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As for the house, it is a plain one; indeed, very like the house a child draws on a slate, and therefore pleasing even externally to me, who prefer the classical to any Gothic style of architecture. Why so many strangers mistake it with its modest dimensions for a hotel, I cannot tell you. I found one in the pantry the other day searching for a brandy-and-soda; another rang the dining-room bell and dumbfoundered the maid by asking what we had for lunch; and a third (a lady) cried when I broke to her that I had no sitting-room to let. We make it a rule to send out a chair whenever some unknown invader walks into the garden and prepares to make a water-colour sketch of the view. There are some, too, whose behaviour cannot be reconciled with the hallucination of a hotel, and they must take the house for a public institution of some kind, though of what kind I cannot guess. There was an extremely bashful youth, for instance, who roamed the garden for a while on the day after the late Duke of Cambridge's funeral, and, suddenly dashing in by the back door, wanted to know why our flag was not at half-mast. There was also a lady who called on the excuse that she had made a life-study of the Bront‘s, and after opining (in a guarded manner) that they came, originally, from somewhere in Yorkshire, desired to be informed how many servants we kept. I have sometimes thought of rechristening our house The Hotel of the Four Seasons, and thereby releasing its true name (The Haven) to a friend who covets it for his own. On the whole, however, these visitors disturb the house and the view from my window very little. The upper halves of them, as they pass up and down the road, appear above my garden wall much as the shadows that passed in Plato's cave. They come, enjoy their holiday, and go, leaving the window intent upon the harbour, its own folk and its own business.
A beautiful village. An artist who’s lost her spark. And a community who help her find it again. ‘Charming and romantic, sweet and sunny. I loved it’ MILLY JOHNSON 'A warm and charm-filled story about community, passion and following your heart, The Cornish Hideaway is a feel-good delight. Its dreamy seaside setting and cast of loveable characters quickly became a world I didn't want to leave. A holiday romance in book form - I adored it!' HOLLY MILLER ‘A sun-drenched summer in picture-perfect Polcarrow - I didn't want it to end’ HOLLY HEPBURN All Freya has ever wanted to do is paint. So when she fails her Master’s Degree in Art, on the same day that her boyfriend decides he needs a ‘more serious’ partner, to Freya it feels like the end of the world. Luckily, she has a saviour in the shape of best friend Lola, who invites her to the sleepy Cornish village of Polcarrow, to work in her café. With nothing keeping her in London, Freya jumps at the chance of a summer by the sea. Freya needs time to focus on herself. But then dark and mysterious biker Angelo blows into town on a stormy afternoon, with his own artistic dreams and a secretive past, and Freya’s plans of a romance-free summer fly straight out of the window… Heart-warming, heartfelt and romantic, The Cornish Hideaway is a novel of community, friendship and learning to love again, for fans of Jenny Colgan, Cathy Bramley and Heidi Swain. ‘I absolutely loved the gorgeous seaside setting and the wonderful sense of community!’ HOLLY MARTIN 'A wonderfully charming debut’ JACKIE FRASER
This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.
The Rough Guide to Devon & Cornwall is the ultimate handbook for discovering the region, from the wilds of Dartmoor to the rocky Atlantic coast, and from Lundy Island to the "English Riviera" of Torbay. For outdoor activities enthusiasts or beach bums, The Rough Guide to Devon & Cornwall tells you everything you need to know for a weekend away or an extended break. Discover the best walks, rides, dives and surf breaks in Devon and Cornwall together with biking and hiking trails and specialist holiday operators. Foodies are directed to the regions best restaurants and most authentic pubs with all the region's diverse food and drink highlights explored and explained, not to mention festivals and local fairs. Whether you're looking for the best camping or the most stylish hotels rely on accommodation suggestions for every budget and taste. You'll find practical advice on travelling around the region from bus routes to rail passes as well as the clearest maps of any guide. Explore all corners of this region with authoritative background on everything from Devon & Cornwall's varied landscapes and diverse wildlife to its literary connections. Make the most of your holiday with The Rough Guide to Devon & Corwall