood, and happiness that explores the power of finding yourself in the most unexpected of places. “Aptly displays why [Gettleman's] a Pulitzer Prize winner and a New York Times bureau chief . . . there's a thrilling immediacy and attention to detail in Gettleman's writing that puts the reader right beside him. . . . An absolute must-read.” —Booklist, starred review “Love, Africa offers a key to understanding humankind’s past and future and a key to understanding our hearts.” —Sheryl Sandberg